Bright Lights Film Journal

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    • Latest Stories

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    • The Constraints of Gender: On Ex Machina (2015)

      August 3, 2026

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Brazilian Cinema · Horror · Labor

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The Work That Never Leaves: Labor as a Parasitic Presence in Hard Work

  • April 10, 2026

The horror in Hard Work is not that a monster exists; it is that the monster is structural. It resides in architecture, in managerial relations, in aspirational rhetoric, in the[…]

Activist & Political · Class System · Directors · Italian Cinema

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Closing with the Past: Marco Bellocchio’s Cinema and the Movement of History

  • April 5, 2026

Even after the radical shift in register with his collaboration with Massimo Fagioli, everything still holds up: the essence of historical struggle remains the true core of Bellocchio’s cinema, whether[…]

Mystery · Sex & Relationships · Thrillers & Action

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The Invisible Thread: Or How Fragment of Fear Anticipates Eyes Wide Shut – And Why Kubrick Almost Certainly Saw It

  • March 30, 2026

In both films, the protagonist’s disorientation becomes a tool for the audience: we are not merely watching two men hunted by secret forces but two men whose consciousnesses have become[…]

Franchises & Series · LGBT & Queer · SF & Fantasy · Superheroes

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“Was That Over the Top?” – Queerness and Madness in Batman Forever (1995)

  • March 24, 2026

Queerness and madness can be seen as dangers to the status quo, disruptive states that open up new possibilities. The question then is do you find this disruptiveness beguiling or[…]

Counterculture · Crime · Cult Cinema · Directors · Drama · Satire

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The Kubrick Production: How Stanley Kubrick Stage-Managed Reality

  • March 18, 2026

Every aspect of his professional life was stage-managed with the same precision he brought to a tracking shot. The results were remarkable. Total artistic control achieved at a young age.[…]

Men & Masculinity · Westerns

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Peckinpah’s Groundless Ground of Ethics in The Wild Bunch

  • March 12, 2026

Peckinpah suggests that humans maintain micro‑moralities, politeness, fairness, reciprocity even when they have abandoned macro‑moralities such as justice or compassion. People prefer manageable moral problems, politeness, fairness, loyalty, over unmanageable[…]

Comedy · Comics · Essays · Hollywood · Men & Masculinity · Philosophy · Silents

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Three’s a Crowd: Harry Langdon and the Poetics of Fragility

  • March 6, 2026

He isn’t just a clown; he is a deconstructionist who reveals the hollowness of the Hollywood dream. The “pause” – those agonizing seconds where Langdon stands motionless – is far[…]

Activist & Political · Counterculture · Crime · Drama · Urban Conflict · Writers & Critics

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One Battle After Another: On the Movie, the Critics, and the Moment

  • March 1, 2026

For a popular entertainment, One Battle is ultimately hopeful but not pandering. Viewers do not leave the theater with the spoon-fed feel-good reassurances offered by a Rocky or a Star[…]

Christianity · Religion & Spirituality · Scandinavian Cinema

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Christian Culture in Scandinavian Cinema: On Dreyer, Bergman, and Dogme 95

  • February 24, 2026

From the austere formalism of Carl Theodor Dreyer, which transforms cinematic language into a vessel for transcendent faith, to the existential torment of Ingmar Bergman’s “silence of God,” the iconoclastic[…]

Crime · Essays · Thrillers & Action

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Trigger Warning, or: How Jessica Alba Stopped Worrying and Learned to Love Woke Imperialism

  • February 18, 2026

Commando Parker is the Jeanne D’Arc of a morally bankrupt, corrupt, violent, and racist Empire, and she’s gakked-to-the-gills high on the stupidest and shallowest form of identity politics, giddy with[…]

Drama · Essays · Surrealism

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The (Re)Turn: Vicious Retooling of Teenager Archetypes in the Twin Peaks Revival

  • February 12, 2026

Lynch takes the glamorized version of youth (even some of the glamor from his very own ’90s series) often presented on-screen and renders it unrecognizable. Dramatized teenhood usually tries to[…]

Experimental & Underground · India · Production · Religion & Spirituality

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An Order from the Sky: Notes from Producing a 75-Minute One-Shot Breath

  • February 5, 2026

People ask me why we chose a single take. Why not shoot normally and then edit nicely? But when a man is waiting for a sign from God, time itself[…]

Colonialism · Drama · Imperialism · Melodrama

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Postcolonial Melancholia in David Lean’s Brief Encounter

  • January 29, 2026

Typically recognized for its portrayal of middle-class repression and female depression, the film is also an early eulogy to British empire. The doomed flirtation signals an end to Britain’s love[…]

Drama · Essays · Men & Masculinity · Nature

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Notes on Jaws Then and Now

  • January 22, 2026

The myth of the Great White bears numerous meanings, of variable relevance, from the perspective of then and now. Either way, the old Ahab type is unable to triumph, but[…]

Class System · Drama · Hollywood · Melodrama

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Bostonians of Old Hollywood: From Now, Voyager to If a Man Answers

  • January 15, 2026

Before we were townies, we were snobs. * * * Before Hollywood regarded “Bostonian” as a synonym for “townie” – see Mystic River (2003), The Departed (2006), Gone Baby Gone[…]

Colonialism · Drama · Exile and Displacement

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Sirāt: The Rave That Walked On Mines

  • January 8, 2026

Spoiler Warning: This piece discusses all major events in the film. * * * Óliver Laxe’s Sirāt fuses the fear of losing oneself with the trembling topography of the desert;[…]

Animation · Drama · Myth and Archetype · War

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Borderwalker: The Homelands of Vinland Saga

  • January 1, 2026

We are, each of us, mearcstapas, navigating the borders between lands. Home, in Vinland Saga, extends beyond geopolitics and ancestry. Whenever geographical territories are breached, cultural and personal identities are[…]

Festivals & Awards · Film Culture · Film History · Programmers · Silents

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Silent Screens, Digital Dreams: Experiencing Pordenone Online

  • December 27, 2025

The online program emphasizes this living quality of film history. Each restoration carries its own provenance, its own narrative of survival. * * * October finds audience viewing habits leaning[…]

Cult Cinema · Dreams · Experimental & Underground · Exploitation & Erotica · Gothic · Indies · Sex & Relationships

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Jess Franco and the Cinema of Drift and Trance: On Time, Obsession, and the Hypnotic Pull of the Erotic Image

  • December 20, 2025

In Franco’s world, beauty existed only through risk. The rawness, the repetition, the obsessive zooms were not acts of carelessness but of liberation. They were his rebellion against the clean,[…]

Central and South America · Colonialism · Imperialism · Marxism · Politics · Satire

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On Political Filmmaking and Alex Cox’s Walker (1987)

  • December 14, 2025

Alex Cox’s Walker (1987) is an instructive example of how to make a film about modern political issues without becoming overly burdened by the present moment. In telling the story[…]

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