Bright Lights Film Journal

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Jackass 3D

Comedy · Film Technology & History · Franchises & Series · Theory

0

The Phenomenology of the Grotesque: Jackass 3D’s Cinema of Stereoscopic Attractions

  • April 29, 2020

Stereoscopic experience, therefore, drastically alters the positioning of the viewer in relation to diegetic content, creating the illusion that the body of the spectator is immersed within the screen planes[…]

Faulkner

Hollywood · Literature and Film · Production History · Writers & Critics

0

The Cinematic Faulkner: Framing Hollywood

  • April 22, 2020

“The Cinematic Faulkner” includes excerpts from The Life of William Faulkner, Volume 1: The Past Is Never Dead 1897-1934 (March 2020) and Volume 2: This Alarming Paradox 1935-1962 (September 2020), with the permission of the University[…]

Assistant

Drama · Women in Film · Workplace

0

Silence and the Loss of Self: On Kitty Green’s The Assistant (2019)

  • April 19, 2020

The dull humdrum of the office takes on a kind of bizarre poetry: you find yourself humming along to the copier, placing kitchen objects in patterned formations, making slightly stranger,[…]

Solyaris

Drama · Literature and Film · Russia · SF & Fantasy

0

Intimately Alien: Conflicting Ideologies in Solyaris (1968) and Solaris (1972)

  • April 16, 2020

While there can be no doubt Solyaris is no artistic masterpiece, the idea that it isn’t a product of its time is more complicated. To the extent that the film[…]

Oscar Actress

Actors & Personalities · Books

1

Books: Best Actress: The History of Oscar-Winning Women by Stephen Tapert

  • April 13, 2020

Big picture book is a fun peruse for cineastes  * * * Stephen Tapert’s Best Actress: The History of Oscar-Winning Women (2020, Rutgers University Press, 504 pages) is a coffee[…]

Corona

Activist & Political · Medical · Pandemic

0

Surviving: A Four-Film Guide to Outlasting Quarantine and Changing the Post-Corona World

  • April 9, 2020

Amid senators dumping stock while lying to the public about the true danger of the virus, rumors of Trump seeking to profit from a potential COVID-19 vaccine, the farce of[…]

Contagion

Activist & Political · Disease and Epidemics

0

Contagion (2011) in a Time of Contagion

  • April 5, 2020

The virus, on screen and off, spreads at a rate that outpaces the economy. Marx would not be surprised that Trump is calling for a return to work since workers[…]

Doris Day

Actors & Personalities

9

Not the Girl Next Door: Doris Day Reconsidered (Happy 98th Birthday)

  • April 3, 2020

We’ve reposted this piece before because, really, can there ever be enough Doris? Her talent, humor, and joie de vivre are a tonic in a world increasingly locked down and[…]

cat killer

Commentary · Crime · Documentaries · New Media

0

The Audience of Antagonism: Mark Lewis’ Don’t F**k With Cats

  • March 30, 2020

“We are not so much a society where nobody knows anybody as we are a society where only media celebrities are considered to have actual existence.”        –[…]

Scissorhands

Drama · SF & Fantasy

1

I Won’t Hurt You: Edward Scissorhands’ Lessons in Compassion

  • March 25, 2020

Edward is never really accepted for who he is by those around him, the persecution he is subjected to the result of a communal, warped worldview and individual biases, ranging[…]

Portrait of Lady on Fire

Artists · Drama · Essays

0

Portrait without a Face: Faces and Facelessness in Céline Sciamma’s Portrait of a Lady on Fire

  • March 20, 2020

With Portrait of a Lady on Fire, Céline Sciamma offers us an unexpectedly timely commentary on our present moment of social distancing, self-quarantines, and curfews. This film about cooped-up lovers,[…]

Strangers on a Train

Celebrity Culture · Drama · Essays

0

Doubles, Anyone? Celebrity Stalking in Strangers on a Train and The King of Comedy

  • March 16, 2020

While Rupert isn’t interested in a crisscross murder, he certainly wants Jerry to spot him a segment on Jerry’s show. This is more than a favor..And he appears to go[…]

Edge of Democracy

Activist & Political · Documentaries · Essays

0

Lost Dreams of Brazil: Petra Costa’s The Edge of Democracy (2019)

  • March 11, 2020

E em cada paso dessa linha / pode se machucar. Azar! / A esperança equilibrista / sabe que o show de todo artista tem que continuar. And on each step[…]

Aeon Flux

Animation · Essays

0

“You Have Only Half the Picture”: Syzygies in Æon Flux

  • March 7, 2020

“Revolutionaries need an oppressive establishment to thrive, just as governments need hidden enemies to justify stricture.” – Peter Chung, creator of Æon Flux * * * From 1991 to 1995,[…]

Joker

Comedy · Drama · Essays

0

Once Upon a Time in Hollywood and Joker: Laughter Without an Echo Chamber

  • March 4, 2020

In Joker, we see a reversal of Tarantino’s aesthetic, where a patently comic character, a joker with a clown face, is, by degrees, rendered tragic, or as near tragic as[…]

Canterbury Tale

Drama · Religion & Spirituality · War

1

A Canterbury Tale: A Very British Spirituality . . . and European Too

  • March 1, 2020

Overt spirituality is often undermined in this film by bizarrely comic episodes from everyday life. Certainly the most bizarre plot element concerns the Glue Man – someone who attacks young[…]

Portrait of Jennie

Drama · Essays · Women in Film

0

The Love That Needs to Be, Needs to Be: David O. Selznick’s Portrait of Jennie

  • February 27, 2020

Show me one who loves; he knows what I mean. – St. Augustine * * * I’m sharing my favorite places with her outside my alma mater: bald, rolling fields[…]

Uncut Gems

Designers · Drama · Interviews

0

Uncut Gems: Talking with Production Designer Sam Lisenco

  • February 24, 2020

We were really careful in coming up with the look of Howard’s world to make assumptions about how old he was when he would’ve formed his taste, and what that[…]

Directors · Experimental & Underground · Interviews · LGBT & Queer

1

“How Stupid the Whole World Is!” An interview with Paul Morrissey

  • February 22, 2020

“There was no movement! I was not part of a movement, I. Made. My. Own. Films. They. Were. Not. Part. Of. Any. Movement. You’re incapable of understanding that, aren’t you? I have to be in a category. First I’m in ‘Andy Warhol films,’ then I’m an ‘independent.’ I like good films that are worth watching, OK?”

Little Women

Costume Drama · Literature and Film · Women in Film

0

Greta Gerwig’s Little Women Is Great; It’s Just Not Little Women

  • February 19, 2020

Before seeing Greta Gerwig’s Little Women, I knew I’d be in for a more avant-garde adaptation – in interviews, Gerwig has talked openly about wanting to “strip away” the story’s[…]

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