Animation · Animators · New Genres · New Media
The film may appear gamer oriented, but general audiences should find it accessible and entertaining based on its fright factor alone. It’s simultaneously a boon to content-starved TF2 diehards and[…]
Activist & Political · Directors · French Cinema · New Genres · New Media
This impression of the look being “renewed” through the radical potential of video to sharpen one’s perception is vital to the core philosophy at the centre of Here and Elsewhere,[…]
Experimental & Underground · Horror · New Media · Societal Trends · Theory · Thrillers & Action · TV & Streaming
The encounter between the lead characters and The Circle evokes a wider sense of anxiety regarding the extent to which we upload information about every area of our lives into[…]
Experimental & Underground · Mystery · New Media
Apichatpong’s film is the bang in the night that has the power to shock us out of convention, to help us open our eyes and ears to the rich and[…]
Comedy · Crime · Drugs · LGBT & Queer · New Media
The Scary of Sixty-First expands the umbrella of “buzzword cinema” — it’s a Jeffrey Epstein conspiracy with a lesbian sex scene by a popular podcaster and it-girl of the edgy[…]
Indies · New Genres · New Media
The easier it is to relate to for the white girls aged TikTok to thirty-five who dominate this market, the better, and what these girls are longing for most is[…]
Digital · Movie Theatres · New Media · TV & Streaming
Like it or not, we humans are social creatures. We ride waves of communal feeling all the time. If you like sports, consider sitting in the stands with thousands of[…]
New Genres · New Media · Travel
Yet if Slow TV is concerned with capturing movement, which is actually quite fast during the journey, why then is it also slow? The slowness is in the pace and[…]
Commentary · Crime · Documentaries · New Media
“We are not so much a society where nobody knows anybody as we are a society where only media celebrities are considered to have actual existence.” –[…]
Drama · New Media · Philosophy
[This review contains spoilers for the films Glass and The Village.] “There are unknown forces that don’t want us to realise what we are truly capable of. They don’t[…]
What interests me (and I suspect, Assayas) is not so much the substance of these dinner table debates, which tend to move in predictable repeating circles, as their texture. People[…]
Festivals & Awards · New Media
Francis Ford Coppola introduced the screening of his Robin Williams vehicle Jack. Since this was the Festival of Disruption, Coppola said he wanted to “disrupt” by screening his worst film,[…]
African · Experimental & Underground · New Media · Video Artists
We might presume the temporal slips at stake in an African video exhibit are squarely political or anticolonial, but the videos’ slow, reverse, and repeated motions also link politico-economic disorder[…]
The secrecy part of Secret Cinema relates very much to this digital and automated world that we are living in. People increasingly want to get away from screens. They want[…]
Activist & Political · Documentaries · New Media
Black Code sheds light on the commercialisation of cybercrime through the development of surveillance malware by security companies for sale to governments. Referring to Orwell’s seminal work 1984, Shehabi notes[…]
When the technology of transmitting typed words or smartphone photos and GoPro filming accompanies our every movement and all this runs far ahead of thought, a culture leaves behind both[…]
Drama · LGBT & Queer · New Media
“Let us try to focus all our energy and all of our love on these two men, George and Ben.” “Always, always, you must focus on the instrument you are[…]
Essays · New Media · SF & Fantasy · Writers & Critics
“What Jonze, Coover, and Švankmajer are all playing with in their distinctive, varying shades of dark humor are the dual perspectives of the Spielbergian audience, absorbed in the protagonists’ fantasies,[…]
Experimental & Underground · Horror · New Media
This is the second of two articles riffing on found footage horror and new media. The first was Sarolta Mezei’s “Found Footage Horror #1: The Dead Rising: Aspects of Spectrality in[…]
This is the first of two articles riffing on found footage horror and new media. The second is Alexandra Heller-Nicholas’s “Found Footage Horror #2: Textures of Silence and Decay: Marble Hornets and[…]
