Through their own fragmentary narratives, which resemble Poe’s stream-of-consciousness diary, Shutter Island, Annihilation, and The Lighthouse mount challenges to our own perceptual abilities as viewers. They locate us in the[…]
We encounter filmic atmosphere vaguely, imperceptibly, but emotively and reflexively; a movie is a mood. Hereditary and Midsommar creep into our consciousness through subtle shifts in light, sound, and camerawork.[…]
Horror · Interviews · Movies · SF & Fantasy
* * * It’s The Day of the Triffids’ fault: when he was a wee lad stuck at home in front of the television with a sprained arm (fault: sister,[…]
Drama · Horror · SF & Fantasy
Given the fact that sex and violence are alleged to be as normalized in our culture as wind blowing through the trees, in Bird Box, Malorie’s shock even appears prudish[…]
Designers · Horror · Interviews
“We need guilt, Doctor. And shame.” * * * Luca Guadagnino follows up 2016’s A Bigger Splash and 2017’s Call Me by Your Name with 2018’s Suspiria, a remake of[…]
Horror · Women in Film · Writers & Critics
Despite the fact that Wray had no previous screen credits, Lewton hired her to rework the story of I Walked with a Zombie with only two months to go before[…]
“The aesthetic features of post-horror replicate the mixture of shame, confusion, shock, and anxiety about the future experienced by liberal Americans in the midst of the Tea Party and Trump’s[…]
The demon-summoning, LED laser-lens flares, medieval weaponry-fetishizing, churning synth and axe rhythms, and the overall simmer of curdling darkness are collective flickers of a recurrent, suffocatingly inescapable nightmare, one fueled[…]
Something hereditary is passed down to posterity, all without their foreknowledge or approval; an unborn child has no say in what color eyes it will have, what its allergies may[…]
Filmmakers like Argento have no interest in sex per se. Suffering seems inessential, but terror and death are key, photographed with the same clinical absorption and aesthetic gloss as giallo-maestros[…]
Directors · Horror · SF & Fantasy
“It’s better to be a human being than an imitation.”- John Carpenter, on The Thing * * * 1. Begin with sound. Begin with Assault on Precinct 13 (1976). A[…]
But the choice to get this thing out of her body, to have an abortion, is made up of equal parts self-compassion and safety. It is entirely locatable. Ronnie is[…]
Activist & Political · Comedy · Horror
Yes, Society supplies the body horror, well crafted in all its sticky glory by Japanese effects expert Screaming Mad George, but it fuses it with teen movie, conspiracy thriller, and[…]
The notion of the body as entry to the soul becomes a fallacy: penetration is not a portal to another person’s psyche – just as Sagawa’s cannibalism of Hartevelt could[…]
Historical & Epic · Horror · Women in Film
The Witch is about what is in woman that is presumed not to exist, because it cannot be seen. * * * Robert Altman’s 3 Women is mostly a high-kitsch[…]
Horror · Philosophy · Religion & Spirituality
We will go back to our old gods again. – Goethe * * * My eyes. My eyes. I’m seeing again. Across a gulf of how-many years, the light is[…]
Experimental & Underground · Horror · Philosophy · Religion & Spirituality · Romance
Whatever else it is, mother! is ultimately a woman’s anxious nightmare about what it feels like to put your heart and soul into creating something only for people to take[…]
Horror · Philosophy · Romance
Regardless of whether it is worth doing or not, people will continue to rely on memory as a way to create legacy and heritage. People will always leave things behind,[…]
Horror · LGBT & Queer · Writers & Critics
One of the few indelible images in director Robert Mulligan’s 1972 film of The Other is that of Niles in the freaks’ tent at the 4th of July fair, gazing[…]
Franchises & Series · Horror · SF & Fantasy
The people we care most about in Alien: Covenant are those we most delight in seeing eviscerated. David gives us his own flair for the ghoulish, cultivating with us his garden of monsters[…]
