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Activist & Political · Essays · Reviews
Watkins’ savaging of commodified culture remains disturbingly relevant After retailing Scotland’s Jacobite rebellion of 1746 to almost universal acclaim in Culloden (1964) and, in less than a year, establishing an[…]
Activist & Political · Directors · Documentaries · Reviews
On Dream Girls, The Day I Will Never Forget, Divorce Iranian Style, Shinjuku Boys, Gaea Girls, and Runaway The combination of reality TV and George W. Bush’s ascendancy (one wants[…]
Directors · Exploitation & Erotica · LGBT & Queer
“The whole world wears a jockstrap!” One of the late George Sanders’ greatest contributions to culture was found in an interview with Rex Reed (in the book Conversations in the[…]
Criterion resurrects a French master “Beckeresque” is not a word but maybe it should be. Embedded in its definition would be French director Jacques Becker (1906-1960) at his best: subtle,[…]
On Manderley and more Most directors at Cannes you can meet at their hotels lining the boardwalk, for a Perrier and an interview. Not Lars von Trier, the director of[…]
Directors · Interviews · LGBT & Queer
Put the Camera on Me‘s queer wunderkind speaks I first saw Put the Camera on Me at the 2003 San Francisco International Lesbian & Gay Film Festival, and wrote about[…]
Of Kings and Queen and other subjects I met with Arnaud Desplechin in New York last April before a sneak preview of Kings and Queen at the BAMcinématek in Brooklyn.[…]
Documentaries · LGBT & Queer · Reviews
“I’m bad, but I’m locked up.” When we think about how society reinforces its laws, we usually think of law enforcement agencies doing what they’re contracted to do in protecting[…]
Of Pornography and beyond The recurring release of Krzysztof Kieslowski’s films in various collections attests to more than English speakers’ enduring love of the work of the late master: it[…]
Activist & Political · Documentaries · Experimental & Underground
Navigating a haunted, and haunting, world In 1994, film historian and programmer Jenni Olson’s friend Mark Finch, a critic who was co-director with Olson of the San Francisco International Lesbian[…]
How real is the director’s much-vaunted “multilayered depiction of reality”? The question is, does it frighten you more that your congenial neighbor – the one whose house has the hummingbird[…]
“Is there anything more dazzling than the possible?” Sophisticated, high-spirited, and unpredictable, Arnaud Desplechin might be likened to a raffish, Gallic Woody Allen – the comedic aspects and neurotic energy[…]
Steven Spielberg meets Tom Cruise (again), and things get boring (again) Leave it to Steven Spielberg to screw up an alien invasion. El Stevo’s remake of the 1953 George Pal[…]
Anger leads to fear, fear leads to hate, hate leads to suffering … Episode III is here and it’s deep, dark and delightful. It clears up many things that were[…]
Animation · LGBT & Queer · Reviews · TV & Streaming
He’s fun-damental, not fundamentalist! He’s a Candide for the 21st century, facing the everyday predicaments of the human condition with a sunny optimism and unreasonable zest that seem borderline manic,[…]
Suzuki blows morning glories “No man should love a raccoon.” Wise words indeed, even if they address a problem few will encounter, but that’s one lesson taught in Seijun Suzuki’s[…]
Documentaries · Music & Musicals · Reviews
“You start having to wash two times a day and grow hair in weird places.” “I like moving my hips, a lot!” That’s one preteen girl enthusing about the pleasures[…]
Say “Slartibartfast” fast three times Well, Earth is destroyed, but luckily our guy-next-door, Arthur Dent (Martin Freeman), is best friends with an alien, Ford Prefect (Mos Def), who saves his[…]
It’s one step forward, two steps backward as our long national aureoline nightmare refuses to end Were you, like me, drawn as a moth to a flame to attend the[…]
Essays · Experimental & Underground
As the covert bottom-line interests of capitalist film distribution circumscribe our viewing options as much as overt censorship ever could, we should earnestly applaud the arrival of the new “INDEX”[…]
