Comedy · Directors · Women in Film
American Audiences watched Irma la Douce without discomfort, perhaps because French prostitutes and pimps were performing immoral acts and misdeeds. The same subversion of middle-class values that would later inform[…]
Asian · Interviews · Producers & Studios · Production History
What Third Window’s practices and Adam Torel’s insights provide is a view of the industry that contrasts significantly from current Japanese film research, especially in light of other exhibitors and[…]
This article first appeared in Bright Lights in October 2000. We reprint it as a tribute to the seminal composer on what would have been his 130th birthday. (And frankly, we’re surprised[…]
Designers · Drama · Women in Film
This is the second of two pieces on Phantom Thread. See Sam Ankenbauer’s different take in the previous post. * * * The articulation of female pleasure in The Phantom[…]
Note: This is the first of two reviews of Phantom Thread. Watch for Raymond De Luca’s take later this week. Each viewing paints old interactions in new colors, and the film thrives[…]
Film Crews · Production History
A grip is a jack-of-all-trades: part mover, part roadie, part handyman, part mechanic, and part mechanical engineer. Grips are in charge of lifting, moving, constructing, rigging, pushing, driving, and securing[…]
“There are no waves, there is only the ocean.” – Claude Chabrol * * * From 1968 to 1975 Claude Chabrol directed a dozen films – one of the most[…]
Joan Crawford was born on this day in 1905. Our buddy Howard Mandelbaum wrote this incisive tribute to her in the 1970s. We reprint it here for your reading pleasure.[…]
Directors · Horror · SF & Fantasy
“It’s better to be a human being than an imitation.”- John Carpenter, on The Thing * * * 1. Begin with sound. Begin with Assault on Precinct 13 (1976). A[…]
African · Experimental & Underground · New Media · Video Artists
We might presume the temporal slips at stake in an African video exhibit are squarely political or anticolonial, but the videos’ slow, reverse, and repeated motions also link politico-economic disorder[…]
Designers · Interviews · LGBT & Queer
Call Me by Your Name was nominated for four Academy Awards this year, including Best Picture, Best Lead Actor, Best Adapted Screenplay, and Best Original Song. In this interview, production designer[…]
Directors · Essays · Philosophy
“Mystery is good, confusion is bad. And there’s a big difference between the two.” – David Lynch * * * A survey of the critical literature pertaining to David Lynch’s[…]
Actors & Personalities · Comedy
The Brothers don’t enter into sanctimonious class systems, organizational institutions, or drawing rooms to assimilate and enjoy the fruits of its privileges either; they gain access, enact a savage modus[…]
Animation · Designers · Fashion
Disney’s Cinderella was released on this day, February 15, in 1950. We celebrate her “birth” by reposting Emanuele Lugli’s witty tribute/takedown of Cinderella via her – and the period’s –[…]
The secrecy part of Secret Cinema relates very much to this digital and automated world that we are living in. People increasingly want to get away from screens. They want[…]
Actors & Personalities · Franchises & Series · Interviews
I feel like I get to go and play at it now. I mean, I take it very seriously and I do the work. But it feels more like play[…]
Actors & Personalities · Festivals & Awards · Historical & Epic
The moral of this particular dose of Oscar reality: You don’t have to be a royal to grab the Academy’s attention, but it sure helps if you’re pretending to be[…]
Note: One of our favorite actresses, Margaret Sullavan, was born on May 16, 1909, which means she’d be 111 if she’d lived. Not that she’d necessarily have wanted to, as[…]
Biopic · Directors · Drama · Experimental & Underground
“Hollywood oddballs are like everything else in Hollywood. Don’t look too close.” * * * Greg Sestero’s now reasonably famous book The Disaster Artist, co-written by Tom Bissell, is much[…]
