Bright Lights Film Journal

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Comics · SF & Fantasy

2

The Good, the Bad, the Ugly Wolverine: Logan (2017)

  • March 19, 2017

This film is indeed all about catharsis, ours certainly but mostly Logan’s: liberating violence alongside liberal use of profanity, both underpinned by what we know to have been eighteen long[…]

Filipe Garcia Peçanha aka. Carioca of Midia Ninja during Rio protests

Activist & Political · Documentaries · New Media

0

Black Code: Documentarian Nick de Pencier Talks Surveillance/ Subveillance in the Age of Big Data

  • March 16, 2017

Black Code sheds light on the commercialisation of cybercrime through the development of surveillance malware by security companies for sale to governments. Referring to Orwell’s seminal work 1984, Shehabi notes[…]

Horror · Romance

2

Watch It Again! King Kong (Merian C. Cooper, 1933)

  • March 13, 2017

With Kong: Skull Island making waves at the box office right now, perhaps it’s time to reintroduce ourselves to the first and, M. C. Myers argues (and we agree), best of the[…]

Crime · Drama · Thrillers & Action

1

Watch It Again! The Girl with the Dragon Tattoo (Sweden, 2009)

  • March 11, 2017

This article inaugurates a new department at Bright Lights, revisiting a film from the past that is being given new life through a new release or a different medium, in[…]

Activist & Political · Documentaries

0

Tabula Rasa with Tits: Barbie Nation, a Documentary (Happy Birthday, Barbie!)

  • March 9, 2017

On this day, March 9, 1959, Barbie was introduced to the world at New York’s American International Toy Fair. The date also became Barbie’s official birthday. She’s 58. To honor/revile what[…]

Characters · SF & Fantasy

27

Superman v Objectivism: Forget Lex Luthor and Brainiac; Could Ayn Rand Be Superman’s Biggest Enemy?

  • March 2, 2017

Much of the reason for the continued popularity of Christopher Reeve’s portrayal was the commitment he gave to the character irrespective of whether he was saving Lois from falling to[…]

Essays · Music & Musicals

0

How to Kill the Queen of the Night: Tragedy Is No Joke, but It Can Be Deeply Funny

  • February 26, 2017

O wad some Power the giftie gie us, to see oursels as ithers see us! – Robert Burns, “To a Louse, On Seeing One on a Lady’s Bonnet At Church.” * *[…]

Counterculture · Essays · SF & Fantasy · TV & Streaming

1

The Machine and Beyond: Male Hysteria in The Twilight Zone, Star Trek, and Others

  • February 21, 2017

“I have said that the sole effect of my somewhat childish experiment – that of looking down within the tarn – had been to deepen the first singular impression. There[…]

Drama

0

Eighty Years of A Star Is Born: An Actress Evaluates a Classic

  • February 16, 2017

Today, Cukor’s musical version is regarded as a classic, and, due to Garland’s spectacular comeback performance, it has even eclipsed the original. Yet I prefer the 1937 version, primarily because[…]

Philosophy · SF & Fantasy

3

The Enigma of Arrival: Time-Traveling from Lovecraft to La Jetée

  • February 12, 2017

In the same way that the heptapod language permits Louise to grasp the warp and weft of her world, the form of the heptapods taps into the once fringe and now venerable[…]

Activist & Political · Documentaries

0

The Problem of Access: Weiner (2016) and the Limitations of the Fly-on-the-Wall Documentary

  • February 9, 2017

The response to Weiner shows us (yet again) that the greater the access to a subject, the more likely a documentary is to be lavishly praised . . . no[…]

Biopic · Directors · Writers & Critics

3

“Narrative is dead. We’re mourning it.” Intertextuality and Authorship in Abel Ferrara’s Pasolini (2014)

  • February 4, 2017

Rather than trying to frame the narrative as a means of truly understanding the mind of its subject, the film emphasizes that the central figure himself controls access to his[…]

Activist & Political · Actors & Personalities · LGBT & Queer

3

Get Real: How Much Reality Do We Want in Acting?

  • January 30, 2017

Isn’t it the job of an actor to play what he or she is not? * * * It was Jeffrey Tambor who got me thinking about authenticity in acting.[…]

Comedy · Drama

2

All the Small Things: Jim Jarmusch’s Paterson

  • January 26, 2017

Almost as if stolen from the time of the usual commitments of any working person engaged with the world, these images breathe a second, more intimate, rhythm into Paterson and[…]

Reviews

0

The Not-So-Straight Story: David Lynch’s Mulholland Drive

  • January 20, 2017

Today – January 20 – is David Lynch’s birthday (he’s 71). To honor one of the true originals of le cinema moderne – and to remind ourselves of the importance[…]

Drama · Philosophy

0

“You’ve Gotta Do Something”: Cosmic Mobility and the Future of Mankind in Rebel Without a Cause

  • January 17, 2017

“Through the infinite reaches of space, the problems of man seem trivial and naïve indeed, and man existing alone seems himself an episode of little consequence … The Earth will[…]

Music & Musicals

0

La La Land and Dreams of a Musical Renaissance

  • January 10, 2017

There is some originality in this orgy of borrowing, with easy references to touch screens, cell phones, and an interracial marriage, but all with a constant backward orientation. La La[…]

Comedy · Directors · Essays

0

Jerry Lewis and the Gender of Work

  • January 7, 2017

The gender of work in the work films is a spectrum that includes both the neutered worker of The Bellboy and The Errand Boy and the feminized worker of Cinderfella,[…]

Actors & Personalities · Essays

1

The Elephant in the Graveyard: The Testament of John Derek

  • January 3, 2017

Everywhere she was, there was Eden. – Mark Twain * * * So this is what it’s like on the other side. Not exactly how I pictured it. Nothing like[…]

Biopic · Historical & Epic · War

0

“What a Fine Ruin It’ll Make!”: John Ford’s The Long Gray Line (1954)

  • December 29, 2016

Repeatedly, the tragedies in Marty’s life lead him to question the worth of life, and repeatedly the order and stability of the parade re-enters to ease his mind, allowing him[…]

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