Molls with Claws: Three Classic Girl Gang Movies: Girl Gang, Teenage Doll, Teenage Gang Debs
These “dolls” paved the way for the riot grrls of the ’80s – but were too busy kicking ass to notice Cultural memory is often about as fragmented as a[…]
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The Esteemed Black Actresses Who Finally Have the Spotlight – The New York Times – Celebrity News on:
These “dolls” paved the way for the riot grrls of the ’80s – but were too busy kicking ass to notice Cultural memory is often about as fragmented as a[…]
LGBT & Queer · Reviews · Uncategorized
Surprise – it could be a lot worse. In a February 2002 commentary for her syndicated column “Lesbian Notions,” Paula Martinac recalls her angst at browsing through her local lesbian[…]
There are drag queens and then there are drag princesses Why would an eight-year-old boy want to wear a dress? “Scotsmen wear dresses, they’re called kilts. King Tut wore a[…]
Hollywood shows some unsuspected radical tendencies – after eight years of Clintonian “liberalism” “Hollywood is at its best when it is relating to a progressive left political force that’s already[…]
Two films of 1936, Chaplin’s Modern Times and Fritz Lang’s Fury (with Spencer Tracy and Sylvia Sydney), appear to have little in common. The former sardonically depicts a man at[…]
Essays · Historical & Epic · Reviews
Parker’s “ode to bathroom humor” plumbs surprising depths Contemporary American comedy evades realistic treatment of social issues, opting instead for escape from these issues. That the bulk of racial representation[…]
“There she is, in all her beads and ribbons!” How Manhattan is Nothing Sacred? To be more Manhattan, it would have to be Manhattan. Because once more we’re on that[…]
Classic Hollywood, Classic Whiteness, ed. and with an introduction by Daniel J. Bernardi. Minneapolis: University of Minnesota Press, 2000. Trade paper. 516pp. ISBN 0-8166-3239-1. Classic Hollywood, Classic Whiteness continues the project[…]
Keeping the British End Up: Four Decades of Saucy Cinema, by Simon Sheridan. London: Reynolds and Hearn, 2002. Trade paper. $24.95, 208pp. ISBN 1-90311-121-8. For those not in the know,[…]
In which Harryhausen’s most poignant monster mixes it up After pioneering French filmmaker Georges Mêlies, there are few special effects icons left to trip over on your way to current[…]
Documentaries · Noir · Reviews
In DVD land, the world’s your oyster – pearls included (sometimes) Cuban Story (Victor Pahlen, 1959) By the mid-1950s, Errol Flynn was enjoying the low high life of a bloated[…]
Sure Arthur Miller’s masterpiece is flawed, but so’s your mother On paper, Death of a Salesman, Arthur Miller’s 1949 Pulitzer Prize winner, shouldn’t work. Miller intended the play as another[…]
Actors & Personalities · Music & Musicals
Fred dies, Ginger cries The Story of Vernon and Irene Castle is the not very graceful swan song of the Fred Astaire and Ginger Rogers musicals of the thirties.1 Carefree,[…]
Two of the most elusive auteurs tell all, or at least some. ROBERT BRESSON: WITHOUT A TRACE A documentary about Robert Bresson (1901?-1999), with the director cooperating – indeed, appearing[…]
Actors & Personalities · Interviews
The “All American Girl” on her new movie, her influences, and the joy of high colonics As the quote implies, Margaret Cho is no stranger to redefinition, mostly because she’s[…]
Ida Lupino: Mother of Us All! “Any rocks up there to give you a problem, darlin’? Now, Walter baby, while we’re here we might as well take the posse through.[…]
Girlflesh ‘n boyflesh ‘n apocalypse [Warning: Spoilers!] It’s hard to keep your thinking cap on when you’re watching Teenage Caveman, directed by the notorious Larry Clark, the famed photographer/director whose[…]
Why Tobey Maguire has us by the testicles and why he isn’t going to let go Whence Spider-Man? Whence, indeed, and whither? It has come to pass in these United[…]
Of babynappings and bodily fluids, Coens and Kubricks In Raising Arizona (1987), a blatantly obscure graffiti can be seen in the lavatory wall behind escaped convicts, Hale and Evelle (John[…]
Experimental & Underground · LGBT & Queer · Reviews
Warhol’s timeless, trashy “girls” come a-callin’ More talked about than seen since its debut, The Chelsea Girls, Andy Warhol’s infamous double-projected dive into a demimonde he created, is getting a[…]
