Activist & Political · Actors & Personalities · Communism and Socialism · Race · Women in Film
At every turn, Muir was disobedient, unconventional, and disruptive; she simply didn’t care what people thought. At no point did it occur to her that she should curb her activism,[…]
Actors & Personalities · Directors · Drama · Women in Film
“[H]er favorite expression of strained intensity would be less quickly relieved by a merciful death than by Ex-Lax.”
Hinting at women’s complicity in a film plotted around men’s violent treatment of women is, well, ballsy. That Cregger’s script doesn’t delve into the larger cultural conditioning and structures that[…]
Crime · Drama · Women in Film
Ramsay uses the distinct qualities of cinema, images and sound, to immerse you in the psychic space of her characters – and what an uncommonly beautiful space it is. It’s[…]
#MeToo · Activist & Political · Animation · Commentary · Essays · Women in Film
Editor’s Note: In an era where dogma rules and layered approaches to cultural creations are considered problematic, we repost M. C. Myers’ brilliant and timely analysis of Disney’s Snow White[…]
Family · Horror · Women in Film
A living doll, everywhere you look. It can sew, it can cook, It can talk, talk, talk. – Sylvia Plath, “The Applicant” (Oct. 11, 1962) And they stuck me together[…]
Historical & Epic · Medieval · Women in Film
The adaptation is successful not just in its understanding of how irreverent and illogical the narrative space of medieval romance is and always has been, but also in how it[…]
Drama · Women in Film · Writers & Critics
We come to find out as viewers, whether we believe in Leda’s self-governing comportment at the beginning or not, that this task of motherhood is never-ending; each work demonstrates to[…]
Experimental & Underground · Religion & Spirituality · Women in Film
The volition of these dancers is as clear as the sense that it is not their own. Deren mirrors this depersonalization masterfully; her camera splits a man between his reflections,[…]
Actors & Personalities · Pre-Code · Sex & Relationships · Women in Film
West is a born outlaw, a queen of the underworld who knows that two and two are four but five will get you 10 if you know how to work[…]
African American · Literature and Film · Women in Film
The staying power of Passing in 2021 goes far beyond its ripped-from-the-headlines resonances, however. Larsen’s story endures, on the one hand, for its intricate depiction of female friendship, rivalry, and[…]
Actors & Personalities · Directors · Drama · Silents · Women in Film
If she is seen simply as a free spirit, a woman who lives for sexual pleasure, and as exemplary on that account, a model liberated woman (as Louise Brooks herself[…]
Horror · Psychology · SF & Fantasy · TV & Streaming · Women in Film
But that’s not to deny the series’ eerie impact, all the same – starting with the level, assured-past-urgency mortician’s cool of Newland himself and his unnerving, implacable smile. Is it[…]
African American · Drama · Melodrama · Reviews · Women in Film
This article appeared first in our all-Sirk print issue (#6, Winter 1977) and was reposted in the March 1997 online version of Bright Lights. We present it here to celebrate[…]
Drama · DVD & Blu-ray · Women in Film
The relative obscurity of van Brakel’s works gives these decades-old films a sort of newness. Indeed, there’s a genuineness in the films that seems foreign, even exotic, in our streaming[…]
Franchises & Series · SF & Fantasy · Women in Film
In The Rise of Skywalker, Rey learns that her grandfather is Emperor Palpatine. Feeling more like a backtrack than a step forward, this new information is a betrayal of Rey’s[…]
Over the last few decades, however, Native women have begun to appear in multidimensional roles that not only take place in contemporary society but whose characters are pivotal to the[…]
Actors & Personalities · Women in Film
“[Vivien Leigh] is, I should say, the most important recruit British films have ever had . . . She is still not at all keen on going to Hollywood. She could go any day if she said the word. It’s up to the English studios to develop her over here.” — Picturegoer, April 3, 1937
African · Colonialism · Education · Literature and Film · Women in Film
Much of the affective force of Palcy’s film closely resembles and draws on the deep emotional involvement Truffaut leads his audience to invest in the vulnerable, yearning ne’er-do-well Antoine Doinel.[…]
Books · Directors · Women in Film
Anna Backman Rogers, Sofia Coppola: The Politics of Visual Pleasure (New York: Berghahn Books, 2019). The Coppola who emerges from Rogers’s study is therefore something of a double agent. On[…]
