Bright Lights Film Journal

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Resnais

Documentaries · War

0

Meat for the Machine: On the Hidden Horrors of Alain Resnais’ Documentary Shorts

  • April 15, 2018

Covering topics as banal as the production of plastics and as profound as cultural appropriation, these films aren’t workaday projects so much as serious visual essays that extend Resnais’ preoccupation[…]

Annihilation

Drama · SF & Fantasy · Women in Film

0

The End of Cinema: Female Agency and the Influence of Stalker in Annihilation

  • April 11, 2018

Even as it has sunk like a stone commercially, Annihilation has drawn a flurry of passionate responses, mainly, it seems, from women writers. Many single out its admixture of beauty[…]

Phantom Thread

Designers · Drama · Women in Film

1

Food, Fashion, and (Fe)male Identity in The Phantom Thread

  • April 7, 2018

This is the second of two pieces on Phantom Thread. See Sam Ankenbauer’s different take in the previous post.  * * * The articulation of female pleasure in The Phantom[…]

Phantom Thread

Designers · Drama

0

Secret Lives: On Phantom Thread

  • April 4, 2018

Note: This is the first of two reviews of Phantom Thread. Watch for Raymond De Luca’s take later this week. Each viewing paints old interactions in new colors, and the film thrives[…]

grips

Film Crews · Production History

2

Get a Grip: Celebrating Those Overworked, Underpaid, Practically Invisible Technicians Who Help Make the Movies

  • March 30, 2018

A grip is a jack-of-all-trades: part mover, part roadie, part handyman, part mechanic, and part mechanical engineer. Grips are in charge of lifting, moving, constructing, rigging, pushing, driving, and securing[…]

Claude Chabrol

Crime · Directors

0

Dark Undercurrents: Claude Chabrol’s Second Wave from Les Biches (1968) to Innocents with Dirty Hands (1975)

  • March 25, 2018

“There are no waves, there is only the ocean.” – Claude Chabrol * * * From 1968 to 1975 Claude Chabrol directed a dozen films – one of the most[…]

Actors & Personalities

0

A Mannequin’s Face: Joan Crawford

  • March 23, 2018

Joan Crawford was born on this day in 1905. Our buddy Howard Mandelbaum wrote this incisive tribute to her in the 1970s. We reprint it here for your reading pleasure.[…]

John Carpenter

Directors · Horror · SF & Fantasy

6

Weird and Pissed Off: Field Notes on John Carpenter’s First Fifteen Years

  • March 17, 2018

“It’s better to be a human being than an imitation.”- John Carpenter, on The Thing * * * 1. Begin with sound. Begin with Assault on Precinct 13 (1976). A[…]

Lady Bird

Drama · Women in Film

1

Lady Bird, Lady Bird, What the Heck Are You?

  • March 13, 2018

The internal structure of Lady Bird is, I think, unconsciously designed to evoke the monster mother and then deflect the daughterly hostility she provokes by turning things around to insist,[…]

African · African American · Comics · Franchises & Series · SF/Fantasy

0

The Fight to Be Fathered: False Political Pretenses in Black Panther

  • March 9, 2018

The media’s insistence on making more of the film than a big, enjoyably dumb action movie only highlights the drastic shift in representation in casting and marketing as a predatory[…]

African video

African · Experimental & Underground · New Media · Video Artists

0

Senses of Times and Times of Death: Contemporary African Video Works at the National Museum of African Art

  • March 5, 2018

We might presume the temporal slips at stake in an African video exhibit are squarely political or anticolonial, but the videos’ slow, reverse, and repeated motions also link politico-economic disorder[…]

Designers · Interviews · LGBT & Queer

0

Designing Desire: Production Designer Samuel Deshors Talks about Call Me by Your Name

  • March 2, 2018

Call Me by Your Name was nominated for four Academy Awards this year, including Best Picture, Best Lead Actor, Best Adapted Screenplay, and Best Original Song. In this interview, production designer[…]

David Lynch

Directors · Essays · Philosophy

0

Asking the Wrong Questions: Reiteration and Doubling in David Lynch’s Lost Highway, Mullholland Drive, and Inland Empire

  • February 26, 2018

“Mystery is good, confusion is bad. And there’s a big difference between the two.” – David Lynch  * * * A survey of the critical literature pertaining to David Lynch’s[…]

Actors & Personalities · Comedy

0

No One Gets In Alive! Kicking Down Doors with the Marx Brothers

  • February 22, 2018

The Brothers don’t enter into sanctimonious class systems, organizational institutions, or drawing rooms to assimilate and enjoy the fruits of its privileges either; they gain access, enact a savage modus[…]

The Fly

Essays · Horror

0

“Disease with a Purpose”: Ex-Boyfriends, Abortion and The Fly (1986)

  • February 19, 2018

But the choice to get this thing out of her body, to have an abortion, is made up of equal parts self-compassion and safety. It is entirely locatable. Ronnie is[…]

Animation · Designers · Fashion

2

Tear That Dress Off: Cinderella (1950) and Disney’s Critique of Postwar Fashion

  • February 15, 2018

Disney’s Cinderella was released on this day, February 15, in 1950. We celebrate her “birth” by reposting Emanuele Lugli’s witty tribute/takedown of Cinderella via her – and the period’s –[…]

Sicario

Drugs · Military and Paramilitary · Thrillers & Action · Urban Conflict · War

0

A Land of Wolves: Sicario and the New Drug War Film

  • February 10, 2018

“In the company of wolves was a stretcher made of cobblestone curfews as the federales performed their custodial customs quite well.” – At the Drive In * * * In[…]

Blade Runner 2049

Philosophy · SF & Fantasy

0

Vibrant Matter in Blade Runner 2049

  • February 6, 2018

Blade Runner 2049 resists our contemporary moment of political and cultural polarization that exploits difference as a cudgel to reinforce (inevitably racialized) hostilities. The film instead forwards a vision of[…]

Activist & Political · Drama · Essays

3

Beatriz at Dinner: Eating Up the Whole World

  • February 2, 2018

Moloch whose mind is pure machinery! Moloch whose blood is running money! Moloch whose fingers are ten armies! Moloch whose breast is a cannibal dynamo! Moloch whose ear is a[…]

Activist & Political · African American · Essays

1

Between The Butler and Black Dynamite: Servility, Militancy, and the Meaning of Blaxploitation

  • January 28, 2018

The existence of films such as Black Samson and The Spook Who Sat by the Door reminds us that there was an era, however fleeting, in which commercial films discarded[…]

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