Bright Lights Film Journal

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    • Family Matters: Shared Space in the Films of Cédric Klapisch

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    • Blogging Pound’s The Cantos: Canto LXII – gordsellar.com on:

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      Books: Best Actress: The History of Oscar-Winning Women by Stephen Tapert

Drama · Restorations · Satire

0

Darling, John Schlesinger’s Ever Relevant Relic: The British New Wave Classic Turns Sixty

  • September 12, 2025

Who is this minx with the thirty-kilowatt smile? Christie is phenomenal here, creating an archetype of the modern neurotic. The extraordinary geometry of her face, depending on angle and lights,[…]

Activist & Political · Directors · Italian Cinema · LGBT & Queer

0

From Gospel to Grotesque: The Cinema of Pier Paolo Pasolini

  • September 6, 2025

Pasolini is in the canon – but only as a statue, not a voice. His name appears in film textbooks, his films screen at retrospectives, and Salò gets trotted out[…]

Absurdism · Body Horror · Disease and Epidemics · Family · Horror · Politics

0

 “The Saw Is Family”: The Haunted America of The Texas Chainsaw Massacre 2

  • August 31, 2025

When taken as a whole, it’s apparent that Hooper was just as politically minded in the creation of this film as he was with the first, his sights set firmly[…]

Class System · Drama · Exile and Displacement · French Cinema · Road Movies · Women in Film

0

Jeunes Mères (Young Mothers): Little Women – and Their Babies

  • August 26, 2025

For the Dardenne brothers, “social conditions” come down to the common denominator of cold cash – having it, lacking it, getting it, some disposing of it more than others. It’s[…]

Drama · Essays · Feminism · French Cinema · Men & Masculinity · Sex & Relationships · Women in Film

0

Tango Redux: Complicity

  • August 20, 2025

Last Tango in Paris is a case study in how a culture processes shame – who bears it, who survives it, who escapes it entirely. Maria Schneider, long ignored, is[…]

Asian · Drama · Essays

0

A Poetics of Grief: Relation Through the Lens of Relationship in Celine Song’s Past Lives

  • August 14, 2025

In the screenplay for Past Lives, Song’s scene descriptions are acutely sensitive to the way in which identity lives in the distance between self and Other, between knowing and mystery.[…]

Books · Drama · Indies · Women in Film

0

Book Review: Ida Lupino, Forgotten Auteur: From Film Noir to the Director’s Chair

  • August 9, 2025

Alexandra Seros, Ida Lupino, Forgotten Auteur: From Film Noir to the Director’s Chair. Texas University Press, 2024. 227 pages. $45.00. * * * Most readers of this journal recognize Ida[…]

Censorship · Feminism · Gender · Iranian Cinema · Middle East · Muslims · Politics · Revolution · Women in Film

0

A History and a Film: On My Favorite Cake (Iran, 2024)

  • August 1, 2025

The woman without a hijab in her private space, something consistently denied visual existence, is no longer hidden or censored. Instead, her presence is centered and made ordinary. In this[…]

DVD & Blu-ray · Essays · Societal Trends

0

The Criterion Complex: Prestige, Preservation, and the Politics of Taste

  • July 24, 2025

When you turn a political object into a collectible, you’re no longer confronting it – you’re displaying it. You’re posing with the thing that once asked you to change. *[…]

Drama · Interior Monologue · LGBT & Queer · Men & Masculinity

0

Giving up the Ghost: A Meditation on All of Us Strangers

  • July 17, 2025

The song continues to play as the camera moves farther and farther away from the spooning lovers and higher and higher into the night sky that cradles them. Having proceeded[…]

Essays · LGBT & Queer · Politics · Romance · Russia

0

Collective Subjects and Soviet Subjectivities: The Counterplan, A Severe Young Man, and the Paradoxes of Socialist Realism

  • July 9, 2025

“The history of ideas is the history of the spite of certain solitaries.” – E. M. Cioran, All Gall Is Divided * * * It was at the 1934 First[…]

Directors · Drama · French Cinema · Nouvelle Vague

0

Games of Logic and Longing: The Quiet Radicalism of Éric Rohmer

  • July 3, 2025

In an age of clickbait politics and algorithmic attention spans, there’s something quietly revolutionary about refusing to manufacture drama. Rohmer’s refusal to manipulate emotion – to cue violins or insert[…]

Drama · Romance · Youth

0

Brat Facts: Why St. Elmo’s Fire (1985) Still Attracts an Audience After 40 Years of Bad Reviews

  • June 28, 2025

For anyone who was coming of age during the eighties, St. Elmo’s represented the height of hubris. It represented the height of yuppiedom and suburban sprawl. It represented the height[…]

Reviews · SF & Fantasy

4

The Birds, the Birds, and the Beatles

  • June 23, 2025

One of the delights of running a film review website is being able to repost an article just because we feel like it. Admittedly, we have many to choose from[…]

Drama · Essays · Film Crews · Hollywood · News · Production · Production History · Stuntwork

0

The Silver Screen Is Rusting: Why Rust Can’t Happen Again

  • June 17, 2025

Even if Rust is defined as professional by its crew, the danger that allows a crew member to die cannot coexist with the description of professional. If that is professional,[…]

Crime · Drama · Essays

0

The Body Embarrassed: “Cringing” as Empathetic Response to American Beauty and The Talented Mr. Ripley

  • June 11, 2025

As American Beauty deals with visualized and thematic pleasure by giving us “beauty” in both sexualized and desexualized forms, and Ripley makes us feel like a voyeur alongside its protagonist[…]

Drama · Historical & Epic · War · Women in Film

0

The Feminist Undercurrents of The Brutalist: Women as the Backbone of Power and Legacy

  • June 6, 2025

In contrast to the patriarchal norms that dominate “American” family values, The Brutalist quietly insists on the indispensable role of women in guiding not just familial stability but broader legacies[…]

African American · Class System · Colonialism · Exile and Displacement · Historical & Epic · Horror · Race · Religion & Spirituality

0

The Price of Being Let In: Sinners and the Lie of Liberation

  • May 28, 2025

From the erasure of Native knowledge to the internal hierarchies among the oppressed, from religion’s double edge to the seduction of assimilation, Coogler’s film maps the mechanisms of survival within[…]

Covid-19 · Disease and Epidemics · Men & Masculinity · Military and Paramilitary · Pandemic · SF & Fantasy

0

Life Is Wonderful: Double Apocalypse and Redemption in Virus: Day of Resurrection (1980)

  • May 21, 2025

As a single-minded seismologist posted in Antarctica who predicts the disastrous DC quake, Yoshizumi embodies the willful blindness and debasement of humans in the Cold War era: like those who[…]

Comedy · Directors · Indies · Interviews · Thrillers & Action

0

Joel Potrykus talks Vulcanizadora, Being “Really Immature,” and What He Thinks Hell Is Like

  • May 16, 2025

I love it when someone just absolutely shoves the vision down your throat. * * * Vulcanizadora, Joel Potrykus’ fifth feature film, hit the festival circuit last spring with a[…]

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