Bright Lights Film Journal

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Crime · Essays · Thrillers & Action

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Trigger Warning, or: How Jessica Alba Stopped Worrying and Learned to Love Woke Imperialism

  • February 18, 2026

Commando Parker is the Jeanne D’Arc of a morally bankrupt, corrupt, violent, and racist Empire, and she’s gakked-to-the-gills high on the stupidest and shallowest form of identity politics, giddy with[…]

Drama · Essays · Surrealism

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The (Re)Turn: Vicious Retooling of Teenager Archetypes in the Twin Peaks Revival

  • February 12, 2026

Lynch takes the glamorized version of youth (even some of the glamor from his very own ’90s series) often presented on-screen and renders it unrecognizable. Dramatized teenhood usually tries to[…]

Experimental & Underground · India · Production · Religion & Spirituality

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An Order from the Sky: Notes from Producing a 75-Minute One-Shot Breath

  • February 5, 2026

People ask me why we chose a single take. Why not shoot normally and then edit nicely? But when a man is waiting for a sign from God, time itself[…]

Colonialism · Drama · Imperialism · Melodrama

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Postcolonial Melancholia in David Lean’s Brief Encounter

  • January 29, 2026

Typically recognized for its portrayal of middle-class repression and female depression, the film is also an early eulogy to British empire. The doomed flirtation signals an end to Britain’s love[…]

Drama · Essays · Men & Masculinity · Nature

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Notes on Jaws Then and Now

  • January 22, 2026

The myth of the Great White bears numerous meanings, of variable relevance, from the perspective of then and now. Either way, the old Ahab type is unable to triumph, but[…]

Class System · Drama · Hollywood · Melodrama

0

Bostonians of Old Hollywood: From Now, Voyager to If a Man Answers

  • January 15, 2026

Before we were townies, we were snobs. * * * Before Hollywood regarded “Bostonian” as a synonym for “townie” – see Mystic River (2003), The Departed (2006), Gone Baby Gone[…]

Colonialism · Drama · Exile and Displacement

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Sirāt: The Rave That Walked On Mines

  • January 8, 2026

Spoiler Warning: This piece discusses all major events in the film. * * * Óliver Laxe’s Sirāt fuses the fear of losing oneself with the trembling topography of the desert;[…]

Animation · Drama · Myth and Archetype · War

0

Borderwalker: The Homelands of Vinland Saga

  • January 1, 2026

We are, each of us, mearcstapas, navigating the borders between lands. Home, in Vinland Saga, extends beyond geopolitics and ancestry. Whenever geographical territories are breached, cultural and personal identities are[…]

Festivals & Awards · Film Culture · Film History · Programmers · Silents

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Silent Screens, Digital Dreams: Experiencing Pordenone Online

  • December 27, 2025

The online program emphasizes this living quality of film history. Each restoration carries its own provenance, its own narrative of survival. * * * October finds audience viewing habits leaning[…]

Cult Cinema · Dreams · Experimental & Underground · Exploitation & Erotica · Gothic · Indies · Sex & Relationships

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Jess Franco and the Cinema of Drift and Trance: On Time, Obsession, and the Hypnotic Pull of the Erotic Image

  • December 20, 2025

In Franco’s world, beauty existed only through risk. The rawness, the repetition, the obsessive zooms were not acts of carelessness but of liberation. They were his rebellion against the clean,[…]

Central and South America · Colonialism · Imperialism · Marxism · Politics · Satire

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On Political Filmmaking and Alex Cox’s Walker (1987)

  • December 14, 2025

Alex Cox’s Walker (1987) is an instructive example of how to make a film about modern political issues without becoming overly burdened by the present moment. In telling the story[…]

Marxism · Philosophy · Politics · Sports · Theory

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Mao and Moneyball: A Case Study in Cinematic Contradiction

  • December 8, 2025

Bennett Miller’s 2008 film Moneyball depicts the unfolding on-screen of a contradiction. Moneyball as an idea is a theoretical understanding of how the game of baseball works (based on a[…]

Animation · Artificial Intelligence (AI) · Colonialism · Essays · Horror · SF & Fantasy

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Becoming Alien – Establishing Posthuman Bioethics in The Martian and Scavengers Reign

  • December 2, 2025

Ultimately, the comparison of human–ecology relationships in both The Martian and Scavengers Reign reveals two contrasting modes of becoming alien: The former envisions human survival as contingent on an anthropocentric[…]

Class System · Crime · Essays · Race

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“Who Gets a Trial, Who Gets Killed”: Race, Class, and Legal Morality in the Film Versions of To Kill a Mockingbird and A Time to Kill

  • November 27, 2025

The ethical contrast between due process and vigilantism is not the deepest fault line between these movies. A sharper divide concerns who counts as fully human within the moral universe[…]

Directors · Film Culture · Film History · Film Studies · Memoir · Writers & Critics

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A Cinephile’s Paradise: The Quirky Education of a Film Scholar –  Joseph McBride, in conversation with Danny Peary

  • November 21, 2025

Joseph McBride, filmed in 1970, is taking notes on his wrist, a habit he picked up while reviewing films, in his role as the critic and historian Mister Pister in[…]

Body Horror · Eco-horror · Essays · Horror · Myth and Archetype · Splatter & Gore

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The Lingua Franca of Fear: A Dialectical History of Global Horror Cinema

  • November 14, 2025

This article argues that the history of global horror is not a linear progression of influence from a dominant West to the passive rest of the world but a dynamic,[…]

Courtroom Drama · Drama · Exile and Displacement · Myth and Archetype

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The Two Diops and the Grief Between: Notes on Atlantics and Saint Omer

  • November 8, 2025

“They’re not monsters. They’re just tired.” – Ada, Atlantics (2019) “I placed her in the sea so that the sea. . . .” – Laurence, Saint Omer (2022)  * *[…]

Asian · Drama · Race

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Performing Perfection: The Perfect Asian Dream Boy in Recent Cinema

  • November 2, 2025

Depicted as perfect boyfriends, they model an ideal set of standards for a desirable heterosexual male romantic partner while using those standards not to pursue their own self-interests but rather[…]

Drama · Dreams · Essays · Russia

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The Hidden Film: Sculpting the Double Narrative of Tarkovsky’s Nostalghia

  • October 25, 2025

“Poetry is untranslatable, like the whole art.” — Nostalghia (1983) * * * The Tomb Beneath There is a film by Andrei Tarkovsky that has haunted me for years. It is not his[…]

Artificial Intelligence (AI) · Experimental & Underground

0

The Ethics and Aesthetics of AI Voice Dubbing in Documentary Film: Director Vyacheslav Shashkov on Recorded as Stated by Me

  • October 19, 2025

Director/author’s statement: My film Recorded as Stated by Me (V. Shashkov, 2024), released on Amazon Prime at the end of April 2025, is set in post-mobilization Russia and traces cultural[…]

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