Bright Lights Film Journal

  • TwitterTwitter
  • FacebookFacebook
  • InstagramInstagram
  • Google+Google+
  • RSSRSS
  • About
    • Staff
    • History
    • Contact
    • Advertise with BLFJ
    • Submission Guidelines
    • Banned Words
    • BLFJ News
    • Issue Archive
  • Artists
    • Actors & Personalities
    • Cinematographers
    • Composers
    • Directors
    • Editors
    • Interviews
    • Visual Artists
    • Writers & Critics
  • Movies
    • DVD & Blu-ray
    • Festivals & Awards
    • Lists
    • Reviews
    • Photo Essays
  • Genres
    • Activist & Political
    • Animation
    • Asian
    • Avant Garde & Underground
    • Crime
    • Documentaries
    • Erotica & Exploitation
    • Historical & Epic
    • Horror
    • LGBT & Queer
    • Music & Musicals
    • Noir
    • Pre-Code
    • SF & Fantasy
    • Silents
    • Westerns
  • TV & Streaming
  • Books
  • Contributors
  • Subscribe
  • Ads
    • Most Popular

      All time

    • Black Lives Matter: Whitewashing the Amanda Knox Story in the Netflix Documentary

      49 Comments

    • The Last Airbender: The Most (Incomplete) Fantastic Journey

      30 Comments

    • Latest Stories

      What is new?

    • When Platonic Love Turns Into Body Horror: Exploring Michael Shanks’s Together (2025)

      July 25, 2026

    • Anyone Miss Movies That Made People Vomit? Schindler’s Watch List

      July 21, 2026

    • Comments

      Most Recent

    • Blogging Pound’s The Cantos: Canto LXII – gordsellar.com on:

      A Film Divided Against Itself: D. W. Griffith’s The Birth of a Nation (1915)

    • The Esteemed Black Actresses Who Finally Have the Spotlight – The New York Times – Celebrity News on:

      Books: Best Actress: The History of Oscar-Winning Women by Stephen Tapert

Books

0

Book review: The Moment of Psycho, by David Thomson

  • February 23, 2010

The Moment of Psycho: How Alfred Hitchcock Taught America to Love Murder, by David Thomson. New York: Basic Books, 2009. Hardcover. $22.95. 183pp. ISBN 978-0-465-00339-6. Feeling a little psycho these[…]

Books

0

Book review: Femme Fatale, by Dominique Manon and James Ursini

  • February 23, 2010

Femme Fatale: Cinema’s Most Unforgettable Lethal Ladies, by Dominique Manon and James Ursini. New York: Viking, 2009. Paperback $24.95, 400pp. ISBN: 0-87910-369-8. Hammer Glamour, by Marcus Hearn. London: Titan Books, 2009. Hardcover, $29.95,[…]

Photo Essays · Reviews · Silents

8

Victory (Maurice Tourneur, 1919)

  • February 21, 2010

More than 20 years before Jacques Tourneur took us to an exotic tropical isle in 1943’s I Walked With a Zombie, his father, producer/director Maurice Tourneur (1876-1961), blazed a similar trail with his[…]

Animation · SF & Fantasy

4

Not Enraptured by Performance Capture?

  • February 18, 2010

  The Avatar hype continues.  There was a front-page piece in the L.A. Times today, whining – for lack of a better word – about how “unlike the great majority of[…]

Genres · Music & Musicals

0

The Best Sex in Contemporary Hollywood: Utopia, Ecstasy, and the (Classical) Musical Number in The 40-Year-Old Virgin

  • January 31, 2010

“There’s kind of nowhere else [the movie] could go.” — Steve Carrell

Animators

1

Love Among the Insects: The Pioneering Animation of Ladislaw Starewicz, One Hundred Years Later

  • January 31, 2010

“His insects lie, cheat, steal, get drunk, have affairs, and fight with each other, occupying a harsh reality where bad choices have bad consequences and dead things stay dead.”

Essays · TV & Streaming

0

When Day Follows Night: How Soaps Produce the Surreal

  • January 31, 2010

“Nothing is more satisfying than the feeling that a show is about to perform a move in a new direction, something it has been conspiring to do all along.”

Crime · Reviews

0

Deciphering the Indecipherable: Procedure as Art in Fincher’s Zodiac

  • January 31, 2010

“With Zodiac, obsession becomes the point of origin, the catalyst for artistic creation.”

Essays · Writers & Critics

0

The Homing Eye: Comparing James Wolcott and Judith Williamson

  • January 31, 2010

“Where Williamson is highly critical of films that encourage us to consume lifestyles, Wolcott’s writing appears to be an appreciation of surfaces — in fact, his whole style can be read as an analysis of ’50s textures and design elements.”

Activist & Political · Reviews

0

Looking Back on Silence and Condoleezza: The Weirdness of W

  • January 31, 2010

“The result is satire that doesn’t breathe.”

Ti-Misery, I Walked with a Zombie

Horror · Photo Essays

0

Val Lewton’s Symbolic Statuary: A Photo Essay

  • January 31, 2010

“It was once the figurehead of a slave ship. That’s where our people come from. From the misery and pain of slavery.” ~ I Walked with a Zombie

Actors & Personalities · Silents

0

Rudolph Valentino: Dream Lover

  • January 31, 2010

“Valentino said there’s nothing like tile for a tango!” — Norma Desmond to Joe Gillis in Sunset Boulevard (1950)

Directors · Essays

0

Jean Renoir’s Toni: Unreal and True

  • January 31, 2010

And staying forever young

The Road

Horror · Reviews · SF & Fantasy

0

Goin’ Down the Road Feeling Bad: John Hillcoat’s The Road

  • January 31, 2010

“Hillcoat and his crew have taken the book’s hints and modeled their scavenging pair on contemporary images of homeless people, who already, as Hillcoat aptly puts it, are ‘living that apocalyptic world of day-to-day survival on the streets with no money and no food.'”

Horror · Writers & Critics

0

Hollywood’s Nightmare, Not Ours: On The Mist, Story (1980) and Film (2007)

  • January 31, 2010

Director Frank Barabont hijacks — and sinks — Stephen King’s powerful allegory of political oppression

Satan's Brew

Essays

0

A German Tragedy, Turned Absurd: Fassbinder’s Satan’s Brew

  • January 31, 2010

“Allowing his acidity unfettered reign, Fassbinder concocts one of the most blistering excoriations of despotism ever committed to film.”

Lists · Movies · Writers & Critics

1

Rating Movies: Or, Seeing Stars

  • January 31, 2010

“I want my favorites to get the high ratings — my judgments are being challenged by anonymous forces whom I cannot confront.”

Crime · Historical & Epic · Reviews

0

The Scent of a Woman: Perfect Misogyny in Perfume: The Story of a Murderer

  • January 31, 2010

“The Grenouille of the film experiences an emotional epiphany that does not bring him humanity, but at least makes him yearn for its possibilities.”

Horror · Reviews

0

“We’re Engaged to Be Engaged”: The Paranormal Activity of Trauma and Relationship

  • January 31, 2010

“The camera has a motor, you just turn it on and walk away” – Andy Warhol

Essays · Thrillers & Action

0

Licence to Kill (1989): The Last James Bond Movie

  • January 31, 2010

Don’t worry or question; just consume – oh, and kill

  • « Previous Page
  • Next Page »
  • Links + BSA

    ProjectorScreen.com
    Shop ProjectorScreen.com for the best projectors and projector screens.
    YouTube to MP3
    Wholesale Home Audio Video
    • Weird Band Names
    • How to write a script for a TV show PDF
    • Marketing Enablement
      • TwitterTwitter
      • FacebookFacebook
      • InstagramInstagram
      • Google+Google+
      • RSSRSS

      © 2020 Bright Lights Film Journal | brightlightsfilm.com
      Online since 1996 | ISSN: 0147-4049
      a Studio Hyperset expression · Design by Irina Beffa · Theme Art by Jim McDermott
      Privacy