Poster Comparison No. 8 – The Holy Man and the Cataclysm
I like these two movie posters, one for Roland Emmerich’s 2012 (2009), the other for Cecil B. DeMille’s The Ten Commandments (1956), and I suspect their similarity is anything but[…]
Revanche (Criterion Collection)
Austrian filmmaker Götz Spielmann likes to capture rooms and the lives within. His camera remains stable or abruptly shifts, as if just discovering the element central to the layout. At[…]
Activist & Political · Festivals & Awards
Oscars II: On The Hurt Locker
As a tonic to all the hoopla surrounding The Hurt Locker and its Oscar win as Best Picture, we’re reprinting BL writer Jay Rothermel’s provocative review of the film, originally[…]
Oscars I: That Damn Helen Mirren!
I mean, DAME Helen Mirren. (Photo via Associated Press. Joke via Oscar co-host, Steve Martin.) Very happy for Kat B and The Hurt Locker. Worst Award of the Evening – The[…]
Charge of the White Elephant
What Jacksin’s doin’ with line and cullah goes beyond abstrackshin.
Book review: Chaplin, by Simon Louvish
Chaplin: The Tramp’s Odyssey, by Simon Louvish. New York: Thomas Dunne Books, St. Martin’s Press, 2009. Hardcover. $27.99. 412pp. ISBN 987-0-312-58169-5. Do we really need another book about Charlie Chaplin?[…]
Book review: Thank Heaven, by Leslie Caron
Thank Heaven: A Memoir, by Leslie Caron. New York: Viking, 2009. Paperback $25.95, 288pp. ISBN: 0-67002-134-2. When Leslie Caron came to Los Angeles in 2009 on a book tour for her[…]
Book review: The Moment of Psycho, by David Thomson
The Moment of Psycho: How Alfred Hitchcock Taught America to Love Murder, by David Thomson. New York: Basic Books, 2009. Hardcover. $22.95. 183pp. ISBN 978-0-465-00339-6. Feeling a little psycho these[…]
Book review: Femme Fatale, by Dominique Manon and James Ursini
Femme Fatale: Cinema’s Most Unforgettable Lethal Ladies, by Dominique Manon and James Ursini. New York: Viking, 2009. Paperback $24.95, 400pp. ISBN: 0-87910-369-8. Hammer Glamour, by Marcus Hearn. London: Titan Books, 2009. Hardcover, $29.95,[…]
Photo Essays · Reviews · Silents
Victory (Maurice Tourneur, 1919)
More than 20 years before Jacques Tourneur took us to an exotic tropical isle in 1943’s I Walked With a Zombie, his father, producer/director Maurice Tourneur (1876-1961), blazed a similar trail with his[…]
Not Enraptured by Performance Capture?
The Avatar hype continues. There was a front-page piece in the L.A. Times today, whining – for lack of a better word – about how “unlike the great majority of[…]
The Best Sex in Contemporary Hollywood: Utopia, Ecstasy, and the (Classical) Musical Number in The 40-Year-Old Virgin
“There’s kind of nowhere else [the movie] could go.” Steve Carrell
Love Among the Insects: The Pioneering Animation of Ladislaw Starewicz, One Hundred Years Later
“His insects lie, cheat, steal, get drunk, have affairs, and fight with each other, occupying a harsh reality where bad choices have bad consequences and dead things stay dead.”
When Day Follows Night: How Soaps Produce the Surreal
“Nothing is more satisfying than the feeling that a show is about to perform a move in a new direction, something it has been conspiring to do all along.”
Deciphering the Indecipherable: Procedure as Art in Fincher’s Zodiac
“With Zodiac, obsession becomes the point of origin, the catalyst for artistic creation.”
The Homing Eye: Comparing James Wolcott and Judith Williamson
“Where Williamson is highly critical of films that encourage us to consume lifestyles, Wolcott’s writing appears to be an appreciation of surfaces — in fact, his whole style can be read as an analysis of ’50s textures and design elements.”
Activist & Political · Reviews
Looking Back on Silence and Condoleezza: The Weirdness of W
“The result is satire that doesn’t breathe.”
Val Lewton’s Symbolic Statuary: A Photo Essay
“It was once the figurehead of a slave ship. That’s where our people come from. From the misery and pain of slavery.” ~ I Walked with a Zombie
Actors & Personalities · Silents
Rudolph Valentino: Dream Lover
“Valentino said there’s nothing like tile for a tango!” — Norma Desmond to Joe Gillis in Sunset Boulevard (1950)
Jean Renoir’s Toni: Unreal and True
And staying forever young
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