Bright Lights Film Journal

  • TwitterTwitter
  • FacebookFacebook
  • InstagramInstagram
  • Google+Google+
  • RSSRSS
  • About
    • Staff
    • History
    • Contact
    • Advertise with BLFJ
    • Submission Guidelines
    • Banned Words
    • BLFJ News
    • Issue Archive
  • Artists
    • Actors & Personalities
    • Cinematographers
    • Composers
    • Directors
    • Editors
    • Interviews
    • Visual Artists
    • Writers & Critics
  • Movies
    • DVD & Blu-ray
    • Festivals & Awards
    • Lists
    • Reviews
    • Photo Essays
  • Genres
    • Activist & Political
    • Animation
    • Asian
    • Avant Garde & Underground
    • Crime
    • Documentaries
    • Erotica & Exploitation
    • Historical & Epic
    • Horror
    • LGBT & Queer
    • Music & Musicals
    • Noir
    • Pre-Code
    • SF & Fantasy
    • Silents
    • Westerns
  • TV & Streaming
  • Books
  • Contributors
  • Subscribe
  • Ads
    • Most Popular

      All time

    • Black Lives Matter: Whitewashing the Amanda Knox Story in the Netflix Documentary

      49 Comments

    • The Last Airbender: The Most (Incomplete) Fantastic Journey

      30 Comments

    • Latest Stories

      What is new?

    • The Unseen Line: Cinema as Geometry

      June 4, 2026

    • Family Matters: Shared Space in the Films of Cédric Klapisch

      May 30, 2026

    • Comments

      Most Recent

    • Blogging Pound’s The Cantos: Canto LXII – gordsellar.com on:

      A Film Divided Against Itself: D. W. Griffith’s The Birth of a Nation (1915)

    • The Esteemed Black Actresses Who Finally Have the Spotlight – The New York Times – Celebrity News on:

      Books: Best Actress: The History of Oscar-Winning Women by Stephen Tapert

Directors · Reviews

0

Thinking (and Talking) It Through: Arnaud Desplechin and Kings and Queen

  • August 1, 2005

“Is there anything more dazzling than the possible?” Sophisticated, high-spirited, and unpredictable, Arnaud Desplechin might be likened to a raffish, Gallic Woody Allen – the comedic aspects and neurotic energy[…]

Reviews · SF & Fantasy

0

War of the Worlds: You Win Some, You Lose Some

  • August 1, 2005

Steven Spielberg meets Tom Cruise (again), and things get boring (again) Leave it to Steven Spielberg to screw up an alien invasion. El Stevo’s remake of the 1953 George Pal[…]

Reviews · SF & Fantasy

0

The Dark Side Inside: Thoughts on Star Wars Episode III: Revenge of the Sith

  • August 1, 2005

Anger leads to fear, fear leads to hate, hate leads to suffering … Episode III is here and it’s deep, dark and delightful. It clears up many things that were[…]

Animation · LGBT & Queer · Reviews · TV & Streaming

0

Bikini Bottom Babylon: The SpongeBob SquarePants Movie

  • August 1, 2005

He’s fun-damental, not fundamentalist! He’s a Candide for the 21st century, facing the everyday predicaments of the human condition with a sunny optimism and unreasonable zest that seem borderline manic,[…]

Asian · Reviews

0

The Cross and the Ukelele: Seijun Suzuki’s Princess Raccoon

  • August 1, 2005

Suzuki blows morning glories “No man should love a raccoon.” Wise words indeed, even if they address a problem few will encounter, but that’s one lesson taught in Seijun Suzuki’s[…]

Documentaries · Music & Musicals · Reviews

0

Ready to Rumba? Dance Fever Doc Mad Hot Ballroom Busts a Groove

  • August 1, 2005

“You start having to wash two times a day and grow hair in weird places.” “I like moving my hips, a lot!” That’s one preteen girl enthusing about the pleasures[…]

Reviews · SF & Fantasy

0

Going My Way? The Hitchchiker’s Guide to the Galaxy Is Finally on Film

  • August 1, 2005

Say “Slartibartfast” fast three times Well, Earth is destroyed, but luckily our guy-next-door, Arthur Dent (Martin Freeman), is best friends with an alien, Ford Prefect (Mos Def), who saves his[…]

Reviews · SF & Fantasy

1

Batman Begins: Now with 50% Fewer Nipples!

  • August 1, 2005

It’s one step forward, two steps backward as our long national aureoline nightmare refuses to end Were you, like me, drawn as a moth to a flame to attend the[…]

Essays · Experimental & Underground

0

Isolating Isolationism: Recent INDEX Releases from the Austrian Avant-Garde

  • August 1, 2005

As the covert bottom-line interests of capitalist film distribution circumscribe our viewing options as much as overt censorship ever could, we should earnestly applaud the arrival of the new “INDEX”[…]

Essays

0

Performance World: The Truman Show‘s Sociology

  • August 1, 2005

The show must go on Never has a movie better fitted a sociological theory than The Truman Show (1999) to the work of Erving Goffman. Best known for Presentation of[…]

Crime · Writers & Critics

0

Pulp with a Soundtrack: Getting Elmore Leonard on Film

  • August 1, 2005

“My sound is the absence of me.” – Elmore Leonard The curious thing about Elmore Leonard is that while his books move fast, the films that capture his tone seem[…]

Reviews · Visual Artists

2

Superwomen? The Bad-Ass Babes of Sin City – or Are They?

  • August 1, 2005

This noir-drenched comic adaptation is retro in more ways than one In the sordid, febrile netherworld of Sin City, the eponymous film re-creation of the comic by Frank Miller, the[…]

Reviews · Thrillers & Action

0

On Her Majesty’s Secret Service: Re-Viewing a Bond Masterwork

  • August 1, 2005

“We have all the time in the world” A cult audience was [. . .] recruited when the National Film Theatre ran a season of Bond films in 1980. Of[…]

Historical & Epic · Reviews

0

Führerkontakt: The Emerging German Perspective on the Third Reich

  • August 1, 2005

“In short, completely normal.” A great deal of how the Third Reich presented itself and how we have come to know it is visual. Early on, the Nazis understood the[…]

A scene from One AM

Actors & Personalities · Comedy · Directors · Silents

1

Looking at Charlie – the Mutuals: An Occasional Series on the Life and Work of Charlie Chaplin

  • August 1, 2005

“Love backed by force, forgiveness sweet, brings hope and peace to Easy Street” “Fulfilling my contract with Mutual was, I suppose, the happiest period of my life.” Charlie Chaplin had[…]

Historical & Epic · Reviews

0

Rousseau Redux: Regis Wargnier’s Disappointing Pygmy Tale Man to Man

  • July 31, 2005

These “noble savages” — and the issues they embody — deserve better

Activist & Political · Animation

0

Only in America: On Team America: World Police

  • April 30, 2005

Trey Parker and Matt Stone fight Hollywood ignorance with some ignorance of their own

Reviews

0

Losing Liam: On Ken Loach’s Realist Masterpiece, Sweet Sixteen

  • April 30, 2005

The best British film of its time?

Directors · Writers & Critics

0

Zuckerman and Zugsmith on Sirk

  • April 30, 2005

GEORGE ZUCKERMAN ON SIRK Robert Wilder’s novel had been shelved and written off (because of Breen office objections and a threatened lawsuit by the Reynolds tobacco family) when I first[…]

Directors · Writers & Critics

0

Sarris on Sirk

  • April 30, 2005

The very strange, controversial career of Douglas Sirk raises perplexing questions about form and content in the cinema. For one thing, Sirk’s literary source material has ranged from Anton Chekhov[…]

  • « Previous Page
  • Next Page »
  • Links + BSA

    ProjectorScreen.com
    Shop ProjectorScreen.com for the best projectors and projector screens.
    YouTube to MP3
    Wholesale Home Audio Video
    • Weird Band Names
    • How to write a script for a TV show PDF
    • Marketing Enablement
      • TwitterTwitter
      • FacebookFacebook
      • InstagramInstagram
      • Google+Google+
      • RSSRSS

      © 2020 Bright Lights Film Journal | brightlightsfilm.com
      Online since 1996 | ISSN: 0147-4049
      a Studio Hyperset expression · Design by Irina Beffa · Theme Art by Jim McDermott
      Privacy