Black Soil: Ixcanul (Jayro Bustamante, 2015)
And some are pretty enough / And some are poor indeed; And now again the people / Call it but a weed. – Alfred Lord Tennyson. “The Flower” * * *[…]
Familiar Faces: Some Notes on the 2017 SxSW Film Festival
Though moving a bit more stiffly in Lucky, Harry Dean is still moving, and that, the film says, is a beautiful thing. * * * SxSW wrapped up this past[…]
Experimental & Underground · Romance · SF & Fantasy
Watch it Again! La Belle et la Bête (France, Jean Cocteau, 1946)
Many have captured in equally luxurious fantasies the Beast that longs in men to be more than he is, and it is this Beast that Disney aims at literal children.[…]
The Good, the Bad, the Ugly Wolverine: Logan (2017)
This film is indeed all about catharsis, ours certainly but mostly Logan’s: liberating violence alongside liberal use of profanity, both underpinned by what we know to have been eighteen long[…]
Activist & Political · Documentaries · New Media
Black Code: Documentarian Nick de Pencier Talks Surveillance/ Subveillance in the Age of Big Data
Black Code sheds light on the commercialisation of cybercrime through the development of surveillance malware by security companies for sale to governments. Referring to Orwell’s seminal work 1984, Shehabi notes[…]
Watch It Again! King Kong (Merian C. Cooper, 1933)
With Kong: Skull Island making waves at the box office right now, perhaps it’s time to reintroduce ourselves to the first and, M. C. Myers argues (and we agree), best of the[…]
Crime · Drama · Thrillers & Action
Watch It Again! The Girl with the Dragon Tattoo (Sweden, 2009)
This article inaugurates a new department at Bright Lights, revisiting a film from the past that is being given new life through a new release or a different medium, in[…]
Activist & Political · Documentaries
Tabula Rasa with Tits: Barbie Nation, a Documentary (Happy Birthday, Barbie!)
On this day, March 9, 1959, Barbie was introduced to the world at New York’s American International Toy Fair. The date also became Barbie’s official birthday. She’s 58. To honor/revile what[…]
Superman v Objectivism: Forget Lex Luthor and Brainiac; Could Ayn Rand Be Superman’s Biggest Enemy?
Much of the reason for the continued popularity of Christopher Reeve’s portrayal was the commitment he gave to the character irrespective of whether he was saving Lois from falling to[…]
How to Kill the Queen of the Night: Tragedy Is No Joke, but It Can Be Deeply Funny
O wad some Power the giftie gie us, to see oursels as ithers see us! – Robert Burns, “To a Louse, On Seeing One on a Lady’s Bonnet At Church.” * *[…]
Counterculture · Essays · SF & Fantasy · TV & Streaming
The Machine and Beyond: Male Hysteria in The Twilight Zone, Star Trek, and Others
“I have said that the sole effect of my somewhat childish experiment – that of looking down within the tarn – had been to deepen the first singular impression. There[…]
Eighty Years of A Star Is Born: An Actress Evaluates a Classic
Today, Cukor’s musical version is regarded as a classic, and, due to Garland’s spectacular comeback performance, it has even eclipsed the original. Yet I prefer the 1937 version, primarily because[…]
The Enigma of Arrival: Time-Traveling from Lovecraft to La Jetée
In the same way that the heptapod language permits Louise to grasp the warp and weft of her world, the form of the heptapods taps into the once fringe and now venerable[…]
Activist & Political · Documentaries
The Problem of Access: Weiner (2016) and the Limitations of the Fly-on-the-Wall Documentary
The response to Weiner shows us (yet again) that the greater the access to a subject, the more likely a documentary is to be lavishly praised . . . no[…]
Biopic · Directors · Writers & Critics
“Narrative is dead. We’re mourning it.” Intertextuality and Authorship in Abel Ferrara’s Pasolini (2014)
Rather than trying to frame the narrative as a means of truly understanding the mind of its subject, the film emphasizes that the central figure himself controls access to his[…]
Activist & Political · Actors & Personalities · LGBT & Queer
Get Real: How Much Reality Do We Want in Acting?
Isn’t it the job of an actor to play what he or she is not? * * * It was Jeffrey Tambor who got me thinking about authenticity in acting.[…]
All the Small Things: Jim Jarmusch’s Paterson
Almost as if stolen from the time of the usual commitments of any working person engaged with the world, these images breathe a second, more intimate, rhythm into Paterson and[…]
The Not-So-Straight Story: David Lynch’s Mulholland Drive
Today – January 20 – is David Lynch’s birthday (he’s 71). To honor one of the true originals of le cinema moderne – and to remind ourselves of the importance[…]
“You’ve Gotta Do Something”: Cosmic Mobility and the Future of Mankind in Rebel Without a Cause
“Through the infinite reaches of space, the problems of man seem trivial and naïve indeed, and man existing alone seems himself an episode of little consequence … The Earth will[…]
La La Land and Dreams of a Musical Renaissance
There is some originality in this orgy of borrowing, with easy references to touch screens, cell phones, and an interracial marriage, but all with a constant backward orientation. La La[…]
Links + BSA
