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Celebrity Culture · Drama · Essays
While Rupert isn’t interested in a crisscross murder, he certainly wants Jerry to spot him a segment on Jerry’s show. This is more than a favor..And he appears to go[…]
Activist & Political · Documentaries · Essays
E em cada paso dessa linha / pode se machucar. Azar! / A esperança equilibrista / sabe que o show de todo artista tem que continuar. And on each step[…]
“Revolutionaries need an oppressive establishment to thrive, just as governments need hidden enemies to justify stricture.” – Peter Chung, creator of Æon Flux * * * From 1991 to 1995,[…]
In Joker, we see a reversal of Tarantino’s aesthetic, where a patently comic character, a joker with a clown face, is, by degrees, rendered tragic, or as near tragic as[…]
Drama · Religion & Spirituality · War
Overt spirituality is often undermined in this film by bizarrely comic episodes from everyday life. Certainly the most bizarre plot element concerns the Glue Man – someone who attacks young[…]
Drama · Essays · Women in Film
Show me one who loves; he knows what I mean. – St. Augustine * * * I’m sharing my favorite places with her outside my alma mater: bald, rolling fields[…]
Designers · Drama · Interviews
We were really careful in coming up with the look of Howard’s world to make assumptions about how old he was when he would’ve formed his taste, and what that[…]
Directors · Experimental & Underground · Interviews · LGBT & Queer
“There was no movement! I was not part of a movement, I. Made. My. Own. Films. They. Were. Not. Part. Of. Any. Movement. You’re incapable of understanding that, aren’t you? I have to be in a category. First I’m in ‘Andy Warhol films,’ then I’m an ‘independent.’ I like good films that are worth watching, OK?”
Costume Drama · Literature and Film · Women in Film
Before seeing Greta Gerwig’s Little Women, I knew I’d be in for a more avant-garde adaptation – in interviews, Gerwig has talked openly about wanting to “strip away” the story’s[…]
Directors · Festivals & Awards · Interviews
Our globe-trotting correspondent Amir Ganjavie spoke with four emerging women directors at the 2019 Berlinale and Toronto International Film Festivals and the 2020 Sundance Festival. Collectively, they represent France (via[…]
Drama · Essays · Urban Conflict
Our nation has persisted in this state for so long that when we watch Taxi Driver, we always watch it with John Hinckley. It is a film that forces us[…]
Comedy · Counterculture · Crime · Historical & Epic · Hollywood · Movies · Westerns
Who are these people? Watching Cliff try to figure it out is painful, because we know the future, but such knowledge is not power. Within its imagined boundaries, Once Upon[…]
Drama · LGBT & Queer · Russia
My point here isn’t to suggest that Gorchilin and Pecheykin are government lackeys bent on pleasing Vladimir Putin. They’re young filmmakers working in a totalitarian country and have constraints that[…]
Movie Databases · Societal Trends · Statistics
No film on the list embodies a retreat into populist myth as totally or as troublingly as Forrest Gump (1994). Though critically and popularly lauded at its release (winning the[…]
Through their own fragmentary narratives, which resemble Poe’s stream-of-consciousness diary, Shutter Island, Annihilation, and The Lighthouse mount challenges to our own perceptual abilities as viewers. They locate us in the[…]
The Irishman is delicate and full of restraint — ironic for a gangster flick. The heart of the film is sorrowful, in mourning for the spiritual emptiness of a materialist[…]
Franchises & Series · Myth and Archetype · SF & Fantasy
Now, there is no reason or way to lay blame for this clash of styles, since Abrams devotees can fairly claim that Johnson started the revisionary process, and the Johnsonians[…]
In striving toward “that level of being real,” Burstyn handpicked much of the film’s eventual cast from her Actors Studio cohort – a decision that meshed well with both Scorsese’s[…]
Directors · Literature and Film · Production History · Writers & Critics
Conrad was more than a mere influence. He was also a direct source of story material. Welles considered himself “made for Conrad” and frequently returned to Conrad’s original stories. Adaptation[…]
“They had no song. Their calls were harsh and ugly. But their soaring was like an endless silent singing. What else had they to do? They were sea falcons now;[…]
