Essays · Thrillers & Action · Urban Conflict · Women in Film
This essay is a revised version of a book chapter that originally appeared in the anthology Clint Eastwood’s Cinema of Trauma: Essays on PTSD in the Director’s Films, eds., Charles[…]
Animation · Essays · Women in Film
Author’s note: My primary works cited, in increasingly tangled order, are the 1989 Disney adaptation of The Little Mermaid; Hayao Miyazaki’s 2008 Studio Ghibli film Ponyo; and the ur-terror that[…]
Activist & Political · African American · Essays · Societal Trends
Anthony Hopkins’ rendition of Othello, recorded by the BBC in 1981, is exquisite, one of the finest examples of Shakespearean acting one can see on film. Today, it’s commonplace for[…]
With Portrait of a Lady on Fire, Céline Sciamma offers us an unexpectedly timely commentary on our present moment of social distancing, self-quarantines, and curfews. This film about cooped-up lovers,[…]
Celebrity Culture · Drama · Essays
While Rupert isn’t interested in a crisscross murder, he certainly wants Jerry to spot him a segment on Jerry’s show. This is more than a favor..And he appears to go[…]
Activist & Political · Documentaries · Essays
E em cada paso dessa linha / pode se machucar. Azar! / A esperança equilibrista / sabe que o show de todo artista tem que continuar. And on each step[…]
“Revolutionaries need an oppressive establishment to thrive, just as governments need hidden enemies to justify stricture.” – Peter Chung, creator of Æon Flux * * * From 1991 to 1995,[…]
In Joker, we see a reversal of Tarantino’s aesthetic, where a patently comic character, a joker with a clown face, is, by degrees, rendered tragic, or as near tragic as[…]
Drama · Essays · Women in Film
Show me one who loves; he knows what I mean. – St. Augustine * * * I’m sharing my favorite places with her outside my alma mater: bald, rolling fields[…]
Drama · Essays · Urban Conflict
Our nation has persisted in this state for so long that when we watch Taxi Driver, we always watch it with John Hinckley. It is a film that forces us[…]
Through their own fragmentary narratives, which resemble Poe’s stream-of-consciousness diary, Shutter Island, Annihilation, and The Lighthouse mount challenges to our own perceptual abilities as viewers. They locate us in the[…]
“They had no song. Their calls were harsh and ugly. But their soaring was like an endless silent singing. What else had they to do? They were sea falcons now;[…]
Activist & Political · Essays · SF & Fantasy
Suddenly, Gort doesn’t seem so powerful. We’re told of his strength and given a few meager examples. We have to take Klaatu’s word for it. The universe/world policeman is a[…]
Essays · Mystery · SF & Fantasy
“The city was dirty. And dirt is fertile.” – Jeremiah Moss * * * New York City ca. 1976 was dying on the vine. With over a million citizens on[…]
Activist & Political · Essays · Philosophy
“Hey, you’re Rick fucking Dalton. Don’t you forget it.” – Once Upon a Time – in Hollywood “And so art is everywhere, since artifice is at the very heart of reality.”[…]
Essays · Historical & Epic · Memoir · SF & Fantasy
The Wizard of Oz, the film, turns 80 this year, 2019. To celebrate, we present Amy Kenyon’s striking analysis/memoir, which explores growing up a “rust belt girl” in postwar Detroit[…]
The film withholds memory and history from us, always knowing more than us, plot-wise, but inviting and compelling our projection of how we fill the space of our own friendships.[…]
Actors & Personalities · Comedy · Drama · Essays · Romance
QT’s films are commonly hurtling toward darkness, yet Once Upon feels like a repudiation, as much as a culmination, of his oeuvre. There’s a point in the experience where the[…]
The final episode of The Return (and, indeed, Lynch’s entire canon) has nothing to do with the literal things, the tracing of narratives and the understanding of who does what.[…]
“We’ve met before, haven’t we?” – The Mystery Man in Lost Highway * * * David Lynch is not a horror director. With the possible exception of Eraserhead, his films[…]
