Comedy · Drama · Family · French Cinema
As a film within the evolving Klapisch oeuvre, what La Venue de l’Avenir (2025) looks forward toward remains, of course, to be seen. As a capstone at this point in[…]
Comedy · Military and Paramilitary · Nazism · Satire · War
Chaplin is not merely parodying how a dictator sounds. He is anatomizing how fascism recruits, extracts, degrades, appropriates, scapegoats, and lies. * * * Charlie Chaplin’s opening Hynkel speech in[…]
Actors & Personalities · Comedy · Screwball Comedy
In a contemporary landscape populated by often-faltering comedies – films that try desperately to be clever only to end up feeling heavy – this 1942 picture recalls an elementary truth:[…]
Capitalism · Class System · Comedy · Drama
Released at a time when conservative hegemony was coming to an end, Planes, Trains and Automobiles can be contextualised as an example of a cinematic expression of an ideological conjuncture,[…]
Comedy · Comics · Essays · Hollywood · Men & Masculinity · Philosophy · Silents
He isn’t just a clown; he is a deconstructionist who reveals the hollowness of the Hollywood dream. The “pause” – those agonizing seconds where Langdon stands motionless – is far[…]
Comedy · Directors · Indies · Interviews · Thrillers & Action
I love it when someone just absolutely shoves the vision down your throat. * * * Vulcanizadora, Joel Potrykus’ fifth feature film, hit the festival circuit last spring with a[…]
Actors & Personalities · Comedy · Directors · Drama
“A true artist” Cukor called Judy Holliday. “She could interpret a text with the subtlest detail.” Their creative relationship brought out the qualities that made her a new kind of[…]
SHEMP! The Biography of the Three Stooges’ Shemp Howard, the Face of Film Comedy, by Burt Kearns. Applause Books, 2024, 280pp. $32.95 On March 11, 1895, a masterclass in American[…]
Celebrity Culture · Comedy · Hollywood · Road Movies
Road to Morocco made the National Film Registry by going to the Mojave Desert in California and using rear screen projection. It didn’t need to go to a “real” casbah.[…]
Comedy · Drama · Interviews · Picaresque · Producers & Studios
A conversation with Palme d’Or-winning producer Alex Coco * * * In Sean Price William’s The Sweet East, we are told “Everything Will Happen,” which may be a warning to[…]
Activist & Political · Comedy · Drama
It’s easy to mistake The Sweet East for a progressive indictment of modern America, with its gun-wielding conspiracy theorists and predatory authority figures – but they belie a blasé politics[…]
This man who watches you returns from hell […]; he is hollow, he is full of air. Dry hands hold him upright from behind, like a house of cards being[…]
Comedy · LGBT & Queer · Sex & Relationships · Uncategorized
As seen with Jordan and Mateo, Silva extends his self-fictionalization to most of the cast, taking actors and regurgitating them as screen versions of themselves. Sometimes the cinematic portraits come[…]
Crazy Rich Asians’ re-orientalization of Asians reinforces Eurocentrism and the Western gaze. Feminist and Orientalist readings of this film ultimately divulge the ability of Asians in the West to subconsciously[…]
Actors & Personalities · Comedy · Comics · Eastern European · Hollywood
S. Z. Sakall’s ultra-rare 1954 memoir, The Story of Cuddles, attests that there was more to the comic actor than adorable fretfulness and jiggly jowls * * * He was[…]
Actors & Personalities · Comedy · Directors
“‘You can’t control life,’ he tells us in that film. ‘”It doesn’t wind up perfectly. Only art you can control. Art and masturbation.'”
Absurdism · Comedy · Drama · Mystery
Whereas the Dude is a wholly passive protagonist, thrown begrudgingly into the chaos of conspiracy by the force of pure coincidence and designs of other, more motivated actors, Under the[…]
Comedy · Drama · French Cinema
Amélie brings life to the unseen. * * * Talk with someone about a piece of art, and they’ll tell you about themselves. Let me share my thoughts on Amélie,[…]
Actors & Personalities · Comedy · Feminism · Indies · Interviews · SF & Fantasy
For me, on Supergirl, I was 100% in. It was the biggest opportunity that ever happened to me, and the process of making the film was very nourishing. I think[…]
