Actors & Personalities · Franchises & Series · Interviews
A Man for All Seasons: An Interview with Dean Cain
I feel like I get to go and play at it now. I mean, I take it very seriously and I do the work. But it feels more like play[…]
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Actors & Personalities · Franchises & Series · Interviews
I feel like I get to go and play at it now. I mean, I take it very seriously and I do the work. But it feels more like play[…]
Actors & Personalities · Festivals & Awards · Historical & Epic
The moral of this particular dose of Oscar reality: You don’t have to be a royal to grab the Academy’s attention, but it sure helps if you’re pretending to be[…]
Note: One of our favorite actresses, Margaret Sullavan, was born on May 16, 1909, which means she’d be 111 if she’d lived. Not that she’d necessarily have wanted to, as[…]
Biopic · Directors · Drama · Experimental & Underground
“Hollywood oddballs are like everything else in Hollywood. Don’t look too close.” * * * Greg Sestero’s now reasonably famous book The Disaster Artist, co-written by Tom Bissell, is much[…]
“I’m a girl who loves to be manhandled! After all, what are a few contusions or abrasions if you get the man you love?”
When it comes to design, I always try to get into the heads of the characters and then I try to map out the history of the location itself. Who[…]
Actors & Personalities · Drama · DVD & Blu-ray · Silents
What we see in Brooks and Beery on the screen is a mixup of the actors’ hardwired personalities and those contrived for their roles, but this is the sort of[…]
Directors · Documentaries · Experimental & Underground
Davies – who can be described as a cultural conservative but never a simple nostalgist – wears his affection for his forgotten eras on his sleeve, generally eschewing close-ups in[…]
Fucking Innocent: The Early Films of Wes Anderson, by John Andrew Fredrick. $15.95, 288 pp. Rare Bird Books, 2017. The first thing to note about John Andrew Fredrick’s book is[…]
Actors & Personalities · Film Technology & History · Silents
Ever since the ad appeared, there have been unanswered questions: who or what was behind the rumors of Florence Lawrence’s death? Did these rumors start because the fans of her[…]
Actors & Personalities · Comedy · Directors
“The major point of convergence between Cassavetes and the Dogme movement is an oppositional realist form that blurs the boundaries between being and performing.”
Exploitation & Erotica · Franchises & Series · Producers & Studios
With summer starting to fade, what better way to while away the hours than by revisiting the beach, as imagined by exploitation studio American International Pictures in the early 1960s?[…]
Actors & Personalities · Documentaries
Ingrid Bergman In Her Own Words makes clear that her life was messy and episodic, but she earned great love from her directors, co-stars, and family. Don’t wait for Mommie[…]
Horror · LGBT & Queer · Writers & Critics
One of the few indelible images in director Robert Mulligan’s 1972 film of The Other is that of Niles in the freaks’ tent at the 4th of July fair, gazing[…]
Directors · Interviews · Romance
On The Love Witch: “I like to make films with a kind of dream logic. My films are a mix of reality and fantasy, or a mix of what is[…]
Actors & Personalities · Noir · War
An examination of two of these émigrés – Fritz Kortner and Ernst Deutsch, major Central European actors, very well known in their home countries before leaving them in duress, both[…]
The story is that of the driven, disciplined youth turned rebellious and excessive – brought to the fore by Ilan Eshkeri’s viscerally punchy soundtrack – but also of an almost[…]
When I wrote my piece in praise of Doris Day for Bright Lights back in December 2015, I had seen about half of her thirty-nine movies. Now that I’ve seen[…]
Much of the reason for the continued popularity of Christopher Reeve’s portrayal was the commitment he gave to the character irrespective of whether he was saving Lois from falling to[…]
Biopic · Directors · Writers & Critics
Rather than trying to frame the narrative as a means of truly understanding the mind of its subject, the film emphasizes that the central figure himself controls access to his[…]
