Dance · Drama · Exile and Displacement · Poverty · Theory
Dancing Diagonals: Movement and Far-Away-Ness in Fernando Frías de la Parra’s Ya No Estoy Aquí (2019)
One of Frías de la Parra’s masterstrokes is to highlight the similar ways in which Monterrey and New York (otherwise such radically distinct cities) are brimming with diagonal lines: in[…]
