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Erich Kuersten is the gonzo-theorist behind the Acidemic Journal of Film and Media as well as an award-skipping filmmaker and freelance film and music critic whose work can be found in Bright Lights, The Weeklings, Slant, Modern Drunkard, McSweeney's, Scarlet Street, VHJ, Daily Om, Muze, Divinorum Psychonauticus, and Midnight Marquee. Write him at [email protected]. He lives in Brooklyn.
American Psycho: If looks could kill, this dude wouldn’t need a blade
July 1, 2000
Fred Goes Over the Top with Eleanor Powell in Broadway Melody of 1940
November 1, 2002
Critics Cornered: On Reviewers’ Reactions to David Ayres’ Street Kings
April 30, 2008
Lardani’s Signature: Technical Mastery and Apparent Glitch in Eugenio Lardani’s titles for Sergio Leone’s The Good, the Bad, and the Ugly
July 31, 2013
