Activist & Political · African American · Cinematographers · Interviews · War
When I take on a project, one of the first things I try to do is get an idea of the overarching tone the director is looking for. Then I[…]
New Genres · New Media · Travel
Yet if Slow TV is concerned with capturing movement, which is actually quite fast during the journey, why then is it also slow? The slowness is in the pace and[…]
The restrained tone, middle American location, and half-century historical sweep of The Irishman depart from Scorsese’s gangland epics Goodfellas and Casino. It isn’t a political treatise, but it does tie[…]
Expanding and redrawing Ginette Vincendeau’s incomplete map of French film noir * * * Let it be said here first: I come to praise Ginette Vincendeau,1 not to bury her.[…]
If Harry, viewed through the lens of Greene’s perverse Catholicism, is some kind of dark Jesus, then Holly is his betraying Judas, and Anna is his Magdalene. Both Harry and[…]
Activist & Political · Directors · LGBT & Queer
Despite their focus on timely sociopolitical matters, the films are almost never didactic (the final act of Temblores is an exception), because Bustamante is too keen to explore and shed[…]
Activist & Political · African American · Drama
Like Dassin’s 1950 noir classic Night and the City, Uptight is shot predominantly at night, with oddly titled camera angles and bright, glaring colours, ironically organised around the shades of[…]
SF & Fantasy · Women in Film · Writers & Critics
A Boy and His Dog’s promotional advertisements also reveal how the novella was adapted and modified to suit the tastes of the American popular film-going public. The movie’s promo posters[…]
Drama · Horror · Women in Film
The movie is, literally, a projection of our mental landscape. We passively sit back (like Jeffries in Rear Window) and the world appears as we live and make it. We[…]
Documentaries · Historical & Epic · War
The pair have little in common, but each goes against the grain of how this form is typically used, sacrificing everything else in the pursuit of an important story that[…]
Directors · Journalism · Silents
Before Wilder considered his own career as a filmmaker as having begun, and then reached movie fame on the other side of the Atlantic, he left behind a stumbling career[…]
From these socio-erotic negotiations sprung cinema’s first expressly lesbian-themed feature, Mädchen in Uniform (1931), not simply a tale of forbidden love but a historically particular challenge to Weimar Germany’s separation[…]
Drama · Essays · Urban Conflict
This conditional access to space is also there in Tangerine, but it is never tested to the breaking point. The conflicts that occur between the characters and the managers of[…]
Directors · Indigenous · Interviews · Women in Film
It’s the kind of film I wanted to make where you see social implications growing from a personal story. What made it very hard was the sadness of it and[…]
#MeToo · Activist & Political · Drama · Women in Film · Workplace
#MeToo has been an unequivocal success in terms of calling out the rampant sexual abuse that exists in the veins of Hollywood, but has been less successful in allowing room[…]
Activist & Political · Brazilian Cinema · Indigenous · SF & Fantasy · Westerns
When I watched Bacurau again this summer online, so much felt different: the open-air communal life of the villagers seemed even more distant and utopian; after months of Brazil’s president[…]
Exhibition · Film Technology & History · Impresarios & Moguls · Movie Theatres · Silents
While Grauman is mostly known for spectacular venues reflecting Hollywood’s film fantasies, his early San Francisco period indicates that throughout his career he showed remarkable consistency in referring to the[…]
Directors · Drama · Interviews
“I try very hard to give the characters in my films a sense of humanity. I want this feeling for the audience that these characters exist outside of the frame.[…]
Drama · Interior Monologue · Letters
(interpolating material by Paul Simon, John Sebastian, Johnny Jewel, Johnny Mercer, Emily Jane Meluch, Conor Oberst, Jaret Ray Reddick, and Eddie Argos) * * * The weight of the world[…]
