Eco · Horror · SF & Fantasy
In his creation of a nonhuman cinematic world that mines horror from its confrontation of human fear of irrelevance and inadaptability, Bouwer ultimately suggests that survival in the era following[…]
Essays · Pandemic · SF & Fantasy · War
Excerpted from the author’s new critical study, Cold War Space and Culture in the 1960s and 1980s: The Bunkered Decades (Oxford University Press, December 2021), with the kind permission of[…]
Horror · Psychology · SF & Fantasy · TV & Streaming · Women in Film
But that’s not to deny the series’ eerie impact, all the same – starting with the level, assured-past-urgency mortician’s cool of Newland himself and his unnerving, implacable smile. Is it[…]
Franchises & Series · SF & Fantasy · Women in Film
In The Rise of Skywalker, Rey learns that her grandfather is Emperor Palpatine. Feeling more like a backtrack than a step forward, this new information is a betrayal of Rey’s[…]
Activist & Political · Pandemic · SF & Fantasy
I can’t believe it took me almost four decades and living through a global pandemic to realize it, but in E.T., Elliott and his motley crew of rascals might well[…]
SF & Fantasy · Women in Film · Writers & Critics
A Boy and His Dog’s promotional advertisements also reveal how the novella was adapted and modified to suit the tastes of the American popular film-going public. The movie’s promo posters[…]
Activist & Political · Brazilian Cinema · Indigenous · SF & Fantasy · Westerns
When I watched Bacurau again this summer online, so much felt different: the open-air communal life of the villagers seemed even more distant and utopian; after months of Brazil’s president[…]
Drama · Historical & Epic · SF & Fantasy · TV & Streaming
It is a fascinating exercise to consume this show according to the twenty-first-century rules of binge-watching. As the hours pass and the on-screen death count rises, the sustained passivity of[…]
Horror · Mystery · SF & Fantasy · Westerns
The Thing and The Hateful Eight’s analogous narratives speak to broader philosophical notions of selfhood and knowledge of others. Their thematic undercurrents explore the forever-complicated terrain of what it means[…]
Horror · Philosophy · SF & Fantasy
It’s your thing, do what you wanna do, I can’t tell you who to sock it to. – Isley Brothers What in the thing is thingly? What is the thing[…]
Drama · Literature and Film · Russia · SF & Fantasy
While there can be no doubt Solyaris is no artistic masterpiece, the idea that it isn’t a product of its time is more complicated. To the extent that the film[…]
Edward is never really accepted for who he is by those around him, the persecution he is subjected to the result of a communal, warped worldview and individual biases, ranging[…]
Franchises & Series · Myth and Archetype · SF & Fantasy
Now, there is no reason or way to lay blame for this clash of styles, since Abrams devotees can fairly claim that Johnson started the revisionary process, and the Johnsonians[…]
Activist & Political · Essays · SF & Fantasy
Suddenly, Gort doesn’t seem so powerful. We’re told of his strength and given a few meager examples. We have to take Klaatu’s word for it. The universe/world policeman is a[…]
Essays · Mystery · SF & Fantasy
“The city was dirty. And dirt is fertile.” – Jeremiah Moss * * * New York City ca. 1976 was dying on the vine. With over a million citizens on[…]
Essays · Historical & Epic · Memoir · SF & Fantasy
The Wizard of Oz, the film, turns 80 this year, 2019. To celebrate, we present Amy Kenyon’s striking analysis/memoir, which explores growing up a “rust belt girl” in postwar Detroit[…]
Horror · Interviews · Movies · SF & Fantasy
* * * It’s The Day of the Triffids’ fault: when he was a wee lad stuck at home in front of the television with a sprained arm (fault: sister,[…]
Drama · Horror · SF & Fantasy
Given the fact that sex and violence are alleged to be as normalized in our culture as wind blowing through the trees, in Bird Box, Malorie’s shock even appears prudish[…]
Downsizing is a dystopic satire on American values that has an unsurprising and credible core involving a sick and impoverished underclass. It is credible because the USA is alone among[…]
Uncharacteristically, The Martian and Arrival do not present us with a problematic dystopian future with which to grapple; a future in which everything has always already gone wrong. Instead, they[…]
