Directors · Experimental & Underground · Memoir
“I’ve always been interested in the idea of cinema and loss, the beautiful and poignant conjuring of human presence and its absence. It’s an illusion, we know that, and yet[…]
Activist & Political · African American · Cinematographers · Interviews · War
When I take on a project, one of the first things I try to do is get an idea of the overarching tone the director is looking for. Then I[…]
If Harry, viewed through the lens of Greene’s perverse Catholicism, is some kind of dark Jesus, then Holly is his betraying Judas, and Anna is his Magdalene. Both Harry and[…]
Activist & Political · Directors · LGBT & Queer
Despite their focus on timely sociopolitical matters, the films are almost never didactic (the final act of Temblores is an exception), because Bustamante is too keen to explore and shed[…]
SF & Fantasy · Women in Film · Writers & Critics
A Boy and His Dog’s promotional advertisements also reveal how the novella was adapted and modified to suit the tastes of the American popular film-going public. The movie’s promo posters[…]
Directors · Journalism · Silents
Before Wilder considered his own career as a filmmaker as having begun, and then reached movie fame on the other side of the Atlantic, he left behind a stumbling career[…]
Directors · Indigenous · Interviews · Women in Film
It’s the kind of film I wanted to make where you see social implications growing from a personal story. What made it very hard was the sadness of it and[…]
Exhibition · Film Technology & History · Impresarios & Moguls · Movie Theatres · Silents
While Grauman is mostly known for spectacular venues reflecting Hollywood’s film fantasies, his early San Francisco period indicates that throughout his career he showed remarkable consistency in referring to the[…]
Directors · Drama · Interviews
“I try very hard to give the characters in my films a sense of humanity. I want this feeling for the audience that these characters exist outside of the frame.[…]
“When somebody’s wearing a mask, he’s going to tell the truth. When he’s not wearing a mask, it’s highly unlikely.” – Bob Dylan (while not wearing a mask), Rolling Thunder[…]
Cityscapes · Counterculture · Directors · Drama · Sex & Relationships
“I reckon LA as the noisiest, the smelliest, the most uncomfortable and most uncivilized major city in the United States. In short, a stinking sewer. . . .”1 – Adam[…]
Designers · Interviews · Production History
It wasn’t always that simple for the shooting unit to improvise with A Hidden Life being a period film, but nevertheless Terry would wander off sets with the actors and[…]
Actors & Personalities · Interviews
Mason was “equally at home playing small, brooding anti-heroes, camping it up in a toga, or doing a nice line in late career self-parody.”
Hollywood · Literature and Film · Production History · Writers & Critics
“The Cinematic Faulkner” includes excerpts from The Life of William Faulkner, Volume 1: The Past Is Never Dead 1897-1934 (March 2020) and Volume 2: This Alarming Paradox 1935-1962 (September 2020), with the permission of the University[…]
Actors & Personalities · Books
Big picture book is a fun peruse for cineastes * * * Stephen Tapert’s Best Actress: The History of Oscar-Winning Women (2020, Rutgers University Press, 504 pages) is a coffee[…]
We’ve reposted this piece before because, really, can there ever be enough Doris? Her talent, humor, and joie de vivre are a tonic in a world increasingly locked down and[…]
With Portrait of a Lady on Fire, Céline Sciamma offers us an unexpectedly timely commentary on our present moment of social distancing, self-quarantines, and curfews. This film about cooped-up lovers,[…]
Designers · Drama · Interviews
We were really careful in coming up with the look of Howard’s world to make assumptions about how old he was when he would’ve formed his taste, and what that[…]
Directors · Experimental & Underground · Interviews · LGBT & Queer
“There was no movement! I was not part of a movement, I. Made. My. Own. Films. They. Were. Not. Part. Of. Any. Movement. You’re incapable of understanding that, aren’t you? I have to be in a category. First I’m in ‘Andy Warhol films,’ then I’m an ‘independent.’ I like good films that are worth watching, OK?”
