“Movies are dreams, doll, that you never forget,” says Mrs. Fabelman (Michelle Williams). She’s circling the nature of them, which the critic Andre Bazin described when he called cinema “an[…]
Family · Horror · Linguistics and Language
What kind of guests are so pathologically accommodating that their hosts can get away with murdering them? * * * What’s in a name? On one hand, Speak No Evil[…]
Family · Horror · Women in Film
A living doll, everywhere you look. It can sew, it can cook, It can talk, talk, talk. – Sylvia Plath, “The Applicant” (Oct. 11, 1962) And they stuck me together[…]
The Irishman is delicate and full of restraint — ironic for a gangster flick. The heart of the film is sorrowful, in mourning for the spiritual emptiness of a materialist[…]
