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Anarchism · Franchises & Series · Horror · Mental Illness · Mystery · Theory · Urban Conflict
This article aims to demonstrate the ways in which media interests at the levels of cinematic production through to their journalistic reception work to control and marginalize certain progressive ideologies[…]
Directors · Drama · Outsiders · War · Writers & Critics
Rumanian refugee Georges Iscovescu (Charles Boyer) conning a guileless California schoolteacher, Emmy Brown (Olivia de Havilland, in an Oscar-nominated role), into marrying him so he can enter the United States[…]
Crime · Drama · Production History
“Dedicated to Charlie Bluhdorn who inspired it.” * * * Not only is Mario Puzo’s The Godfather the stuff of Hollywood legend, but so is its turbulent production. Even after[…]
Counterculture · Directors · Drama · Interviews · Restorations
Dennis wasn’t originally hired to direct Out of the Blue, rather he was hired to act in it. After about a week of shooting, the production manager, Paul Lewis, who[…]
Actors & Personalities · Directors · Drama · Silents · Women in Film
If she is seen simply as a free spirit, a woman who lives for sexual pleasure, and as exemplary on that account, a model liberated woman (as Louise Brooks herself[…]
Directors · Historical & Epic · Horror · Politics
I have been a fan of writer/director Larry Cohen ever since viewing his 1970s classics The Private Files of J. Edgar Hoover (1977) and It Lives Again (1978). Cohen was[…]
Horror · Psychology · SF & Fantasy · TV & Streaming · Women in Film
But that’s not to deny the series’ eerie impact, all the same – starting with the level, assured-past-urgency mortician’s cool of Newland himself and his unnerving, implacable smile. Is it[…]
Drama · DVD & Blu-ray · German Cinema
Its release on Blu-ray is in some ways a belated victory for the film, whose unsuccessful release in the United States eighty-five years ago was a disappointment to Trenker and[…]
African American · Drama · Melodrama · Reviews · Women in Film
This article appeared first in our all-Sirk print issue (#6, Winter 1977) and was reposted in the March 1997 online version of Bright Lights. We present it here to celebrate[…]
Indies · New Genres · New Media
The easier it is to relate to for the white girls aged TikTok to thirty-five who dominate this market, the better, and what these girls are longing for most is[…]
Comedy · Documentaries · Music & Musicals
This Is Spinal Tap is coated with the stylized veneer of a rockumentary turned inside out or, rather, back on itself as self-conscious dress-up, playful disguise. The cultivated image of[…]
Directors · Drama · Production History
For all his flaws, Welles was not a man with a fear of completion, but rather one who would hold on to finishing his work to the absolute breaking point.[…]
As some of those character names echo, James portrayed a lot of villainy and savage desperation over the course of his career, inaugurated by his performance as burning racist Ralph[…]
Drama · DVD & Blu-ray · Women in Film
The relative obscurity of van Brakel’s works gives these decades-old films a sort of newness. Indeed, there’s a genuineness in the films that seems foreign, even exotic, in our streaming[…]
Franchises & Series · SF & Fantasy · Women in Film
In The Rise of Skywalker, Rey learns that her grandfather is Emperor Palpatine. Feeling more like a backtrack than a step forward, this new information is a betrayal of Rey’s[…]
Actors & Personalities · Asian · Directors · Theory
When Lee’s daughter asks her new caretaker why the apartment is such a mess, she answers, “A house is like a person. It gets sick, grows old. The cracks in[…]
Directors · Essays · Romance · Writers & Critics
But these reflections bring Vertigo down to “depressing” reality. The view that reality is a downer redeemable only by “exalted seeing” is the basis for James Harvey’s disparagement of 1950s[…]
Human beings have an infinite capacity to adapt to the most adverse circumstances; what other animal can thrive in both the hottest deserts and the coldest mountains? Watching Room, I[…]
What I want to lose here is any suggestion that there’s only one solution to the problem of getting through tough times together. * * * Three Billboards outside Ebbing[…]
Actors & Personalities · Colonialism · Drama · Essays · Historical & Epic · Philosophy · Religion & Spirituality · Writers & Critics
Near the close of our Skype meeting, my conversation with James Fox turned inside out. He enquired if he could ask me a question. He then tried to assemble the[…]
Trauma can plant its seed-bomb in the minefield of a vulnerable mind, a risk every participant in war takes, and one the film addresses in several contexts. For the viewer,[…]
Activist & Political · Biopic · Documentaries · Drama · Eastern European · Middle East
Like Assayas’s Carlos, Ujică’s Autobiography mostly remains an investigation of a public figure in its public functions. And both films subtly decenter their Big Man of History protagonists. Both document[…]
African American · Drama · LGBT & Queer · Sex & Relationships
The visual style shows people as essentially solitary, a remarkable choice of perspective in view of the importance of the wider social realities – racial and sexual – that “create”[…]
French Cinema · Literature and Film · Philosophy · Writers & Critics
Tout le film est en effet l’histoire d’une persuasion. (The whole film is the story of a persuasion.) – Alain Robbe-Grillet1 En fait, je pense qu’on a tout à fait[…]
