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Horror · Mental Illness · Superheroes · Urban Conflict
Joker is the “underman” we get when God and Superman have been killed and we still don’t know how to navigate our lives without them. He’s our secular Antichrist –[…]
Documentaries · Ethnographic · Indigenous
As a hunter, Nanook does more than simply violently kill animals. He is depicted as a master of his environment, forcing it (and the animals he hunts) to conform to[…]
Documentaries · Native Americans · War
Thankfully, Lusztig resists the temptation to make old film segments salacious. There are no blooming mushroom clouds, no charred devastation. Richand is a movie about a small town with a[…]
Documentaries · Drama · Family
The fourth wall is broken in the first moments of filming, and the opening scene sets up the dynamic between the filmmaker and the filmed. From there on out, Fredriksson[…]
Absurdism · Experimental & Underground · Indies
The Forbidden Zone was made simultaneously to David Lynch’s Eraserhead, and they indicate, even from the fringes of California filmmaking, a coming zeitgeist, soundings of something that wed the violence[…]
What makes Judith Hearne such a compelling portrait of female alcoholism is the novel and film’s attention to the many factors that drive Judith’s drinking – the initial encouragement of[…]
Directors · Drama · Family · Writers & Critics
Right before the unnerving camping incident, Sammy has been told by his uncle Boris, who once tamed lions used in movies, that art is a dangerous undertaking and that it[…]
Activist & Political · Documentaries · Eco · Festivals & Awards
This film is more than a wholesale indictment of political policy. It’s peppered with real stories of loss and near-disaster told by victims, firefighters, researchers, and native peoples who are[…]
Colonialism · Documentaries · India
The film reimagines mapmaking as a self-reflective and relational drawing practice manifesting in myriad narratives on the filmmaker’s skin. Bhavnani initiates a participatory process as she situates her tattooed designs[…]
There is the take on Cinderella where we ask our heroine to wait out her terrible circumstances, a moral that encourages us to work all day according to the clock[…]
Books · Directors · Writers & Critics
It would be easy – and fun – to focus entirely on the good and to co-sign his [Tarantino’s] praise for films that are also favorites of mine such as[…]
African American · Animals · Drama · Hollywood · Surrealism
In this instance, the look is also a threat to those doing the looking. The act of seeing can be damaging not only to the target but also to the[…]
Drama · LGBT & Queer · Men & Masculinity · Westerns
Though the possible motivations behind Ford’s deep admiration for James have been a topic of debate since the film’s release, little attention, unfortunately, has been paid to the shared relationship[…]
Absurdism · DIY · Experimental & Underground · Horror
“I felt there was a dead end to the kind of films I was making. . . . I was losing sight of reason in favor of result and so[…]
Counterculture · Dialogue · Drama · Romance
The subsequent dialogue between the two films developed after much negotiation and cajoling. They were inclined to be hostile to the other. I tried to inform them about their common[…]
Mary Astor was born May 3, 1906 and died September 25, 1987. In honor of this superb star, who was also a gifted novelist and memoirist and a sexually adventurous free-thinker[…]
If Curtis Harrington had not had the ruined mall of hell unveiled to the world in 1905 as Venice of America as a setting for his occult fable, he might[…]
Drama · Dreams · Essays · French Cinema
to Lyssa You either go mad, or you learn about metaphors. – Allie Light * * * fou (masculine): crazy, mad, madman; see l’amour fou folle (feminine): crazy, mad, madwoman;[…]
Absurdism · Comedy · Drama · Mystery
Whereas the Dude is a wholly passive protagonist, thrown begrudgingly into the chaos of conspiracy by the force of pure coincidence and designs of other, more motivated actors, Under the[…]
Actors & Personalities · French Cinema
“Seyrig is capable of stopping an entire film with one decisive physical gesture, one smile, one glare, one sound from her smoky, murmuring voice.”
