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Actors & Personalities · Music & Musicals
Fred dies, Ginger cries The Story of Vernon and Irene Castle is the not very graceful swan song of the Fred Astaire and Ginger Rogers musicals of the thirties.1 Carefree,[…]
Two of the most elusive auteurs tell all, or at least some. ROBERT BRESSON: WITHOUT A TRACE A documentary about Robert Bresson (1901?-1999), with the director cooperating – indeed, appearing[…]
Actors & Personalities · Interviews
The “All American Girl” on her new movie, her influences, and the joy of high colonics As the quote implies, Margaret Cho is no stranger to redefinition, mostly because she’s[…]
Ida Lupino: Mother of Us All! “Any rocks up there to give you a problem, darlin’? Now, Walter baby, while we’re here we might as well take the posse through.[…]
Girlflesh ‘n boyflesh ‘n apocalypse [Warning: Spoilers!] It’s hard to keep your thinking cap on when you’re watching Teenage Caveman, directed by the notorious Larry Clark, the famed photographer/director whose[…]
Why Tobey Maguire has us by the testicles and why he isn’t going to let go Whence Spider-Man? Whence, indeed, and whither? It has come to pass in these United[…]
Of babynappings and bodily fluids, Coens and Kubricks In Raising Arizona (1987), a blatantly obscure graffiti can be seen in the lavatory wall behind escaped convicts, Hale and Evelle (John[…]
Experimental & Underground · LGBT & Queer · Reviews
Warhol’s timeless, trashy “girls” come a-callin’ More talked about than seen since its debut, The Chelsea Girls, Andy Warhol’s infamous double-projected dive into a demimonde he created, is getting a[…]
Dogme meets the Manchester music scene in this well-wrought biopic British cinema has moved on in the last decade – its heritage dramas now tend to have a modernistic twist,[…]
Documentaries · Experimental & Underground · LGBT & Queer · Reviews
The legendary campsters of the counterculture take a bow in this diverting documentary The Cockettes – fondly, if sometimes barely remembered as curios in the camp canon – are reborn[…]
Music & Musicals · TV & Streaming
There was a time, America, a time when public television consisted of more than Antiques Roadshow, women in pantsuits explaining how to feel good about yourself, and reruns of inane[…]
(Which in this case may be better than getting him) The Titanic did not sink; it only seemed that way at the time. She has proven as unsinkable as one[…]
The cripplingly small-minded art of verisimilitude becomes crippled by its own technology Are Human Beings Real, or Do They Only Act That Way? When we contemplate all the sinister, spirit-truncheoning[…]
Dykes and trannies get more than their usual screen time this year, thank goddess Documentaries are the heart of the Lesbian & Gay Film Festival, not only because they’re often[…]
Actors & Personalities · Directors · Silents
“Why are they all ugly little men?” asked Cindy, after I’d dragged her to three solid weeks of Charlie Chaplin, Buster Keaton, Harry Langdon, and Harold Lloyd at a silent[…]
Walking with the Wind: Poems by Abbas Kiarostami, Trans. by Ahmad Karimi-Hakkad and Michael Beard. Cambridge: Harvard University Press, 2001. Trade paper: $19.95. 240pp. ISBN 0-67400-844-8. It is April 2000.[…]
Framing the South: Hollywood, Television, and Race During the Civil Rights Struggle, by Allison Graham. Baltimore: Johns Hopkins University Press, 2001. Cloth, $39.95, 224pp. ISBN 0-80186-615-4. If you watch Hollywood[…]
The Money Shot: Cinema, Sin, and Censorship, by Jane Mills. Annandale, New South Wales, Australia. Pluto Press, 2001. Cloth, $32.95 (U.S.D./AUD), 255pp. ISBN 1-86403-142-5. It is perhaps significant to Jane[…]
Addicted: The Myth and Menace of Drugs in Film, ed. by Jack Stevenson. London: Creation Books, 2000. Trade paper, $19.95, 272pp, ISBN 1-84068-023-7 America’s War on Drugs has been raging[…]
Jacques Tourneur: The Cinema of Nightfall, by Chris Fujiwara. Baltimore: Johns Hopkins University Press, 2000. Trade paper, $18.95, 328pp, ISBN 0-8018-6561-1. Jacques Tourneur has long been a favorite of horror fans, French[…]
