What is new?
Most Recent
Blogging Pound’s The Cantos: Canto LXII – gordsellar.com on:
The Esteemed Black Actresses Who Finally Have the Spotlight – The New York Times – Celebrity News on:
Books · Noir · Uncategorized
Leon Lewis (Ed.), John Alton: Essays on the Cinematographer’s Art and Craft (McFarland, 2020) * * * Widely regarded as epitomizing the visual style of high film noir as it[…]
By all accounts The Drop Edge of Yonder, or Zebulon as the script was titled, was truly one-of-a-kind, going way beyond the acid-western genre Wurlitzer helped create. In part we[…]
Actors & Personalities · Asian
“Like Hollywood’s new postwar men, he offered a multifaceted, ambivalent masculinity far from monolithic wartime ideals.”
In fact, until the appearance of this relatively unsung Russian actress, all of the above might easily have remained permanently stuck at the level of “stodgy melodrama.” Instead, we suddenly[…]
Dawn brings the forces of reason and order (ironic, in that the posse clearing away the few remaining dead are little more than trigger-happy, thrill-seeking rednecks, not the wise and[…]
Activist & Political · African American · Societal Trends
Fredric March stands alongside four other mid-century drum majors for civil rights during the 1943 national radio broadcast of “Race-Relations Sunday.” Left to right: concert soprano Dorothy Maynor, actor Canada[…]
Actors & Personalities · Books · Characters · Hollywood
David Lazar, Celeste Holm Syndrome: On Character Actors from Hollywood’s Golden Age (Omaha: University of Nebraska Press, October 2020) * * * I’d have to say that the best definition[…]
Activist & Political · Hollywood · Teaching · War · Women in Film
It is in the American women’s picture that, in my classroom at the American University of Afghanistan in Kabul, I’m able to lead students in a global reading of women’s[…]
Drama · Theory · Writers & Critics
Bazin would always harbor reservations about The Third Man, but, due to that film, Greene’s presence would continue to loom large in discussions of Orson Welles, who was, of course,[…]
Sam Wasson, The Big Goodbye: Chinatown and the Last Years of Hollywood (New York: Flatiron Books, 2020). * * * Sam Wasson’s The Big Goodbye tells the irresistible tale of[…]
I’m Thinking of Ending Things is, like so many stories, a story about a man masquerading as a story about a woman. Which ultimately makes me wonder why we need[…]
Books · Directors · Documentaries · Experimental & Underground · Women in Film
From the same desert, toward the same dark sky, my tired eyes open on the silver star, forever; but the Three Wise Men never stir, the Kings of life, the[…]
Experimental & Underground · Horror · Memoir
Our Eraserhead screening was naïve and unexpected and for me had lasting impact, because when art enters our heads uninvited, leaves traces after it’s flashed through our consciousness, jars the[…]
About suffering they were never wrong, The Old Masters: how well they understood Its human position. – W. H. Auden, “Musée des Beaux-Arts” (1940) “It’s also a film I cherish[…]
Directors · Experimental & Underground · Memoir
“I’ve always been interested in the idea of cinema and loss, the beautiful and poignant conjuring of human presence and its absence. It’s an illusion, we know that, and yet[…]
“We grow up, but do we ever forget how afraid of ourselves we are?” * * * The books parents protest about are the best at converting children into bookworms.[…]
Drama · Eastern European · Festivals & Awards · Russia
There would be nothing wrong with taking sides in such a heated ideological debate if any of the five films screened this year in the prestigious Romanian Days section of[…]
Activist & Political · African American · Cinematographers · Interviews · War
When I take on a project, one of the first things I try to do is get an idea of the overarching tone the director is looking for. Then I[…]
New Genres · New Media · Travel
Yet if Slow TV is concerned with capturing movement, which is actually quite fast during the journey, why then is it also slow? The slowness is in the pace and[…]
The restrained tone, middle American location, and half-century historical sweep of The Irishman depart from Scorsese’s gangland epics Goodfellas and Casino. It isn’t a political treatise, but it does tie[…]
