Essays · Historical & Epic · Memoir · SF & Fantasy
The Wizard of Oz, the film, turns 80 this year, 2019. To celebrate, we present Amy Kenyon’s striking analysis/memoir, which explores growing up a “rust belt girl” in postwar Detroit[…]
Horror · Interviews · Movies · SF & Fantasy
* * * It’s The Day of the Triffids’ fault: when he was a wee lad stuck at home in front of the television with a sprained arm (fault: sister,[…]
Drama · Horror · SF & Fantasy
Given the fact that sex and violence are alleged to be as normalized in our culture as wind blowing through the trees, in Bird Box, Malorie’s shock even appears prudish[…]
Downsizing is a dystopic satire on American values that has an unsurprising and credible core involving a sick and impoverished underclass. It is credible because the USA is alone among[…]
Uncharacteristically, The Martian and Arrival do not present us with a problematic dystopian future with which to grapple; a future in which everything has always already gone wrong. Instead, they[…]
Franchises & Series · SF & Fantasy
We could call Episode I the first of the modern “digital epics.” It is perhaps the single most influential film on today’s Hollywood, the film that introduced the concept of[…]
Franchises & Series · SF & Fantasy · Superheroes
So how does Disney repeatedly peddle the same action film while also making this story acceptable to the media as a progressive identity narrative for the little guy? How does[…]
Franchises & Series · SF & Fantasy
Jurassic Park, in all its dark consumeristic negatives and heartless colonial instincts, exists in the real world as a film in the same way that the park exists in the[…]
Franchises & Series · SF & Fantasy
A Transformers film has to face incessant criticism about the amount of action, the blurry continuity of its symphonies of shrapnel, the overuse of MacGuffins, and the lack of good[…]
Drama · SF & Fantasy · Women in Film
Even as it has sunk like a stone commercially, Annihilation has drawn a flurry of passionate responses, mainly, it seems, from women writers. Many single out its admixture of beauty[…]
Directors · Horror · SF & Fantasy
“It’s better to be a human being than an imitation.”- John Carpenter, on The Thing * * * 1. Begin with sound. Begin with Assault on Precinct 13 (1976). A[…]
Blade Runner 2049 resists our contemporary moment of political and cultural polarization that exploits difference as a cudgel to reinforce (inevitably racialized) hostilities. The film instead forwards a vision of[…]
Drama · LGBT & Queer · SF & Fantasy
As in romance novels, the excitement of sexual provocation is the heart of the story. It occupies two-thirds of the film: “His finger brushed mine” developed in fifteen stages. The[…]
Franchises & Series · SF & Fantasy
One might argue that Rian Johnson’s The Last Jedi attempts at deconstruction yet again, depicting the original trilogy’s heroic Luke as an inexplicably jaded Jedi living in self-imposed exile on[…]
Comics · Franchises & Series · SF & Fantasy
So as you peel back the folds of the opening of Batman v Superman you get the sense that even in its immediately awkward, tone-deaf plotting, this is not a perfectly[…]
Drama · Philosophy · SF & Fantasy
“I was the shadow of the waxwing slain By the false azure in the window pane. I was the smudge of ashen fluff – and I Lived on, flew on,[…]
The beautiful grime in Blade Runner challenges you to find humanity in the mechanism of our future, humanity which Scott omits. So we search the frigid replicants for their ghosts,[…]
Franchises & Series · SF & Fantasy
Is it rude to point out that male chimps don’t hug their sons? That’s because they don’t know they have sons! They aren’t “faithful” to their “wives,” which they don’t[…]
Comedy · Comics · Franchises & Series · SF & Fantasy
The recent passing of Adam West – who made Batman his own despite the many higher-profile claimants to the cape – reminds us of the feature film based on the witty TV[…]
Comics · Franchises & Series · SF & Fantasy · Women in Film
Unshackled by the Snyder malaise – and ignoring the slow motion he made a fad with 300, which Jenkins curiously revisits with consistency verging on the fetishistic – Gadot roars.[…]
