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African American · Animation · Franchises & Series · Sports
The implication is that fun is what is ultimately being played for – that fun is freedom’s goal, the reason that liberty is desirable at all. Michael knows that if[…]
Activist & Political · African American · Essays · Historical & Epic · Silents
D. W. Griffith died on July 23, 1948. To commemorate this seminal figure in cinema history, we repost BLFJ regular Gordon Thomas’s deep dive, which first appeared in 2016, into[…]
Actors & Personalities · Comedy · Drama
You would never guess either from looking at him or from the “aw shucks” way in which he’s remembered that Stewart is responsible for some of the most erotic romantic[…]
Essays · Hollywood · Literature and Film · Westerns
There is almost certainly nowhere in America, probably even the Western world, as infamous for its venality and ambiguities than Didion’s home for three decades: Hollywood, Los Angeles. In Once[…]
Actors & Personalities · Women in Film
“[Vivien Leigh] is, I should say, the most important recruit British films have ever had . . . She is still not at all keen on going to Hollywood. She could go any day if she said the word. It’s up to the English studios to develop her over here.” — Picturegoer, April 3, 1937
African · Colonialism · Education · Literature and Film · Women in Film
Much of the affective force of Palcy’s film closely resembles and draws on the deep emotional involvement Truffaut leads his audience to invest in the vulnerable, yearning ne’er-do-well Antoine Doinel.[…]
Biopic · Drama · Writers & Critics
In both texts, these strategies suggest similar attempts to represent the present moment’s relationship to the American past. Faulkner’s devastating analysis of race and Welles’s meditations on wealth and worth[…]
Drama · Military and Paramilitary · Philosophy · Thrillers & Action · Urban Conflict · War
This essay discusses Eye in the Sky’s elaborate staging of the trolley problem, a famous philsophical thought experiment designed to tease out our criteria for moral judgments. The author argues[…]
Directors · Interviews · Writers & Critics
“There isn’t a fucking comma in the original script [for Dangerfield, aka Scorpio] that I used,” Wilson says. “All that about Burt and double agents is my own experience. If[…]
Each Abel-Gordon-Romy scenario is like a test, or challenge – in heroic terms, a trial – the filmmakers put to themselves, culminating in the couple going it alone for Lost[…]
Books · Experimental & Underground · Philosophy
It is, ostensibly, a story about a truck. The 32-ton Saviem truck of Marguerite Duras’ 1977 experimental film Le Camion moves relentlessly forward, steered by a faceless driver, to an[…]
“Isn’t it extraordinary that the most popular character ever written should apparently be defeated by life instead of transcending it?”
Classical · Historical & Epic · TV & Streaming
What haunts me in the story of Nero is the mercurial nature of art and fiction. They are good for us only so far as they encourage our well-being. Human[…]
Documentaries · Film Technology & History · Videos
Herein lies the greater paradox. The attributes that underpinned Blockbuster’s success, and undermined those of others, enabled the creative awakenings of countless people. The Last Blockbuster’s interviewees comment on special[…]
Music & Musicals · TV & Streaming
“The height of the Bush era was a weird, giddy time.” – Stephen Thomas Erlewine on Milli Vanilli’s Girl You Know It’s True (1989) * * * Cop Rock (ABC,[…]
Drama · Essays · Religion & Spirituality
Dare to step together into an “usness” that has no guarantees but the shared vision of belonging, whose embers you agree to slowly tend. History provides the furnishings that are[…]
Drama · Essays · Literature and Film · Westerns
We must dissect why Hud succeeded with reviewers and audiences alike, but to differing effects. The task at hand is not merely to provide a clear analysis of the issues[…]
Literature and Film · Thrillers & Action · Writers & Critics
A master of the spy novel whose work inspired some of the most memorable films of the genre, John le Carré died on December 12, 2020. We honor him with[…]
Actors & Personalities · Comedy · Directors · Historical & Epic · Politics
Charlie Chaplin was born on April 16, 1889. To honor the old boy, we herewith present Alan Vanneman’s witty discussion of one of Charlie’s masterpieces, originally published in Bright Lights[…]
Books · Directors · Women in Film
Anna Backman Rogers, Sofia Coppola: The Politics of Visual Pleasure (New York: Berghahn Books, 2019). The Coppola who emerges from Rogers’s study is therefore something of a double agent. On[…]
African American · Documentaries · Place
The film could be described as “meditative,” but with an important twist: while the directors and Lashay guide the audience through a thoughtful and introspective process – making sense of[…]
Essays · Feminism · Women in Film · Work and Workplace
Sarah is a good astronaut because she is a mother, not in spite of it. And she is a good mother because she is a good astronaut. If Sarah were[…]
Counterculture · Music & Musicals · Noir
In noir, tales of wrongful accusation tend to play out on mean streets that reflect social inequalities, which at times do have a nasty way of tilting normally upright people[…]
Books · Theory · Work and Workplace
Salomé Aguilera Skvirsky, The Process Genre: Cinema and the Aesthetic of Labor. 2020. Duke University Press, $28.95. Watching someone work is hypnotizing. We might not always enjoy working, but something[…]
