Philosophy · Theory · Thrillers & Action · Uncategorized
This article argues that the paradox of James Bond’s character (that he accords with the idea he represents precisely by deviating from it) is central to a Lacanian understanding of[…]
Dance · Drama · Exile and Displacement · Poverty · Theory
One of Frías de la Parra’s masterstrokes is to highlight the similar ways in which Monterrey and New York (otherwise such radically distinct cities) are brimming with diagonal lines: in[…]
Experimental & Underground · Horror · New Media · Societal Trends · Theory · Thrillers & Action · TV & Streaming
The encounter between the lead characters and The Circle evokes a wider sense of anxiety regarding the extent to which we upload information about every area of our lives into[…]
Anarchism · Franchises & Series · Horror · Mental Illness · Mystery · Theory · Urban Conflict
This article aims to demonstrate the ways in which media interests at the levels of cinematic production through to their journalistic reception work to control and marginalize certain progressive ideologies[…]
Actors & Personalities · Asian · Directors · Theory
When Lee’s daughter asks her new caretaker why the apartment is such a mess, she answers, “A house is like a person. It gets sick, grows old. The cracks in[…]
Books · Theory · Work and Workplace
Salomé Aguilera Skvirsky, The Process Genre: Cinema and the Aesthetic of Labor. 2020. Duke University Press, $28.95. Watching someone work is hypnotizing. We might not always enjoy working, but something[…]
Comedy · Literature and Film · Theory · Writers & Critics
The oblique reference to Poe by means of the double POE acronyms, then, can be seen as linking the fundamental prophecy of Dr. Strangelove with the much earlier secular prophecies[…]
Directors · Theory · Writers & Critics
One of Assayas’s most ferocious articles he ever wrote (and also one of the most theoretical) attacks le cinéma publicitaire – a film aesthetic (associated in France with Jean-Jacques Beineix[…]
Drama · Theory · Writers & Critics
Bazin would always harbor reservations about The Third Man, but, due to that film, Greene’s presence would continue to loom large in discussions of Orson Welles, who was, of course,[…]
Comedy · Film Technology & History · Franchises & Series · Theory
Stereoscopic experience, therefore, drastically alters the positioning of the viewer in relation to diegetic content, creating the illusion that the body of the spectator is immersed within the screen planes[…]
We encounter filmic atmosphere vaguely, imperceptibly, but emotively and reflexively; a movie is a mood. Hereditary and Midsommar creep into our consciousness through subtle shifts in light, sound, and camerawork.[…]
