Bright Lights Film Journal

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    • Blogging Pound’s The Cantos: Canto LXII – gordsellar.com on:

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Courtroom Drama · Drama · Exile and Displacement · Myth and Archetype

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The Two Diops and the Grief Between: Notes on Atlantics and Saint Omer

  • November 8, 2025

“They’re not monsters. They’re just tired.” – Ada, Atlantics (2019) “I placed her in the sea so that the sea. . . .” – Laurence, Saint Omer (2022)  * *[…]

Asian · Drama · Race

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Performing Perfection: The Perfect Asian Dream Boy in Recent Cinema

  • November 2, 2025

Depicted as perfect boyfriends, they model an ideal set of standards for a desirable heterosexual male romantic partner while using those standards not to pursue their own self-interests but rather[…]

Drama · Dreams · Essays · Russia

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The Hidden Film: Sculpting the Double Narrative of Tarkovsky’s Nostalghia

  • October 25, 2025

“Poetry is untranslatable, like the whole art.” — Nostalghia (1983) * * * The Tomb Beneath There is a film by Andrei Tarkovsky that has haunted me for years. It is not his[…]

Artificial Intelligence (AI) · Experimental & Underground

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The Ethics and Aesthetics of AI Voice Dubbing in Documentary Film: Director Vyacheslav Shashkov on Recorded as Stated by Me

  • October 19, 2025

Director/author’s statement: My film Recorded as Stated by Me (V. Shashkov, 2024), released on Amazon Prime at the end of April 2025, is set in post-mobilization Russia and traces cultural[…]

African American · Asian · Drama · Essays

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On the Dignity of the Successful Man: Akira Kurosawa, Spike Lee, and the “High-Low” Scale

  • October 13, 2025

Both films will give the critic searching for a standard class-focused reading a headache. We have to admit that the kidnapper exerts an imposition on the success of “the other.”[…]

Activist & Political · Brazilian Cinema · Communism and Socialism · Drama · Politics

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The Comfort of Righteousness: Argentina, 1985 and Ainda Estou Aqui

  • October 7, 2025

Retornarán los libros, las canciones que quemaron las manos asesinas. Renacerá mi pueblo de su ruina y pagarán su culpa los traidores. The books will return, the songs burned by[…]

Class System · Crime · Hollywood · Noir · Pre-Code

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Rocky Died Yellow: Matinee Polemics

  • September 30, 2025

When the Production Code loosened and America lurched through assassinations, riots, and televised body bags, the gangster stopped functioning as a moral lesson and started reading as a symptom –[…]

Drama · Drugs · Melodrama · Men & Masculinity

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The Paternal Pill and Its Side Effects: The Delusion of Fatherhood in Nicholas Ray’s Bigger Than Life

  • September 24, 2025

Due to cortisone overdose, Ed turns into a radical enforcer of outdated values at school. His expectations, rather than aligning with the conventional disciplinary regime of the time, deviate into[…]

Asian · Books · kung-fu

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Book Review: These Fists Break Bricks: How Kung Fu Movies Swept America and Changed the World

  • September 18, 2025

These Fists Break Bricks: How Kung Fu Movies Swept America and Changed the World, by Grady Hendrix and Chris Poggiali. Revised and expanded paperback edition, Running Press, 2025, 384 pages,[…]

Drama · Music & Musicals

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What Hides in Plain Sight? Against the Backdrop of Tár

  • September 12, 2025

In Tár, Field fashions an improbable representation of power (Hernández, “Top Orchestras”) to advance the idea that power is faceless. But the idea is only to be believed if the[…]

Drama · Restorations · Satire

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Darling, John Schlesinger’s Ever Relevant Relic: The British New Wave Classic Turns Sixty

  • September 12, 2025

Who is this minx with the thirty-kilowatt smile? Christie is phenomenal here, creating an archetype of the modern neurotic. The extraordinary geometry of her face, depending on angle and lights,[…]

Activist & Political · Directors · Italian Cinema · LGBT & Queer

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From Gospel to Grotesque: The Cinema of Pier Paolo Pasolini

  • September 6, 2025

Pasolini is in the canon – but only as a statue, not a voice. His name appears in film textbooks, his films screen at retrospectives, and Salò gets trotted out[…]

Absurdism · Body Horror · Disease and Epidemics · Family · Horror · Politics

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 “The Saw Is Family”: The Haunted America of The Texas Chainsaw Massacre 2

  • August 31, 2025

When taken as a whole, it’s apparent that Hooper was just as politically minded in the creation of this film as he was with the first, his sights set firmly[…]

Class System · Drama · Exile and Displacement · French Cinema · Road Movies · Women in Film

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Jeunes Mères (Young Mothers): Little Women – and Their Babies

  • August 26, 2025

For the Dardenne brothers, “social conditions” come down to the common denominator of cold cash – having it, lacking it, getting it, some disposing of it more than others. It’s[…]

Drama · Essays · Feminism · French Cinema · Men & Masculinity · Sex & Relationships · Women in Film

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Tango Redux: Complicity

  • August 20, 2025

Last Tango in Paris is a case study in how a culture processes shame – who bears it, who survives it, who escapes it entirely. Maria Schneider, long ignored, is[…]

Asian · Drama · Essays

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A Poetics of Grief: Relation Through the Lens of Relationship in Celine Song’s Past Lives

  • August 14, 2025

In the screenplay for Past Lives, Song’s scene descriptions are acutely sensitive to the way in which identity lives in the distance between self and Other, between knowing and mystery.[…]

Books · Drama · Indies · Women in Film

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Book Review: Ida Lupino, Forgotten Auteur: From Film Noir to the Director’s Chair

  • August 9, 2025

Alexandra Seros, Ida Lupino, Forgotten Auteur: From Film Noir to the Director’s Chair. Texas University Press, 2024. 227 pages. $45.00. * * * Most readers of this journal recognize Ida[…]

Censorship · Feminism · Gender · Iranian Cinema · Middle East · Muslims · Politics · Revolution · Women in Film

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A History and a Film: On My Favorite Cake (Iran, 2024)

  • August 1, 2025

The woman without a hijab in her private space, something consistently denied visual existence, is no longer hidden or censored. Instead, her presence is centered and made ordinary. In this[…]

DVD & Blu-ray · Essays · Societal Trends

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The Criterion Complex: Prestige, Preservation, and the Politics of Taste

  • July 24, 2025

When you turn a political object into a collectible, you’re no longer confronting it – you’re displaying it. You’re posing with the thing that once asked you to change. *[…]

Drama · Interior Monologue · LGBT & Queer · Men & Masculinity

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Giving up the Ghost: A Meditation on All of Us Strangers

  • July 17, 2025

The song continues to play as the camera moves farther and farther away from the spooning lovers and higher and higher into the night sky that cradles them. Having proceeded[…]

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