Bright Lights Film Journal

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Uncategorized

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Molls with Claws: Three Classic Girl Gang Movies: Girl Gang, Teenage Doll, Teenage Gang Debs

  • November 1, 2002

These “dolls” paved the way for the riot grrls of the ’80s – but were too busy kicking ass to notice Cultural memory is often about as fragmented as a[…]

LGBT & Queer · Reviews · Uncategorized

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Boys on the Side: A Survey of Adult/Youth Relationships in Movies and TV

  • November 1, 2002

Surprise – it could be a lot worse. In a February 2002 commentary for her syndicated column “Lesbian Notions,” Paula Martinac recalls her angst at browsing through her local lesbian[…]

LGBT & Queer · Reviews

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Being a Kid Is a Drag – Onscreen

  • November 1, 2002

There are drag queens and then there are drag princesses Why would an eight-year-old boy want to wear a dress? “Scotsmen wear dresses, they’re called kilts. King Tut wore a[…]

Activist & Political · Essays

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Goodbye Warren, Hello Tim: How Clinton Demobilized Liberalism and Anti-Capitalism Came into Hollywood

  • November 1, 2002

Hollywood shows some unsuspected radical tendencies – after eight years of Clintonian “liberalism” “Hollywood is at its best when it is relating to a progressive left political force that’s already[…]

Essays · Reviews

0

Fritz Lang’s Assumption Factory: Social Agreements and Schisms in Fury, Modern Times, and A Clockwork Orange

  • November 1, 2002

Two films of 1936, Chaplin’s Modern Times and Fritz Lang’s Fury (with Spencer Tracy and Sylvia Sydney), appear to have little in common. The former sardonically depicts a man at[…]

Essays · Historical & Epic · Reviews

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Black and White Breakfast: Race, Class, Sexuality, and Corn Flakes in Alan Parker’s The Road to Wellville

  • November 1, 2002

Parker’s “ode to bathroom humor” plumbs surprising depths Contemporary American comedy evades realistic treatment of social issues, opting instead for escape from these issues. That the bulk of racial representation[…]

Comedy · Reviews

0

Frederic March and Carole Lombard Find Nothing Sacred in the Big Apple

  • October 1, 2002

“There she is, in all her beads and ribbons!” How Manhattan is Nothing Sacred? To be more Manhattan, it would have to be Manhattan. Because once more we’re on that[…]

Books

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Book review: Classic Hollywood, Classic Whiteness, ed. by Daniel J. Bernardi

  • August 18, 2002

Classic Hollywood, Classic Whiteness, ed. and with an introduction by Daniel J. Bernardi. Minneapolis: University of Minnesota Press, 2000. Trade paper. 516pp. ISBN 0-8166-3239-1. Classic Hollywood, Classic Whiteness continues the project[…]

Books

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Book reviews: Keeping the British End Up, by Simon Sheridan & Hollywood’s Film Wars with France, by Jens Ulff-Møller

  • August 18, 2002

Keeping the British End Up: Four Decades of Saucy Cinema, by Simon Sheridan. London: Reynolds and Hearn, 2002. Trade paper. $24.95, 208pp. ISBN 1-90311-121-8. For those not in the know,[…]

Reviews · SF & Fantasy

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“Fascinating. Horrible, but Fascinating”: 20 Million Miles to Earth on DVD

  • August 1, 2002

In which Harryhausen’s most poignant monster mixes it up After pioneering French filmmaker Georges Mêlies, there are few special effects icons left to trip over on your way to current[…]

Documentaries · Noir · Reviews

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DVD Sampler: Cuban Story, The Vanishing, The Joke, Salesman, and Strange Illusion

  • August 1, 2002

In DVD land, the world’s your oyster – pearls included (sometimes) Cuban Story (Victor Pahlen, 1959) By the mid-1950s, Errol Flynn was enjoying the low high life of a bloated[…]

Reviews · TV & Streaming

1

1966 CBS Version of Death of a Salesman: Now on DVD

  • August 1, 2002

Sure Arthur Miller’s masterpiece is flawed, but so’s your mother On paper, Death of a Salesman, Arthur Miller’s 1949 Pulitzer Prize winner, shouldn’t work. Miller intended the play as another[…]

Actors & Personalities · Music & Musicals

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Astaire & Rogers Fade to Black in The Story of Vernon and Irene Castle

  • August 1, 2002

Fred dies, Ginger cries The Story of Vernon and Irene Castle is the not very graceful swan song of the Fred Astaire and Ginger Rogers musicals of the thirties.1 Carefree,[…]

Directors · Documentaries

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Rare Docs on French Filmmakers: Bresson and Akerman on VHS

  • August 1, 2002

Two of the most elusive auteurs tell all, or at least some. ROBERT BRESSON: WITHOUT A TRACE A documentary about Robert Bresson (1901?-1999), with the director cooperating – indeed, appearing[…]

Actors & Personalities · Interviews

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“Redefine What It Means to You”: Talking with Margaret Cho

  • August 1, 2002

The “All American Girl” on her new movie, her influences, and the joy of high colonics As the quote implies, Margaret Cho is no stranger to redefinition, mostly because she’s[…]

Directors · Noir · Reviews

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South of the Chocolate Mountains: Scattered Impressions of The Hitch-Hiker

  • August 1, 2002

Ida Lupino: Mother of Us All! “Any rocks up there to give you a problem, darlin’? Now, Walter baby, while we’re here we might as well take the posse through.[…]

Reviews · SF & Fantasy

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I’m Taking the Kids! Larry Clark’s Teenage Caveman on DVD

  • August 1, 2002

Girlflesh ‘n boyflesh ‘n apocalypse [Warning: Spoilers!] It’s hard to keep your thinking cap on when you’re watching Teenage Caveman, directed by the notorious Larry Clark, the famed photographer/director whose[…]

Reviews · SF & Fantasy

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Sam Raimi’s Spider-Man (2002): There’s No “There” There

  • August 1, 2002

Why Tobey Maguire has us by the testicles and why he isn’t going to let go Whence Spider-Man? Whence, indeed, and whither? It has come to pass in these United[…]

Comedy · Essays · Reviews

0

Recalling the Dream of Parenthood in Raising Arizona

  • August 1, 2002

Of babynappings and bodily fluids, Coens and Kubricks In Raising Arizona (1987), a blatantly obscure graffiti can be seen in the lavatory wall behind escaped convicts, Hale and Evelle (John[…]

Experimental & Underground · LGBT & Queer · Reviews

0

Diamonds in the Toilet: Andy Warhol’s The Chelsea Girls

  • August 1, 2002

Warhol’s timeless, trashy “girls” come a-callin’ More talked about than seen since its debut, The Chelsea Girls, Andy Warhol’s infamous double-projected dive into a demimonde he created, is getting a[…]

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