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Asian · Directors · Interviews
And other tasty subjects Fruit Chan’s Dumplings provoked unprecedented attention at the 2005 Melbourne International Film Festival, first and foremost because of its controversial and idiosyncratic narrative, but also because[…]
Actors & Personalities · Westerns
“Easy to overlook but endlessly rewarding to look over” Joel McCrea, an amiable, modest actor who turned down parts because he felt he wasn’t good enough for them, began his[…]
Rosemary’s nephew clocks dairy state demagogue in Good Night, And Good Luck Generals and Hollywood directors have at least one thing in common: they both enjoy fighting the last war.1[…]
Ira Sachs’ sophomore feature is charged with emotion When we first see Laura (Dina Korzun) in Ira Sachs’ knockout naturalistic melodrama Forty Shades of Blue, she is browsing in the[…]
How Jessica Biel’s Moral Hotness Tamed the West While Tobe Hooper’s original 1973 Texas Chainsaw Massacre stands tall in the orchards of horror academia as a symbol of the dismemberment[…]
Strong violence, pervasive language, sexual content/nudity and drug use I admit it. I am a sucker for films with pervasive language. In fact, the more pervasive it is, the more[…]
“Where do alchemy and acting meet?” Perhaps the definition of a great screwball comedy is that it is an outstandingly funny film for which no real script is conceivable. For[…]
We have met the enemy and he is us The Guardian (1990) concerns itself with the guardian spirits of trees. We’re told some guardian spirits are evil. In this very[…]
Life is earnest, sure, but why does art have to be? “No one got further in history with less intellectual baggage than Cicero,”1 as Freddie Binkard Artz2 liked to say.[…]
Criterion’s Renoir-fest continues with this classic Criterion has already remastered Jean Renoir’s Grand Illusion(1938) and The Rules of the Game (1939), so the release of Boudu Saved from Drowning (1932),[…]
You can go home again The Last Days of Chez Nous is the best film so far of Gillian Armstrong’s (no relation), and one of the most underrated Australian films[…]
Romero’s canonical work remains timely decades later Introduction There has been a veritable outbreak of zombie films in the last few years, from Hollywood blockbusters Resident Evil (Anderson, 2002) and[…]
“You’d be hard to replace”? Damn near impossible! How hard is it to lose those last ten pounds, eh? Well, pretty damn hard, but if Ginger Rogers had been able[…]
Funny, yes, but where are all the queers? “Mr. Punctuality, that’s what they used to call me.” “Did they call you that at college?” “No, kindergarten.” And so it goes[…]
Activist & Political · Reviews
We loved him, we loved him not Of all the Presidents the United States has had to endure over the last couple of centuries, this country’s relationship with Richard Nixon[…]
The body beautiful meets the body besieged Leni Riefenstahl and Fred Wiseman, though rarely grouped together, are in a category apart from most documentary filmmakers in that they both used[…]
It was the best of times . . . Running parallel to the 48th San Francisco International Film Festival were a surprisingly large number of other celebrations of film, including[…]
Activist & Political · Festivals & Awards · Reviews
These docs and features show a world of upheaval – and, occasionally, hope The films portray images and tell stories that most of us would rather not see or hear.[…]
“It’s a spring break party 24/7 365 days a year!” Bobby Abate In his online bio, queer avant-garde filmmaker Bobby Abate compares himself to Britney Spears. Like her, he says,[…]
