Actors & Personalities · Comedy
Nuts and Nice Messes: On Laurel and Hardy
“Life isn’t short enough . . .” Laurel in Sons of the Desert (1934)
Documentaries · Essays · Experimental & Underground
Los Angeles in Theory and Practice: Thom Andersen’s Los Angeles Plays Itself
“In a powerful and precise encomium, Andersen extols the virtues of what he deems to be a kind of homegrown neo-realism.”
“A Walking Childish Id”: Matthew Vaughn’s Kick-Ass
“Superheroes live best in their own world — a preadolescent world. While an interesting experiment, it’s probably not a good idea to shoehorn too much ‘reality’ into the fantasy realm of the superhero. Ever since Stan Lee introduced anxiety into superheroes — no, earlier, since Harvey Kurtzman first trained a satiric eye on them in Mad — the question, ‘What would superheroes be like in the real world?’ has bedeviled succeeding generations of comics creators . . . Once a depiction veers toward realism, each new detail releases a torrent of questions that exposes the absurdity at the heart of genre. The more ‘realistic’ superheroes become, the less believable they are. ~ David Mazzucchelli, comic book artist and illustrator of Batman: Year One
Actors & Personalities · Comedy · Directors · War
Looking at Charlie: The Great Dictator: An Occasional Series on the Life and Work of Charlie Chaplin
“In the seventeenth chapter of St. Luke it is written, the kingdom of Godis within man, not one man or a group of men but in all men.”
Essays · Historical & Epic · Music & Musicals · Writers & Critics
Boris Godunov in America: Notes on a Meyerhold Production Resurrected*
“My God! — cried out a querulous voice within me — is it possible that we, artists of the stage, are doomed by the materiality of our bodies to eternal servitude and the representation of crude reality?” — Stanislavsky, questioning his Realistic method after a failed 1904 production of symbolist one-act plays by Maeterlink2 “The stage is art . . . There’s a genre painting by Kramskoy in which the faces are portrayed superbly. What would happen if you cut the nose out of one of the paintings and substituted a real one? The nose would be “realistic” but the picture would be ruined.” — Chekhov, explaining to an actor why offstage sounds of croaking frogs and buzzing dragonflies would not render a 1898 production of The Seagull more “realistic”3
“Fucking Queer”: Eastern Promises and the Traditions of Noir
“The filmmaker, having scrupulously established the world of film noir, queers it by shattering the categories — both narrative and cinematic — of the world itself.”
Actors & Personalities · Silents
Florence Lawrence: “The First Movie Star”
“Lawrence had become a movie star for many reasons — gentleness, grace, that silky hair, and what Laemmle assessed as ‘sensational bubbies.'”
Why Do We Crave Horror? Evolutionary Psychology and Viewer Response to Horror Films
“We do not realize that ‘normal’ behavior needs to be explained at all.” —Laura Cosmides “Monsters today seem to be everywhere, and they cannot be destroyed. ” —Stephen Prince
Fifty plus Fifty: The Fifty Year Decline and Fall of Hollywood Reconsidered: The Sorrows of Ezra, as Told by Himself
He worked for Time; that can do things to a man
A Thousand Blooms: Inside Joss Whedon’s Dollhouse
“At a moment when the most feeble signs of self-actualization are seen as a resurgence of feminism, Whedon shows us the melancholy and troubling side of ‘girl power.'”
Activist & Political · Documentaries · Essays
Corn-Fed Culture: Living Large and “Eating Shit” in King Corn and Fast Food Nation
“The films analyzed here explore the (crude) question: what are the individual and social consequences of eating shit?”
Actors & Personalities · Comedy · Silents
Forgotten Charleys II: Charley Chase: Mr. Normal Unleashes His Comic Demon
“He could be suave or awkward, likable or pesky, average or eccentric, a winner or a loser, a fussy nerd or the life of the party, all the while remaining Charley Chase.”
Actors & Personalities · Comedy
Forgotten Charleys I: Charley Bowers: Silent Comedy’s Wizard of the Bizarre
“He is Aladdin and the camera is his lamp.” — James R. Quirk
Cary Grant: Prince of Denmark
“If we take Grant seriously, we must contend with an extreme difficulty: what appears to be fake, an actor portraying a character, might be real; what we normally think of as real, a person gesturing in the everyday world, might well be artificial.”
Bright Sights: Recent DVDs: Lola Montès, City Girl, The Constance Talmadge Collection, The Norma Talmadge Collection, Black Snow, Permissive, The Italian Straw Hat
An ongoing column that looks at some of the most intriguing of recent, under-the-radar releases
Bigger Than Life: Nicholas Ray in the Life of the Gray Flannel Darkness
“Art, entertainment, and genuine fear and tragedy rarely all filter down into a deceptively ‘normal American family film’ with such quiet desperation.”
Animation · Essays · SF & Fantasy
Living Backward: The Millennials’ Alice
“We are but older children, dear, Who fret to find our bedtime near.” — Lewis Carroll, “Child of the Pure Unclouded Brow”
Early 3D: A Case Study: The Teleview and The Man from M.A.R.S.
“Less than a month after premiering for an ‘indefinite time’ at the Selwyn, the Teleview was pulled.”
Repo Men on DVD
Could any film hit closer to our cultural amygdalae than Repo Men? Millions of people have seen the “American Dream” crumble before them during the Great Recession and can’t help[…]
Well-adapted: Anton Chekhov’s The Duel
In this nimble version of Anton Chekhov’s eponymous short story, aristocrat Ivan Laevsky (Andrew Scott), and his married mistress Nadya (Fiona Glascott) have decamped from Moscow to the Black Sea.[…]
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