Bright Lights Film Journal

  • TwitterTwitter
  • FacebookFacebook
  • InstagramInstagram
  • Google+Google+
  • RSSRSS
  • About
    • Staff
    • History
    • Contact
    • Advertise with BLFJ
    • Submission Guidelines
    • Banned Words
    • BLFJ News
    • Issue Archive
  • Artists
    • Actors & Personalities
    • Cinematographers
    • Composers
    • Directors
    • Editors
    • Interviews
    • Visual Artists
    • Writers & Critics
  • Movies
    • DVD & Blu-ray
    • Festivals & Awards
    • Lists
    • Reviews
    • Photo Essays
  • Genres
    • Activist & Political
    • Animation
    • Asian
    • Avant Garde & Underground
    • Crime
    • Documentaries
    • Erotica & Exploitation
    • Historical & Epic
    • Horror
    • LGBT & Queer
    • Music & Musicals
    • Noir
    • Pre-Code
    • SF & Fantasy
    • Silents
    • Westerns
  • TV & Streaming
  • Books
  • Contributors
  • Subscribe
  • Ads
    • Most Popular

      All time

    • Black Lives Matter: Whitewashing the Amanda Knox Story in the Netflix Documentary

      49 Comments

    • The Last Airbender: The Most (Incomplete) Fantastic Journey

      30 Comments

    • Latest Stories

      What is new?

    • When Platonic Love Turns Into Body Horror: Exploring Michael Shanks’s Together (2025)

      July 25, 2026

    • Anyone Miss Movies That Made People Vomit? Schindler’s Watch List

      July 21, 2026

    • Comments

      Most Recent

    • Blogging Pound’s The Cantos: Canto LXII – gordsellar.com on:

      A Film Divided Against Itself: D. W. Griffith’s The Birth of a Nation (1915)

    • The Esteemed Black Actresses Who Finally Have the Spotlight – The New York Times – Celebrity News on:

      Books: Best Actress: The History of Oscar-Winning Women by Stephen Tapert

Documentaries · Reviews

3

An Exit Through the Boundaries of Documentary

  • April 19, 2010

“Functionless art is simply tolerated vandalism.” – Peter Steele (1962-2010) From here comes a rich smell drawn from a load of bullshit. And in no way am I demeaning the practice of street art by[…]

Reviews · SF & Fantasy

2

Bigger Than Life’s Sci-Fi Twin

  • April 19, 2010

No one with eyes and a brain could seriously dispute Nicholas Ray’s role as the primary auteur of Bigger Than Life. All you need to do is watch Ray’s Rebel[…]

Reviews

2

Look of Love: The Secret in Their Eyes

  • April 16, 2010

Recently retired law clerk Benjamin Esposito (Ricardo Darín) can’t shake the memory of the 1974 Morales rape and murder case. Never mind that 25 years have passed: for Benjamin, the[…]

Exploitation & Erotica

1

Girlies and Spider Babies living down the Lane

  • April 12, 2010

This spring, I’m all about homicidal nymphets, and wouldn’t you know it, so is Stacie Ponder at Final Girl, who’s hosting a big SPIDER BABY event at her Final Girl[…]

Reviews

0

.

  • April 2, 2010

Tyler, baby! Precious was a real cinematic achievement. And kudos for tackling Ntozake Shange. But at some point, these modern minstrel shows have to end, and even Madea must die lest your flood of Coke overwhelm the single malt that precedes it. … read more »

Essays · Writers & Critics

1

The Pervert’s Guide to The Birds: Of Hitchcock, Žižek, the Maternal Superego, and Critical Confusion

  • April 1, 2010

“It is the search for explanation itself and the experience of the alien, disturbing, and frightening that thrills audiences.” In The Pervert’s Guide to Cinema, directed and produced by Sophie Fiennes,[…]

Reviews

0

Hot Tube Time Machine – Fun, but Repeating on Itself

  • March 30, 2010

When asked about the John Hughes films in a recent NY Times interview, John Cusack played the highbrow card. Besides Sixteen Candles, in which he had a minor role, Cusack[…]

Exploitation & Erotica

0

Eastern European Animation Dept. – Renaissance (Walerian Borowczyk, 1963)

  • March 29, 2010

[youtube=http://www.youtube.com/watch?v=UAirHKywhSc”>http://www.youtube.com/watch?v=UAirHKywhSc] I think this is one of the greatest short films ever made.  Containing not a word of spoken dialogue. Not only is the stop motion animation exquisite and amusing,[…]

Festivals & Awards · Reviews

0

New Directors / New Films 2010

  • March 24, 2010

The unpredictable, occasionally thrilling New Directors / New Films fest opens in New York City today. Locals are, of course, the immediate beneficiaries of this annual collaboration between the Film[…]

Reviews

0

Valentine’s Day: It Sucks Being a Woman

  • March 22, 2010

“Traditional gender roles seem to be in no danger of evolving.” Simone de Beauvoir laid it out in The Second Sex: “One is not born, but rather becomes a woman.” Indeed,[…]

Music & Musicals · Reviews · Uncategorized

0

The Runaways Get Bio-Picked

  • March 19, 2010

If the brief stardom of Buddy Holly and the even briefer star of Ritchie Valens should get the Hollywood biopic treatment, then why not the first all-girl balls-out rock act?[…]

Reviews

0

Profondamente Italiano: Mid-August Lunch (Pranzo di Ferragosto)

  • March 17, 2010

If you want an idea of real Roman life, look no further than Mid-August Lunch (2008). Gianni (Gianni Di Gregorio, who directed, scripted and stars) and his 93-year-old mother Valeria[…]

Reviews

3

Peter Graves – The Night of the Hunter

  • March 15, 2010

http://www.youtube.com/watch?v=6mi2Dusyg5A In a film career that spanned more than half a century, the late Peter Graves (1926-2010) was a dependable leading man, often at his best in non-leading roles, who[…]

Photo Essays

3

Poster Comparison No. 8 – The Holy Man and the Cataclysm

  • March 10, 2010

I like these two movie posters, one for Roland Emmerich’s 2012 (2009), the other for Cecil B. DeMille’s The Ten Commandments (1956), and I suspect their similarity is anything but[…]

DVD & Blu-ray · Reviews

3

Revanche (Criterion Collection)

  • March 8, 2010

Austrian filmmaker Götz Spielmann likes to capture rooms and the lives within. His camera remains stable or abruptly shifts, as if just discovering the element central to the layout. At[…]

Activist & Political · Festivals & Awards

8

Oscars II: On The Hurt Locker

  • March 8, 2010

As a tonic to all the hoopla surrounding The Hurt Locker and its Oscar win as Best Picture, we’re reprinting BL writer Jay Rothermel’s provocative review of the film, originally[…]

Festivals & Awards

4

Oscars I: That Damn Helen Mirren!

  • March 8, 2010

I mean, DAME Helen Mirren. (Photo via Associated Press. Joke via Oscar co-host, Steve Martin.) Very happy for Kat B and The Hurt Locker. Worst Award of the Evening – The[…]

Reviews

2

Charge of the White Elephant

  • February 24, 2010

What Jacksin’s doin’ with line and cullah goes beyond abstrackshin.

Books

0

Book review: Chaplin, by Simon Louvish

  • February 23, 2010

Chaplin: The Tramp’s Odyssey, by Simon Louvish. New York: Thomas Dunne Books, St. Martin’s Press, 2009. Hardcover. $27.99. 412pp. ISBN 987-0-312-58169-5. Do we really need another book about Charlie Chaplin?[…]

Books

0

Book review: Thank Heaven, by Leslie Caron

  • February 23, 2010

Thank Heaven: A Memoir, by Leslie Caron. New York: Viking, 2009. Paperback $25.95, 288pp. ISBN: 0-67002-134-2. When Leslie Caron came to Los Angeles in 2009 on a book tour for her[…]

  • « Previous Page
  • Next Page »
  • Links + BSA

    ProjectorScreen.com
    Shop ProjectorScreen.com for the best projectors and projector screens.
    YouTube to MP3
    Wholesale Home Audio Video
    • Weird Band Names
    • How to write a script for a TV show PDF
    • Marketing Enablement
      • TwitterTwitter
      • FacebookFacebook
      • InstagramInstagram
      • Google+Google+
      • RSSRSS

      © 2020 Bright Lights Film Journal | brightlightsfilm.com
      Online since 1996 | ISSN: 0147-4049
      a Studio Hyperset expression · Design by Irina Beffa · Theme Art by Jim McDermott
      Privacy