Bright Lights Film Journal

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    • Blogging Pound’s The Cantos: Canto LXII – gordsellar.com on:

      A Film Divided Against Itself: D. W. Griffith’s The Birth of a Nation (1915)

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      Books: Best Actress: The History of Oscar-Winning Women by Stephen Tapert

Activist & Political · African American · Essays · Historical & Epic · Silents

3

A Film Divided Against Itself: D. W. Griffith’s The Birth of a Nation (1915)

  • July 23, 2021

D. W. Griffith died on July 23, 1948. To commemorate this seminal figure in cinema history, we repost BLFJ regular Gordon Thomas’s deep dive, which first appeared in 2016, into[…]

Katharine Hepburn and Jimmy Stewart in The Philadelphia Story

Actors & Personalities · Comedy · Drama

1

The Erotic Persona of Jimmy Stewart: From Visionary to Voyeur

  • July 20, 2021

You would never guess either from looking at him or from the “aw shucks” way in which he’s remembered that Stewart is responsible for some of the most erotic romantic[…]

Essays · Hollywood · Literature and Film · Westerns

0

In the Country of the Dream: On Cliff Booth, John Wayne and Joan Didion

  • July 12, 2021

There is almost certainly nowhere in America, probably even the Western world, as infamous for its venality and ambiguities than Didion’s home for three decades: Hollywood, Los Angeles. In Once[…]

Actors & Personalities · Women in Film

0

Vivien Leigh: Becoming Scarlett

  • July 8, 2021

“[Vivien Leigh] is, I should say, the most important recruit British films have ever had . . . She is still not at all keen on going to Hollywood. She could go any day if she said the word. It’s up to the English studios to develop her over here.” — Picturegoer, April 3, 1937

African · Colonialism · Education · Literature and Film · Women in Film

0

A Portrait of the Artist in Black and White: Euzhan Palcy’s Rue Cases-Nègres (1983) and François Truffaut’s Les Quatre Cents Coups (1959)

  • June 30, 2021

Much of the affective force of Palcy’s film closely resembles and draws on the deep emotional involvement Truffaut leads his audience to invest in the vulnerable, yearning ne’er-do-well Antoine Doinel.[…]

Biopic · Drama · Writers & Critics

0

The Sentence and the Shot: Revisiting Citizen Kane and Absalom, Absalom!

  • June 24, 2021

In both texts, these strategies suggest similar attempts to represent the present moment’s relationship to the American past. Faulkner’s devastating analysis of race and Welles’s meditations on wealth and worth[…]

Eye in the Sky

Drama · Military and Paramilitary · Philosophy · Thrillers & Action · Urban Conflict · War

0

Trolley Problems: The Machinery of Ethics in Eye in the Sky

  • June 18, 2021

This essay discusses Eye in the Sky’s elaborate staging of the trolley problem, a famous philsophical thought experiment designed to tease out our criteria for moral judgments. The author argues[…]

Gerald Wilson

Directors · Interviews · Writers & Critics

0

Winners and Losers: A Conversation with Screenwriter Gerald Wilson

  • June 12, 2021

“There isn’t a fucking comma in the original script [for Dangerfield, aka Scorpio] that I used,” Wilson says. “All that about Burt and double agents is my own experience. If[…]

Abel Romy Gordon

Absurdism · Comedy · Dance

0

Take Your Time: A Step-Chart to the Films of Abel-Gordon-Romy

  • June 6, 2021

Each Abel-Gordon-Romy scenario is like a test, or challenge – in heroic terms, a trial – the filmmakers put to themselves, culminating in the couple going it alone for Lost[…]

Marguerite Duras

Books · Experimental & Underground · Philosophy

0

The Darkroom: Developing the Mental Images Inspired by Marguerite Duras’ Le Camion

  • June 1, 2021

It is, ostensibly, a story about a truck. The 32-ton Saviem truck of Marguerite Duras’ 1977 experimental film Le Camion moves relentlessly forward, steered by a faceless driver, to an[…]

John Barrymore

Actors & Personalities

0

John Barrymore: Sweet Prince of Irony

  • May 29, 2021

“Isn’t it extraordinary that the most popular character ever written should apparently be defeated by life instead of transcending it?”

Classical · Historical & Epic · TV & Streaming

0

Did the Roman Emperor Nero Invent Netflix? (Or: Some thoughts on the perversity of the human need for fictional heroes and imaginary outcomes)

  • May 22, 2021

What haunts me in the story of Nero is the mercurial nature of art and fiction. They are good for us only so far as they encourage our well-being. Human[…]

Last Blockbuster

Documentaries · Film Technology & History · Videos

0

The Last Blockbuster: An Epitaph to the Analog Age

  • May 15, 2021

Herein lies the greater paradox. The attributes that underpinned Blockbuster’s success, and undermined those of others, enabled the creative awakenings of countless people. The Last Blockbuster’s interviewees comment on special[…]

Cop Rock

Music & Musicals · TV & Streaming

0

Something to Sing About: Why Cop Rock Fails

  • May 9, 2021

“The height of the Bush era was a weird, giddy time.” – Stephen Thomas Erlewine on Milli Vanilli’s Girl You Know It’s True (1989)  * * * Cop Rock (ABC,[…]

Marriage Story

Drama · Essays · Religion & Spirituality

0

Reflections on Relational and Individual Fulfillment by Way of Noah Baumbach’s Marriage Story

  • May 3, 2021

Dare to step together into an “usness” that has no guarantees but the shared vision of belonging, whose embers you agree to slowly tend. History provides the furnishings that are[…]

Hud

Drama · Essays · Literature and Film · Westerns

0

“You Don’t Know the Story”: Horseman, Pass By and the Misprision of Hud

  • April 25, 2021

We must dissect why Hud succeeded with reviewers and audiences alike, but to differing effects. The task at hand is not merely to provide a clear analysis of the issues[…]

John le Carré

Literature and Film · Thrillers & Action · Writers & Critics

0

Six Ways of Looking at Martin Ritt’s The Spy Who Came in from the Cold

  • April 20, 2021

A master of the spy novel whose work inspired some of the most memorable films of the genre, John le Carré died on December 12, 2020. We honor him with[…]

Actors & Personalities · Comedy · Directors · Historical & Epic · Politics

2

Looking at Charlie — Modern Times (An Occasional Series on the Life and Work of Charlie Chaplin)

  • April 16, 2021

Charlie Chaplin was born on April 16, 1889. To honor the old boy, we herewith present Alan Vanneman’s witty discussion of one of Charlie’s masterpieces, originally published in Bright Lights[…]

Sofia Coppola

Books · Directors · Women in Film

0

Book review: Anna Backman Rogers, Sofia Coppola: The Politics of Visual Pleasure

  • April 10, 2021

Anna Backman Rogers, Sofia Coppola: The Politics of Visual Pleasure (New York: Berghahn Books, 2019). The Coppola who emerges from Rogers’s study is therefore something of a double agent. On[…]

Victoria

African American · Documentaries · Place

0

A Becoming Place: Exploring Victoria (2020)

  • April 5, 2021

The film could be described as “meditative,” but with an important twist: while the directors and Lashay guide the audience through a thoughtful and introspective process – making sense of[…]

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