Animation · Animators · New Genres · New Media
The film may appear gamer oriented, but general audiences should find it accessible and entertaining based on its fright factor alone. It’s simultaneously a boon to content-starved TF2 diehards and[…]
Animation · Animators · Designers · Experimental & Underground
John Whitney himself envisioned nothing more and nothing less for the future of CGI than a union of space and time: “Time has become visual.” But all film deals in[…]
#MeToo · Animation · Animators · News · Production History · Societal Trends
Docter and Lasseter were part of the Pixar Braintrust, a group of aging white men that held creative control of Pixar’s productions. The original members – Lasseter, Docter, Andrew Stanton[…]
Animation · Animators · Experimental & Underground · Religion & Spirituality
In her two longest works of animation – Sita Sings the Blues (2008) and Seder Masochism (2018, currently on the festival circuit) – Nina Paley turns her sharp wit and[…]
This interview with Ray Harryhausen first appeared in Bright Lights in November 2007. We reprint it here as a birthday tribute to the seminal animator. * * * “I wrecked Washington, and[…]
“Tashlin’s tenure at Warner Bros. did not provide him with a ‘cartoon aesthetic’ that could be applied, ready-made, to his features; rather, it allowed him to develop a feature filmmaking aesthetic through cartoons.”
“His insects lie, cheat, steal, get drunk, have affairs, and fight with each other, occupying a harsh reality where bad choices have bad consequences and dead things stay dead.”
“Tex Avery — Arch Radicalizer of the Hollywood Cartoon” consists of slightly glorified program notes that I wrote for the Zagreb Animation Festival in 1978. It was a big hit in the Old World and was published in Russian, Croatian, Dutch, French, and Italian (twice), but the only time it ever got printed in English was by Gary Morris in his cinephile-revered rag called Bright Lights. Now, thirty-one years later, Mr. Morris has decided to reissue the piece online. I have forgone attempting any actual rewrites, though, because the observations have not dated especially egregiously, except for my discussion of the then-current state of cartoon criticism. The biggest faux pas contained herein is my overconfident assertion that cel animation would inevitably dominate the future of the medium (oops – maybe not), as CGI was then but a distant pixel on the historical horizon.
Animation · Animators · Interviews
“The football game where the chicken mascot runs around crazy with an erection was inspired by a story that someone told me…”
This brilliant Brit’s sleight-of-hand breathes life into wood and wire At a symposium on puppet animation in Seattle a few years ago, Barry Purves, an alumnus of the Aardman Studios[…]
“Fairy tales, unlike any other form of literature, direct the child to discover his identity and calling, and they also suggest what experiences are needed to develop his character further.” –[…]
As if radically rethinking the Hollywood cartoon weren’t enough, our boy Tex can also be thanked for inventing or perfecting Porky Pig, Daffy Duck, and perhaps the greatest character in[…]
Film historians have made much, and rightly so, of the enormous influence of 1930s German and Austrian émigrés on the American film scene and by extension on American culture in[…]
