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Eastern European · Festivals & Awards
Note: We’re publishing this to coincide with New York’s Scandinavia House’s important second festival devoted to Baltic cinema. * * * Introduction The second New York Baltic Film Festival will[…]
Comedy · Counterculture · Drama · Sex & Relationships
Concepts of sex and marriage have changed monumentally in the last few decades and still today prove endlessly malleable and undefinable. We spend our whole lives attempting to shape our[…]
Drama · New Media · Philosophy
[This review contains spoilers for the films Glass and The Village.] “There are unknown forces that don’t want us to realise what we are truly capable of. They don’t[…]
Asian · Drama · LGBT & Queer
Hsu Chih-Yen and I immediately agreed that we wanted to represent a Taipei in July, especially the sun in Taipei. Under this July sun, everything is steaming, all the colours[…]
Essays · Historical & Epic · Memoir · SF & Fantasy
The Wizard of Oz, the film, turns 80 this year, 2019. To celebrate, we present Amy Kenyon’s striking analysis/memoir, which explores growing up a “rust belt girl” in postwar Detroit[…]
Crime · Neo-Noir · Writers & Critics
So what the fuck happened? * * * 8 Million Ways to Die is a mess. Not a glorious mess, or an interesting mess. It’s not a fiasco on the[…]
“We’ve avoided saying certain things. Why bring them up now?” – L’Eclisse “Two hearts, four eyes, Crying all day and all night/ Dark eyes, you cry because you can’t be[…]
The film withholds memory and history from us, always knowing more than us, plot-wise, but inviting and compelling our projection of how we fill the space of our own friendships.[…]
It seems a good opportunity to talk about film and nationhood, given that so many of this year’s local films – not only A Family but Alice, Buoyancy, and Animals[…]
Production History · Writers & Critics
In My Man and I, “it seems that America has fallen into decline and the Stones and Nancy Walkers of America need the redemptive power, the cultural revivification offered by[…]
We encounter filmic atmosphere vaguely, imperceptibly, but emotively and reflexively; a movie is a mood. Hereditary and Midsommar creep into our consciousness through subtle shifts in light, sound, and camerawork.[…]
DVD & Blu-ray · Historical & Epic · Reviews
“What do such large loose baggy monsters, with their queer elements of the accidental and the arbitrary, artistically mean?” – Henry James, from the preface of his novel The Tragic[…]
For a variety of reasons, then, despite its high-gloss finish, the film did not achieve any real commercial success. This is not to say it was an artistic letdown, as[…]
These characters speak lines that contain emotion but show none of it themselves, even when they’re the exact same lines as before. And when they’re new, they show no old[…]
Animation · LGBT & Queer · Memoir
As a child, singing the Ariel aahs was synonymous for me with being or becoming Ariel. More than looking like her, dressing like her, acting like her – all of[…]
African American · Cinematographers · Designers · Editors · Interviews
We spent a lot of time going through references for the film as well as scouting iconic locations, but what it came down to was devoting ourselves to creating a[…]
Horror · Interviews · Movies · SF & Fantasy
* * * It’s The Day of the Triffids’ fault: when he was a wee lad stuck at home in front of the television with a sprained arm (fault: sister,[…]
Martyrdom suits Brown’s purpose, and it is in this extremism that he is ultimately un-American. His cause may be morally right but his attempt to impose it is not; the[…]
Actors & Personalities · Comedy · Drama · Essays · Romance
QT’s films are commonly hurtling toward darkness, yet Once Upon feels like a repudiation, as much as a culmination, of his oeuvre. There’s a point in the experience where the[…]
Huston, unlike Crane and his readers, had the actual experience of combat before him. What he discovered in Italy validated much of what Crane wrote. Huston, too, would attempt in[…]
