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The Esteemed Black Actresses Who Finally Have the Spotlight – The New York Times – Celebrity News on:
Drama · Historical & Epic · War
The Third Man ends with rejection, physical and emotional death, a descent into a sewer, a walk through a graveyard and cold silence. The ruins of Vienna come to symbolize[…]
“Hayao Miyazaki gets zero marks as a father but full marks as a director of animated films.” – Goro Miyazaki1 * * * Most artists exist under what the literary[…]
Franchises & Series · SF & Fantasy
A Transformers film has to face incessant criticism about the amount of action, the blurry continuity of its symphonies of shrapnel, the overuse of MacGuffins, and the lack of good[…]
Dancer in the Dark is largely about movies, in particular, about those movies in which people sing and dance their troubles away. Even this self-reflexivity situates the film in the[…]
Asian · Interviews · Producers & Studios · Production History
What Third Window’s practices and Adam Torel’s insights provide is a view of the industry that contrasts significantly from current Japanese film research, especially in light of other exhibitors and[…]
MY CHUM, JANE LILEE, Being as it’s coming up on the anniversary of our meeting, I thought I’d check in with you, and maybe get points for remembering the occasion.[…]
This article first appeared in Bright Lights in October 2000. We reprint it as a tribute to the seminal composer on what would have been his 130th birthday. (And frankly, we’re surprised[…]
Fashion · LGBT & Queer · TV & Streaming
Queer Eye strips queerness of radical intention and repackages it as the non-threatening support system of heteronormative practice, with the Fab Five offered up as the ultimate Gay Best Friend[…]
The high-tech and the primitive coexist in The Life Aquatic, much as they do in Keaton’s The Navigator, and as in all of Anderson’s films they combine with the deeply[…]
Comedy · Drama · Festivals & Awards
To Dust (dir. Shawn Snyder) “Isn’t that sweet,” I thought when I picked up my mother’s dropped pocket calendar. So many dates had names on them. Mom doesn’t want to[…]
Documentaries · Festivals & Awards
“I’m grateful I didn’t grow up with Barbie.” – Gloria Steinem * * * Gloria Steinem isn’t alone. Lisa Simpson hates Barbie. Feminist writer Roxanne Gay wishes Barbie had never[…]
I don’t like these three guys in this coffee shop either. I can’t help but compare them to the Ghostbox opportunists who were written to be disliked. That much –[…]
Comedy · Documentaries · Festivals & Awards
The effect is intimate, but not particularly enlightening. Love, Gilda offers a lot of reminiscing, some sweet (and a few heavy) insights, but very little new information about Radner’s life.[…]
Unassimilated weirdness is typical of Popeye – even in its soundtrack, where goofy “boing” effects are used to accompany ordinary, unheroic movement. Sweethaven’s anthem, the Harry Nilsson song “Everything Is[…]
Covering topics as banal as the production of plastics and as profound as cultural appropriation, these films aren’t workaday projects so much as serious visual essays that extend Resnais’ preoccupation[…]
Drama · SF & Fantasy · Women in Film
Even as it has sunk like a stone commercially, Annihilation has drawn a flurry of passionate responses, mainly, it seems, from women writers. Many single out its admixture of beauty[…]
Designers · Drama · Women in Film
This is the second of two pieces on Phantom Thread. See Sam Ankenbauer’s different take in the previous post. * * * The articulation of female pleasure in The Phantom[…]
Note: This is the first of two reviews of Phantom Thread. Watch for Raymond De Luca’s take later this week. Each viewing paints old interactions in new colors, and the film thrives[…]
Film Crews · Production History
A grip is a jack-of-all-trades: part mover, part roadie, part handyman, part mechanic, and part mechanical engineer. Grips are in charge of lifting, moving, constructing, rigging, pushing, driving, and securing[…]
“There are no waves, there is only the ocean.” – Claude Chabrol * * * From 1968 to 1975 Claude Chabrol directed a dozen films – one of the most[…]
