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Through their own fragmentary narratives, which resemble Poe’s stream-of-consciousness diary, Shutter Island, Annihilation, and The Lighthouse mount challenges to our own perceptual abilities as viewers. They locate us in the[…]
The Irishman is delicate and full of restraint — ironic for a gangster flick. The heart of the film is sorrowful, in mourning for the spiritual emptiness of a materialist[…]
Franchises & Series · Myth and Archetype · SF & Fantasy
Now, there is no reason or way to lay blame for this clash of styles, since Abrams devotees can fairly claim that Johnson started the revisionary process, and the Johnsonians[…]
In striving toward “that level of being real,” Burstyn handpicked much of the film’s eventual cast from her Actors Studio cohort – a decision that meshed well with both Scorsese’s[…]
Directors · Literature and Film · Production History · Writers & Critics
Conrad was more than a mere influence. He was also a direct source of story material. Welles considered himself “made for Conrad” and frequently returned to Conrad’s original stories. Adaptation[…]
“They had no song. Their calls were harsh and ugly. But their soaring was like an endless silent singing. What else had they to do? They were sea falcons now;[…]
Activist & Political · Essays · SF & Fantasy
Suddenly, Gort doesn’t seem so powerful. We’re told of his strength and given a few meager examples. We have to take Klaatu’s word for it. The universe/world policeman is a[…]
Essays · Mystery · SF & Fantasy
“The city was dirty. And dirt is fertile.” – Jeremiah Moss * * * New York City ca. 1976 was dying on the vine. With over a million citizens on[…]
Comedy · Costume Drama · Historical & Epic
This gets at the heart of The Favourite, which is one of the most evident trends in anti-sexist filmmaking lately: to be willing to portray women as unadulteratedly evil, as[…]
One of the ways in which Parasite differs from many more naturalistic movies about urban poverty is that access to mediated experience is shown to be a function of opportunity[…]
Activist & Political · Essays · Philosophy
“Hey, you’re Rick fucking Dalton. Don’t you forget it.” – Once Upon a Time – in Hollywood “And so art is everywhere, since artifice is at the very heart of reality.”[…]
Franchises & Series · Superheroes
“It’s there all the time, driving me out to wander the streets, following me, silently, but I can feel it there. It’s me, pursuing myself. . . . But who[…]
This is the second (and third) in a series of reviews by our New York correspondent Claire Baiz of entries in this year’s Doc NYC, the Big Apple’s – and one[…]
Franchises & Series · Superheroes
Phoenix’s body is mostly skin and bones, which is ironic since the film attempts to flesh out the Joker. In fact, this Joker’s ribs and shoulder blades seem to be[…]
Documentaries · Festivals & Awards · War
This is the first in a series of reviews by our New York correspondent Claire Baiz of entries in this year’s Doc NYC, the Big Apple’s – and one of[…]
Eastern European · Festivals & Awards
Note: We’re publishing this to coincide with New York’s Scandinavia House’s important second festival devoted to Baltic cinema. * * * Introduction The second New York Baltic Film Festival will[…]
Comedy · Counterculture · Drama · Sex & Relationships
Concepts of sex and marriage have changed monumentally in the last few decades and still today prove endlessly malleable and undefinable. We spend our whole lives attempting to shape our[…]
Drama · New Media · Philosophy
[This review contains spoilers for the films Glass and The Village.] “There are unknown forces that don’t want us to realise what we are truly capable of. They don’t[…]
Asian · Drama · LGBT & Queer
Hsu Chih-Yen and I immediately agreed that we wanted to represent a Taipei in July, especially the sun in Taipei. Under this July sun, everything is steaming, all the colours[…]
Essays · Historical & Epic · Memoir · SF & Fantasy
The Wizard of Oz, the film, turns 80 this year, 2019. To celebrate, we present Amy Kenyon’s striking analysis/memoir, which explores growing up a “rust belt girl” in postwar Detroit[…]
