The Barkleys of Broadway: Fred & Ginger’s Last Dance: Ten Pounds Shy of a Gem?
“You’d be hard to replace”? Damn near impossible! How hard is it to lose those last ten pounds, eh? Well, pretty damn hard, but if Ginger Rogers had been able[…]
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“You’d be hard to replace”? Damn near impossible! How hard is it to lose those last ten pounds, eh? Well, pretty damn hard, but if Ginger Rogers had been able[…]
Funny, yes, but where are all the queers? “Mr. Punctuality, that’s what they used to call me.” “Did they call you that at college?” “No, kindergarten.” And so it goes[…]
Activist & Political · Reviews
We loved him, we loved him not Of all the Presidents the United States has had to endure over the last couple of centuries, this country’s relationship with Richard Nixon[…]
The body beautiful meets the body besieged Leni Riefenstahl and Fred Wiseman, though rarely grouped together, are in a category apart from most documentary filmmakers in that they both used[…]
It was the best of times . . . Running parallel to the 48th San Francisco International Film Festival were a surprisingly large number of other celebrations of film, including[…]
Activist & Political · Festivals & Awards · Reviews
These docs and features show a world of upheaval – and, occasionally, hope The films portray images and tell stories that most of us would rather not see or hear.[…]
“It’s a spring break party 24/7 365 days a year!” Bobby Abate In his online bio, queer avant-garde filmmaker Bobby Abate compares himself to Britney Spears. Like her, he says,[…]
Activist & Political · Essays · Reviews
Watkins’ savaging of commodified culture remains disturbingly relevant After retailing Scotland’s Jacobite rebellion of 1746 to almost universal acclaim in Culloden (1964) and, in less than a year, establishing an[…]
Activist & Political · Directors · Documentaries · Reviews
On Dream Girls, The Day I Will Never Forget, Divorce Iranian Style, Shinjuku Boys, Gaea Girls, and Runaway The combination of reality TV and George W. Bush’s ascendancy (one wants[…]
Directors · Exploitation & Erotica · LGBT & Queer
“The whole world wears a jockstrap!” One of the late George Sanders’ greatest contributions to culture was found in an interview with Rex Reed (in the book Conversations in the[…]
Criterion resurrects a French master “Beckeresque” is not a word but maybe it should be. Embedded in its definition would be French director Jacques Becker (1906-1960) at his best: subtle,[…]
On Manderley and more Most directors at Cannes you can meet at their hotels lining the boardwalk, for a Perrier and an interview. Not Lars von Trier, the director of[…]
Directors · Interviews · LGBT & Queer
Put the Camera on Me‘s queer wunderkind speaks I first saw Put the Camera on Me at the 2003 San Francisco International Lesbian & Gay Film Festival, and wrote about[…]
Of Kings and Queen and other subjects I met with Arnaud Desplechin in New York last April before a sneak preview of Kings and Queen at the BAMcinématek in Brooklyn.[…]
Documentaries · LGBT & Queer · Reviews
“I’m bad, but I’m locked up.” When we think about how society reinforces its laws, we usually think of law enforcement agencies doing what they’re contracted to do in protecting[…]
Of Pornography and beyond The recurring release of Krzysztof Kieslowski’s films in various collections attests to more than English speakers’ enduring love of the work of the late master: it[…]
Activist & Political · Documentaries · Experimental & Underground
Navigating a haunted, and haunting, world In 1994, film historian and programmer Jenni Olson’s friend Mark Finch, a critic who was co-director with Olson of the San Francisco International Lesbian[…]
How real is the director’s much-vaunted “multilayered depiction of reality”? The question is, does it frighten you more that your congenial neighbor – the one whose house has the hummingbird[…]
“Is there anything more dazzling than the possible?” Sophisticated, high-spirited, and unpredictable, Arnaud Desplechin might be likened to a raffish, Gallic Woody Allen – the comedic aspects and neurotic energy[…]
Steven Spielberg meets Tom Cruise (again), and things get boring (again) Leave it to Steven Spielberg to screw up an alien invasion. El Stevo’s remake of the 1953 George Pal[…]
