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Actors & Personalities · Comedy · Directors · Drama
“A true artist” Cukor called Judy Holliday. “She could interpret a text with the subtlest detail.” Their creative relationship brought out the qualities that made her a new kind of[…]
Crime · LGBT & Queer · Men & Masculinity · Sex & Relationships
“I don’t make a film because I’m against something. For that matter, I don’t make a film because I’m for something — don’t make propaganda. If anything, all the films[…]
Essays · Movies · Philosophy
Before any immediate plot, the viewer is invited to experience time, allowing images to speak before words, establishing a dialogue between the contemplative time on the screen and the subjective[…]
Found Footage · Horror · Indies · Uncategorized
If all horror is a revelation of subterranean fears and anxieties, the found-footage subgenre uses techniques of amateur documentary filmmaking to place you in a lateral reality and then dig[…]
SHEMP! The Biography of the Three Stooges’ Shemp Howard, the Face of Film Comedy, by Burt Kearns. Applause Books, 2024, 280pp. $32.95 On March 11, 1895, a masterclass in American[…]
Drama · DVD & Blu-ray · Melodrama · Silents
When what you write about is what you see/What do you write about when it’s dark? ~ Charles Wright “You’ll have to kill me to get rid of me.” Criterion’s[…]
Actors & Personalities · Drama · Horror · Memorial · Mystery · Thrillers & Action
In Don’t Look Now, so much of this atmosphere hinges on the film’s unique style, one that often gets in the way of smooth narrative communication and clearly defined characters.[…]
Body Horror · Cults · Feminism · Horror · Satire
The lead actress of the 1975 film, Katherine Ross, later stated that she herself would rewrite this ending to have Joanna “fight harder”– a sentiment that the 2004 adaptation seems[…]
Biopic · Business · Men & Masculinity · Sports
If Ferrari is arguably Mann’s most flawed protagonist, he is also one of his most tragic – fully sold to a system that requires him to develop an almost inhuman[…]
It’s in Hobson’s Choice that De Banzie and Mills effect one of the warmest and most real accounts of love and marriage ever put on film. Of many effortlessly achieved[…]
Keiko reveals two traumatic truths, both in the form of questions to Hirayama, that cause us to fundamentally rethink our perceptions, namely (1) do you ever intend on visiting our[…]
Nature · New Genres · New Media
You could take encouragement in the fact Aronofsky is making movies with hopeful messages like PFE instead of films that end with newborn babies being eaten, but you might just[…]
Crime · Franchises & Series · Horror
Perhaps for some, knowing the real-life context heightens the film’s effect. Or it irreparably takes the viewer out of the experience. In either case, the Creeper is, in fact, a[…]
Drama · Exile and Displacement · Neorealism · Refugees
Green Border soars and stumbles because it overreaches in its gravitas and humanity, lingering a little too long and stretching a moment out of shape like all great neorealist films[…]
Directors · Experimental & Underground · Film Technology & History · Interviews
3D is used to record visual reality, but that’s where I take off to the unimaginable. We are (wonderfully) constrained by our particular physiognomy and I wouldn’t change a thing,[…]
Celebrity Culture · Comedy · Hollywood · Road Movies
Road to Morocco made the National Film Registry by going to the Mojave Desert in California and using rear screen projection. It didn’t need to go to a “real” casbah.[…]
Crime · Drama · Sex & Relationships · SF & Fantasy
This leaves the provocateur director herself in her role as catalyst for the mayhem to follow as the ultimate filmic presence wreaking its influence on others. Assigned only the title[…]
Directors · Drama · DVD & Blu-ray · Westerns
Action scenes are what a summer audience wants, but in Pat Garrett the shootouts become episodic and lack the ratcheting up of tension, followed by its release at the climactic[…]
Drama · French Cinema · Uncategorized · Writers & Critics
I think the reason Bresson’s films resist singular interpretations is that they are composed of multiple, overlapping perspectives. His films contain elements of humanism, nihilism, absurdism, existentialism, transcendentalism, and numerous[…]
