Bright Lights Film Journal

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    • Blogging Pound’s The Cantos: Canto LXII – gordsellar.com on:

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Iranian Cinema · Women in Film

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Revolutionary Women in Two Iranian Films: On The Hidden Half (2001) and The House Is Black (1963)

  • September 29, 2024

Fereshteh: Sometimes I want to put on make-up, or wear beautiful dresses, or fall in love. I don’t know why, but I feel like I’m living in a small can,[…]

Books · Directors · Women in Film · Writers & Critics

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Book Review: Carrie Courogen, Miss May Does Not Exist: The Life and Work of Elaine May, Hollywood’s Hidden Genius

  • September 24, 2024

Miss May Does Not Exist: The Life and Work of Elaine May, Hollywood’s Hidden Genius. St. Martin’s Press, 2024, 400pp., $30.00. * * * Published on the heels of Mark Harris’s[…]

Crime · Noir · Photo Essays

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Barflies and Hot Lies: The Fifties B-Girl and Fritz Lang’s Subversive Politics in The Big Heat

  • September 18, 2024

Debby refuses to be a passive victim of Vince Stone’s violence, fighting back and branding his face with boiling coffee as revenge. But while she’s no helpless victim, Lang’s ending[…]

Drama · LGBT & Queer · Music & Musicals

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What Hides in Plain Sight? Against the Backdrop of Tár

  • September 12, 2024

In Tár, Field fashions an improbable representation of power (Hernández, “Top Orchestras”) to advance the idea that power is faceless. But the idea is only to be believed if the[…]

Crime · Drama · Neo-Noir · Women in Film

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“Oh, look”: From Male-Wary Gaze to Objectifying Female Gaze in Gone Girl

  • September 6, 2024

“Oh, look. He’s being a good guy, so everybody can see him being a good guy.” – Officer James Gilpin observing Nick Dunne in Gone Girl (2014) There are many[…]

Crime · Politics

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To Live and Die in LA (1985) and the Thrill-Seeking Wasteland of Reagan’s America

  • August 31, 2024

However, while other filmmakers got caught up in the heady, cocaine rush of the 1980s, Friedkin was harder to convince. When we dig a little deeper into his Los Angeles,[…]

Drama · Politics · Thrillers & Action

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The Imperial Presidency after Trump v. United States: On the 30th Anniversary of Clear and Present Danger

  • August 25, 2024

On its 30th anniversary, it also feels remarkably relevant in the wake of the recent Supreme Court ruling that presidents have absolute immunity from criminal prosecution for exercising “core” executive[…]

Directors · Experimental & Underground · Exploitation & Erotica · Franchises & Series · Horror · Indies · Women in Film

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Spectacles of Property and Perversion: Todd Jason Cook and the Lisa’s Nightmares Series

  • August 18, 2024

Just as his characters presume safety and security in their home space, so too does his audience approach each title with a sense of comfort through repeat exposures. The unseating[…]

Activist & Political · Class System · Crime · Essays · Franchises & Series · Myth and Archetype · Outsiders · Politics · SF & Fantasy · Societal Trends · Superheroes

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Don’t Be Weird: Heroes, Villains, and the Reinforcement of Class Distinctions in Modern Blockbusters

  • August 11, 2024

If you want to make a popular blockbuster, it better be about the right kind of person – and the right kind of person isn’t a loser. A decade ago,[…]

Comedy · Drama · Interviews · Picaresque · Producers & Studios

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The Sweet East’s Online Odyssey: In Conversation with Palme d’Or-Winning Producer Alex Coco

  • August 3, 2024

A conversation with Palme d’Or-winning producer Alex Coco * * * In Sean Price William’s The Sweet East, we are told “Everything Will Happen,” which may be a warning to[…]

Crime · Noir

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Murder by Contract: The Same as Any Business

  • July 26, 2024

The film is intent on the present, an element of the fifties go-getter types and the emergence of the organization man. The stress on “man” comes during post-World War II[…]

Horror · Indies · Mental Illness · Sex & Relationships · SF & Fantasy

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Beauty, Violence, Boredom: Santa Sangre (Jodorowsky, 1989)

  • July 20, 2024

It is not that there is something wrong with Jodorowsky’s perseveration on sex and violence per se; it is that he is not saying anything about it. It is an[…]

Exploitation & Erotica · Mondo Culture · SF & Fantasy · Superheroes · Thrillers & Action

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Gay E.T., Muslim Dracula, Kung Fu Star Wars: An Overview of Turksploitation

  • July 13, 2024

Turkish exploitation movies are one of the most elusive gold mines of film history. * * * Currently, no exclusive history of Turksploitation cinema exists in print. The most exhaustive[…]

Counterculture · Indies · LGBT & Queer · Sex & Relationships

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Hustler White (1996): Fashion, Fetish, and the Radical Potential of Pornography

  • July 6, 2024

Portrait of Rick Castro by Nadine Dinter, used with permission of the photographer   Rick Castro talks to Tony Conn about his film Hustler White, his varied career, and his[…]

Drama · LGBT & Queer

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Good Grief: Andrew Haigh’s All of Us Strangers

  • June 30, 2024

“Solving” the film’s psychological mysteries – understanding how Adam’s ghosts arise from his grief – is the film’s central interpretive demand, and one of its pleasures. It’s the film’s conclusion[…]

Drama · Eco · Games & Gaming · Literature and Film · SF & Fantasy · War

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Villeneuve’s Dune, Warhammer 40K, and the Next Frontier of Space Operas

  • June 24, 2024

The everyday hero is a foreign concept in a universe where obscure machinations corrode a society that blindly follows in the hopes of stability and lasting glory. * * *[…]

Drama · Eco · Eco-horror · Horror · Urban Conflict

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Garbageman: C.H.U.D. at 40

  • June 17, 2024

On the face of it, C.H.U.D. might look like a superficial protest against this schema – like a trite version of David and Goliath wherein the tenacity of a neighbourhood[…]

Actors & Personalities · Books · Drama

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Book Review: Cocktails with George and Martha: Movies, Marriage and the Making of Who’s Afraid of Virginia Woolf? By Philip Gefter

  • June 13, 2024

Cocktails with George and Martha: Movies, Marriage and the Making of Who’s Afraid of Virginia Woolf? By Philip Gefter. Bloomsbury Publishing, 2024. $42.00 * * * I love “making of”[…]

Drama · Philosophy · SF & Fantasy

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On 2001: A Space Odyssey: The Monolith and Its Influences

  • June 4, 2024

In this new reading of 2001, the monolith is used as a touchstone for considering a dozen tangents into iconoclastic cinema, the human and simian response to enigma, and the[…]

Exploitation & Erotica · Horror

0

Hell Is for Angels: The Tragedy of Herman Cohen and Aben Kandel

  • May 26, 2024

Hell is for angels. Only the mighty are fallen Only the sun-touched can plummet to these depths. – Lenore Kandel * * * Something drove producer Herman Cohen and his[…]

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