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    • Blogging Pound’s The Cantos: Canto LXII – gordsellar.com on:

      A Film Divided Against Itself: D. W. Griffith’s The Birth of a Nation (1915)

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      Books: Best Actress: The History of Oscar-Winning Women by Stephen Tapert

Isn't Life Wonderful

Comedy · Directors · Drama · DVD & Blu-ray · Silents

0

Two from Flicker Alley: Isn’t Life Wonderful (Griffith, 1924) and Chaplin’s Essanay Comedies, 1915-16

  • September 15, 2016

From his very beginnings as a filmmaker, Griffith understood the efficacy of location shooting. Putting actors into real landscapes and streets not only went to authenticating the narrative but had[…]

Jesse Eisenberg as Bobby

Comedy · Directors

1

On Café Society and Woody Allen – Last seen in search of lost innocence, and rich wood paneling!

  • September 11, 2016

Art doesn’t have to be autobiographical, does it? Woody can write about the kid he wasn’t as well as the kid he was, can’t he? * * * I haven’t[…]

Stephen Lang and Dylan Minnette

Crime · Horror

1

Don’t Breathe, Just Keep on Surviving

  • September 8, 2016

What I have identified is a recurrent depiction of American citizens committing acts of extreme violence against one another, almost always in service of financial interest. * * * Watched[…]

Doom-Head (Richard Brake) is not here to elicit your amusement

Horror

2

The Horror of a Nation’s Despair: Rob Zombie’s 31 (2016)

  • September 4, 2016

Much like the serial-killer-themed amusement park ride in House of 1000 Corpses, 31 is a fast and hyper-sensory excursion into a nation’s sickest and bleakest fixations. * * * Rob[…]

SF & Fantasy

30

Star Wars Episode III: Revenge of the Sith: George Lucas’s Greatest Artistic Statement?

  • August 28, 2016

Never one to divide “high” art from “low,” Lucas draws from every available well of visual representation to craft this uniquely digital genre entertainment, a film that is broadly drawn[…]

Nanni Moretti and Margherita Buy

Directors · Drama · Interviews

1

“What Remains When You Die”: Nanni Moretti Talks About My Mother (Mia Madre) (2015)

  • August 26, 2016

Editor’s note: This is the second director interview by our correspondent Amir Ganjavie, this one conducted at the 2015 Toronto Film Festival. The film discussed, My Mother, is being released in the U.S.[…]

The Happening

Directors · Horror

1

M. Night Shyamalan’s Terror Trilogy: Signs (2002), The Village (2004), and The Happening (2008)

  • August 22, 2016

Shyamalan’s three films portray an imbalanced and endangered world; they engage to varying degrees with the imagery and anxiety surrounding terrorist attacks in the wake of September 11, 2001, while[…]

Ingrid Bergman, Michael Chekhov, and Gregory Peck in Spellbound

Drama · Essays

1

Any Husband of Yours: Spellbound and 13 Minutes

  • August 15, 2016

Dreams and Pistol Shots  * * * From Leslie Halliwell to David Thomson, capsule reviews of Hitchcock’s Spellbound have made sure we know that the psychiatry on offer is pure[…]

The Purge: Election Year. Photo courtesy of Universal Studios.

Activist & Political · Essays · SF & Fantasy

1

Blood Will Tell: The Purge: Election Year (2016)

  • August 6, 2016

To be a popular film, which is the intent of the Purge series, is to play into what an audience loves; and in the case of something it is not[…]

Actors & Personalities

0

Happy Birthday to Cinema’s Great Bad Boy: Peter O’Toole (8/2/32-12/14-13)

  • August 2, 2016

“Arriving in Los Angeles for the film’s premiere there, he quickly blotted his copybook by hurling a drink at the producer Sam Spiegel, the most powerful man in Hollywood at the time. Spiegel had ‘massacred’ Lawrence, O’Toole remarked, by cutting twenty minutes of it in order ‘to sell more fucking ice cream to the punters.'”

Melissa McCarthy, Kristen Wiig, Kate McKinnon, and Leslie Jones: Ghostbusters (2016)

Comedy · Horror

6

Originality Is Overrated: Ghostbusters (1984) and Its Remake (2016)

  • July 25, 2016

The new Ghostbusters seems quite pleased with itself, but it leaves the overwhelming impression that nobody involved really believed in it. Despite the original film’s numerous flaws and Bill Murray’s[…]

Screenshot from The Counselor

Drama · Essays · Writers & Critics

4

Innocence on the Open Market: Cormac McCarthy, The Counselor, and Artistic Agency

  • July 20, 2016

Today (July 20) is Cormac McCarthy’s birthday. He’s 83. We send birthday wishes his way by reposting Sophia Nguyen’s persuasive discussion of McCarthy and the book/film of The Counselor, which[…]

White Dog: Lili (Zsófia Psotta) and Hagen (Body) before their separation

Drama

0

Sharing the Yoke: The Female-Animal Bond in Au Hasard Balthazar and White God

  • July 16, 2016

The common theme of these films is the peculiar connection between women and animals, and their shared devaluation in a hierarchical, male-dominated structure. It is, after all, not a coincidence[…]

Robert De Niro

Activist & Political · Drama · Essays · War · Writers & Critics

2

The Deer Hunter Debate: Artistic License and Vietnam War Remembrance

  • July 7, 2016

The response to The Deer Hunter amounted to a serious public debate over the Vietnam War that extended beyond film critics to engage a wide range of viewers. It wasn’t[…]

John Garfield and Lana Turner: The Postman Always Rings Twice

Books · Noir

2

Book Review: Into the Dark: The Hidden World of Film Noir, 1941-1950, by Mark A. Vieira

  • July 5, 2016

The box office and critical reaction to many of these film noirs varied wildly and widely, especially with viewers in the middle of the country. “The picture is too long[…]

Horror

0

Old Anxieties, New Bodies: Demystifying Masculinity in Brad Anderson’s The Machinist (2004)

  • June 17, 2016

It is this very concept of challenging traditional models and exposing not viscera but inconsistencies within societal constructs that makes The Machinist arguably one of the most horrifying films ever[…]

Drama

0

“That’s Actually Kind of Funny. It’s So Stupid”: Irony and Nostalgia in Alex Ross Perry’s The Color Wheel (2011)

  • June 13, 2016

The Color Wheel has been criticized in some circles for having an improvisatory and unfocused structure, yet all the film’s major thematic concerns are explicitly introduced in its compact pre-credit[…]

Blow-up

Essays · Philosophy

1

Under the Sign of 39: The Case of the Curious Coincidence from Hitchcock to Antonioni and Beyond

  • June 1, 2016

In movieland, there is also the kind of coincidence where someone indeed has planned it, someone acting from behind the scene, manipulating appearances. In this case, a coincidence is a[…]

Directors · LGBT & Queer

0

Happy Birthday, Dark Angel: Notes on R. W. Fassbinder (born May 31, 1945)

  • May 31, 2016

The homely, jowly face, dictatorial blatherings, and ragged leather chaps masked one of the great makers of modern cinema Few filmmakers lived their private lives more publicly than Rainer Werner[…]

Designers · Historical & Epic · Horror

1

Dressing The Witch: An Interview with Costume Designer Linda Muir

  • May 27, 2016

The Witch thrives on its damning details. It seems authentically claustrophobic and austere. Threats to faith take their toll. The untouched surroundings and natural lighting allow each period detail revelrous[…]

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