Animation · Animators · New Genres · New Media
The film may appear gamer oriented, but general audiences should find it accessible and entertaining based on its fright factor alone. It’s simultaneously a boon to content-starved TF2 diehards and[…]
Activist & Political · Actors & Personalities · Communism and Socialism · Race · Women in Film
At every turn, Muir was disobedient, unconventional, and disruptive; she simply didn’t care what people thought. At no point did it occur to her that she should curb her activism,[…]
Animals · Documentaries · German Cinema · Nature
I will be writing about just what his meticulous and brilliant use of archival footage in these films does to the stories, and how there is a thread connecting them[…]
Drama · Historical & Epic · Holocaust
If the choking of the camp victims is muffled in the film, it is darkly recapitulated in the sputtering coughs that spread through the family, from Höss to Hedwig’s mother.[…]
Absurdism · Cityscapes · Drama · Literature and Film · Writers & Critics
Cosmopolis reflects the experience of a cancer patient, housed within a corporatized institution, dependent on the biases and whims of authorities, machines, and data. The book and film, poorly reviewed[…]
Actors & Personalities · Drama · Essays · Romance
As with Monroe, his seemingly all-but-transparent method has proven remarkably difficult to emulate, much less duplicate. (Toles, 2003: 34) Whatever happened to Gary Cooper? The strong, silent type? That was[…]
Sunbeams, radiant and warm. Human bodies, young and old. And who are imprisoned here, our hearts are yet not cold. We who are imprisoned here, are wakeful as the stars[…]
Crime · Directors · Drama · Historical & Epic
The animal is the only genuine thing in man. – Frank Wedekind * * * A woman sits rhythmically rocking by candlelight, her eyes focused on a distant point. Around[…]
Crime · Drama · Historical & Epic · Indigenous · Native Americans
Killers interweaves the Western, film noir, the gangster film, the police procedural, the courtroom drama, and even a bit of horror; however, it jumps between them with often elliptical editing[…]
Activist & Political · Comedy · Drama
It’s easy to mistake The Sweet East for a progressive indictment of modern America, with its gun-wielding conspiracy theorists and predatory authority figures – but they belie a blasé politics[…]
This man who watches you returns from hell […]; he is hollow, he is full of air. Dry hands hold him upright from behind, like a house of cards being[…]
Comedy · LGBT & Queer · Sex & Relationships · Uncategorized
As seen with Jordan and Mateo, Silva extends his self-fictionalization to most of the cast, taking actors and regurgitating them as screen versions of themselves. Sometimes the cinematic portraits come[…]
Crazy Rich Asians’ re-orientalization of Asians reinforces Eurocentrism and the Western gaze. Feminist and Orientalist readings of this film ultimately divulge the ability of Asians in the West to subconsciously[…]
Documentaries · India · Labor · Uncategorized
While complaints about the industry’s orchestration of emotions and personality were commonplace, some workers also celebrated the prerogative of assembling new identities (58). Moreover, their exposure to Western cultural habits[…]
Books · Drama · German Cinema · LGBT & Queer · Melodrama
Fassbinder Thousands of Mirrors by Ian Penman (Semiotext(e), May 2023, pp. 200, $11.99. * * * In William Motley’s best-selling 1947 novel Knock on Any Door, the author cites an adage that[…]
Actors & Personalities · Comedy · Comics · Eastern European · Hollywood
S. Z. Sakall’s ultra-rare 1954 memoir, The Story of Cuddles, attests that there was more to the comic actor than adorable fretfulness and jiggly jowls * * * He was[…]
Activist & Political · Directors · French Cinema · New Genres · New Media
This impression of the look being “renewed” through the radical potential of video to sharpen one’s perception is vital to the core philosophy at the centre of Here and Elsewhere,[…]
André De Toth knew from the very beginning that he had to create a larger-than-life persona for him to be trusted with directing a picture. So he played the European[…]
Despite ritualistically crowning lists of the worst sequels ever made, in no way does The Heretic exemplify “sequelitis.” It’s neither a quick cash-in nor a rehash of the original. Its[…]
African · African American · Drama · Essays · Exile and Displacement · Family · Historical & Epic · Race · SF & Fantasy
A think piece discussing the movies Antebellum, Black Panther, Django Unchained, Get Out, and Us. It compares their reception and portrayal of anti-black racism and black suffering, via the lens[…]
