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September 5, 2026
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The Esteemed Black Actresses Who Finally Have the Spotlight – The New York Times – Celebrity News on:
African American · Crime · Documentaries
By ignoring the black lives involved, the new Netflix documentary Amanda Knox (premiering on Netflix on September 30) is not only a very white film, it ends up producing its own miscarriage of[…]
But even though Jesse (Elle Fanning) is “everything” right now, what she has is fragile: the aura of enchantment so prized by fashion is easily lost. Once she stops looking[…]
I have yet to encounter anybody who feels my fierce outrage at Scottie’s unfairness toward the necklace. That object is all-important, not because it is the vital clue to the Madeleine-is-Judy[…]
Comedy · Directors · Drama · DVD & Blu-ray · Silents
From his very beginnings as a filmmaker, Griffith understood the efficacy of location shooting. Putting actors into real landscapes and streets not only went to authenticating the narrative but had[…]
Art doesn’t have to be autobiographical, does it? Woody can write about the kid he wasn’t as well as the kid he was, can’t he? * * * I haven’t[…]
What I have identified is a recurrent depiction of American citizens committing acts of extreme violence against one another, almost always in service of financial interest. * * * Watched[…]
Much like the serial-killer-themed amusement park ride in House of 1000 Corpses, 31 is a fast and hyper-sensory excursion into a nation’s sickest and bleakest fixations. * * * Rob[…]
Never one to divide “high” art from “low,” Lucas draws from every available well of visual representation to craft this uniquely digital genre entertainment, a film that is broadly drawn[…]
Directors · Drama · Interviews
Editor’s note: This is the second director interview by our correspondent Amir Ganjavie, this one conducted at the 2015 Toronto Film Festival. The film discussed, My Mother, is being released in the U.S.[…]
Shyamalan’s three films portray an imbalanced and endangered world; they engage to varying degrees with the imagery and anxiety surrounding terrorist attacks in the wake of September 11, 2001, while[…]
Dreams and Pistol Shots * * * From Leslie Halliwell to David Thomson, capsule reviews of Hitchcock’s Spellbound have made sure we know that the psychiatry on offer is pure[…]
Activist & Political · Essays · SF & Fantasy
To be a popular film, which is the intent of the Purge series, is to play into what an audience loves; and in the case of something it is not[…]
“Arriving in Los Angeles for the film’s premiere there, he quickly blotted his copybook by hurling a drink at the producer Sam Spiegel, the most powerful man in Hollywood at the time. Spiegel had ‘massacred’ Lawrence, O’Toole remarked, by cutting twenty minutes of it in order ‘to sell more fucking ice cream to the punters.'”
The new Ghostbusters seems quite pleased with itself, but it leaves the overwhelming impression that nobody involved really believed in it. Despite the original film’s numerous flaws and Bill Murray’s[…]
Drama · Essays · Writers & Critics
Today (July 20) is Cormac McCarthy’s birthday. He’s 83. We send birthday wishes his way by reposting Sophia Nguyen’s persuasive discussion of McCarthy and the book/film of The Counselor, which[…]
The common theme of these films is the peculiar connection between women and animals, and their shared devaluation in a hierarchical, male-dominated structure. It is, after all, not a coincidence[…]
Activist & Political · Drama · Essays · War · Writers & Critics
The response to The Deer Hunter amounted to a serious public debate over the Vietnam War that extended beyond film critics to engage a wide range of viewers. It wasn’t[…]
The box office and critical reaction to many of these film noirs varied wildly and widely, especially with viewers in the middle of the country. “The picture is too long[…]
It is this very concept of challenging traditional models and exposing not viscera but inconsistencies within societal constructs that makes The Machinist arguably one of the most horrifying films ever[…]
The Color Wheel has been criticized in some circles for having an improvisatory and unfocused structure, yet all the film’s major thematic concerns are explicitly introduced in its compact pre-credit[…]
