Actors & Personalities · Comedy · Pre-Code
“With his impish grin, twinkling eyes, and boyish blond hair, he looks like Tom Sawyer crossed with a Tammany Hall fixer.”
The subtle beauty of John M. Stahl’s early ’30s work is revealed by the exquisite 35mm prints screening at New York’s Museum of Modern Art in the series Universal Pictures: Restorations and[…]
Among Cahn’s champions is Dave Kehr, a curator at the Museum of Modern Art, who has programmed a four-week series (running through Wednesday, June 15) devoted to his tenure at[…]
Directors · Film Technology & History · Historical & Epic · Pre-Code · Religion & Spirituality · Silents
This post was adapted from the new book by Cecilia de Mille Presley and Mark A. Vieira, Cecil B. DeMille: The Art of the Hollywood Epic (Running Press, 416pp, December[…]
“Who’d of thunk there was a fake Mae West?”
If Zita Johan went off into the Gary Cooper Morocco desert with Valentino as a stud MUMMY and there was 50 SHADES OF GREY UN-PC whipping and dominance head games Stockholm Syndrome romance, well that gives you some of the plot. PRE-CODE RULEZ!
In darker shadowy lairs, Myrna Loy meets with her devoted astrologer, Swami Yogadaci (the ever villainous C. Henry Gordon) to figure out how and when the constellations want her to assassinate her former sorority snubbers. Loy’s the villain, ostensibly, but you’ll be rooting for her all the way (unless you’ve never felt the sting of a snubbing yourself).
DVD & Blu-ray · Pre-Code · Reviews
Unseen for years thanks to its “dangerously progressive” attitudes towards sexual relationships outside wedlock, tomorrow, Tuesday 12/6/12! Criterion has released it in the stand-alone glory it deserves, replete with extras and an essay by the great Kim Morgan.
Murders are talked over via close-ups of cat statues, and a very dirty fella named Blackie gets offed by Guy Kibee (as you’ve never seen him before!).
Pre-Code · Reviews · TV & Streaming
TONIGHT at 8 PM on TCM! SAFE IN HELL (1931) a very lurid pre-code in the RAIN tradition, directed by unflinching two-fisted auteur William PUBLIC ENEMY/NIGHT NURSE Wellman. TCM’s Roger[…]
Is Two Seconds (Mervyn LeRoy, 1932) the first American noir? I’ve read some historians who trace American film noir as far back as Josef von Sternberg’s Underworld (1927). But Underworld,[…]
“The film suggests the denial of the common worker, whose service to industry is only as worthy as his social status.”
Actors & Personalities · Exploitation & Erotica · Pre-Code
Hazy thoughts on the transition from real sex to digital hallucinations
Kicking off the second pre-code set to come out this year, we’ve got THE CHEAT (1931, another in the “rich ne’er do well offers to ‘help’ married woman” genre. This[…]
There’s TWO pre-code sets out for spring: Forbidden Hollywood Vol. 3 and this week comes the Pre-Code Hollywood set from Universal. None of the films quite measure up to the[…]
“Code? What Code?”
“The air is saturated with their feelings for each other as they listen to ‘the distant music of the falls,’ the same falls, of course, that will threaten to kill her.”
TCM had another one of their Stanywck days today, and tivo nabbed me TEN CENTS A DANCE (1931). Stanwyck is on a great slow burn here, starting out as a[…]
