Bright Lights Film Journal

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Melissa McCarthy, Kristen Wiig, Kate McKinnon, and Leslie Jones: Ghostbusters (2016)

Comedy · Horror

6

Originality Is Overrated: Ghostbusters (1984) and Its Remake (2016)

  • July 25, 2016

The new Ghostbusters seems quite pleased with itself, but it leaves the overwhelming impression that nobody involved really believed in it. Despite the original film’s numerous flaws and Bill Murray’s[…]

Screenshot from The Counselor

Drama · Essays · Writers & Critics

4

Innocence on the Open Market: Cormac McCarthy, The Counselor, and Artistic Agency

  • July 20, 2016

Today (July 20) is Cormac McCarthy’s birthday. He’s 83. We send birthday wishes his way by reposting Sophia Nguyen’s persuasive discussion of McCarthy and the book/film of The Counselor, which[…]

White Dog: Lili (Zsófia Psotta) and Hagen (Body) before their separation

Drama

0

Sharing the Yoke: The Female-Animal Bond in Au Hasard Balthazar and White God

  • July 16, 2016

The common theme of these films is the peculiar connection between women and animals, and their shared devaluation in a hierarchical, male-dominated structure. It is, after all, not a coincidence[…]

Robert De Niro

Activist & Political · Drama · Essays · War · Writers & Critics

2

The Deer Hunter Debate: Artistic License and Vietnam War Remembrance

  • July 7, 2016

The response to The Deer Hunter amounted to a serious public debate over the Vietnam War that extended beyond film critics to engage a wide range of viewers. It wasn’t[…]

John Garfield and Lana Turner: The Postman Always Rings Twice

Books · Noir

2

Book Review: Into the Dark: The Hidden World of Film Noir, 1941-1950, by Mark A. Vieira

  • July 5, 2016

The box office and critical reaction to many of these film noirs varied wildly and widely, especially with viewers in the middle of the country. “The picture is too long[…]

Horror

0

Old Anxieties, New Bodies: Demystifying Masculinity in Brad Anderson’s The Machinist (2004)

  • June 17, 2016

It is this very concept of challenging traditional models and exposing not viscera but inconsistencies within societal constructs that makes The Machinist arguably one of the most horrifying films ever[…]

Drama

0

“That’s Actually Kind of Funny. It’s So Stupid”: Irony and Nostalgia in Alex Ross Perry’s The Color Wheel (2011)

  • June 13, 2016

The Color Wheel has been criticized in some circles for having an improvisatory and unfocused structure, yet all the film’s major thematic concerns are explicitly introduced in its compact pre-credit[…]

Blow-up

Essays · Philosophy

1

Under the Sign of 39: The Case of the Curious Coincidence from Hitchcock to Antonioni and Beyond

  • June 1, 2016

In movieland, there is also the kind of coincidence where someone indeed has planned it, someone acting from behind the scene, manipulating appearances. In this case, a coincidence is a[…]

Directors · LGBT & Queer

0

Happy Birthday, Dark Angel: Notes on R. W. Fassbinder (born May 31, 1945)

  • May 31, 2016

The homely, jowly face, dictatorial blatherings, and ragged leather chaps masked one of the great makers of modern cinema Few filmmakers lived their private lives more publicly than Rainer Werner[…]

Designers · Historical & Epic · Horror

1

Dressing The Witch: An Interview with Costume Designer Linda Muir

  • May 27, 2016

The Witch thrives on its damning details. It seems authentically claustrophobic and austere. Threats to faith take their toll. The untouched surroundings and natural lighting allow each period detail revelrous[…]

Actors & Personalities · Exploitation & Erotica · Interviews

1

Happy Birthday, Pam Grier: Interview with the Accidental Action Heroine

  • May 26, 2016

It’s time again to tip our hat to Pam Grier, who’s 67 today (born May 26, 1949), by reposting Steve Ryfle’s interview. Here the incomparable star of Foxy Brown and[…]

Irene Dunne and John Boles in Back Street (1932)

Directors · Drama · Pre-Code

1

Women in Love: Three Early ’30s Melodramas by John M. Stahl (Seed, Back Street, Only Yesterday)

  • May 24, 2016

The subtle beauty of John M. Stahl’s early ’30s work is revealed by the exquisite 35mm prints screening at New York’s Museum of Modern Art in the series Universal Pictures: Restorations and[…]

Laughter in Hell

Directors · Pre-Code

4

The Road to Hell: Three Early Films of Edward L. Cahn (Law and Order, Afraid to Talk, Laughter in Hell)

  • May 20, 2016

Among Cahn’s champions is Dave Kehr, a curator at the Museum of Modern Art, who has programmed a four-week series (running through Wednesday, June 15) devoted to his tenure at[…]

Directors · Interviews · SF & Fantasy

1

Futureworlds: Talking with Yorgos Lanthimos about The Lobster (2015)

  • May 19, 2016

The Lobster tries to look at how we are as people – what it means to be single, alone, or involved with someone and all of the constraints that society[…]

Directors · Drama · Interviews

0

Articulating Desire: Talking with José Luis Guerín about The Academy of the Muses (2015)

  • May 12, 2016

For me, the idea of having an academy of muses is an impossible, if not ridiculous, idea; but, the discussions and debates that occurred among them struck me as fascinating,[…]

Bruno Ganz in Wim Wenders' Wings of Desire (1987)

Directors · Essays

0

“I Used My Imagination”: Old Genres, New Jerusalems

  • May 8, 2016

What I find in Wim Wenders I find in William Blake (and all interesting artists): a desire for a better world that does not underestimate the difficulties of achieving it[…]

Wong Ka-jeng, the eponymous subject of KJ: Music and Life (2009). Photo courtesy of Beautiful Productions Limited.

Asian · Directors · Documentaries · Interviews

0

Being Human: An Interview with Hong Kong Filmmaker Cheung King-wai

  • May 4, 2016

Note: This interview was conducted in English during the Hong Kong International Film Festival in Sha Tin, Hong Kong, on 3 April 2016. The author wishes to thank Esther Yau,[…]

Drama · Memoir · Philosophy

3

After Love: Alan J. Pakula’s The Sterile Cuckoo

  • April 26, 2016

FROM CABIN C AT OUDIN’S COURT COTTAGES I just awoke, and wondered where you were. It was the strangest feeling, like I really expected you to be there. Eventually my[…]

Books · Genres

1

Book Review: Cycles, Sequels, Spin-offs, Remakes, and Reboots, edited by Amanda Ann Klein and R. Barton Palmer

  • April 21, 2016

Cycles, Sequels, Spin-offs, Remakes, and Reboots: Multiplicities in Film and Television, Edited by Amanda Ann Klein and R. Barton Palmer (Austin: University of Texas Press, 2016, 367pp, $29.95 from the[…]

Philosophy · SF & Fantasy

0

“When Does a Difference-Engine Become a Search for Truth?” Cybernetic Platonism in Alex Proyas’ I, Robot (2004)

  • April 16, 2016

Sonny says that now that he has completed the mission for which he was created – to kill Dr. Lanning – he does not know what to do with himself,[…]

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