Bright Lights Film Journal

  • TwitterTwitter
  • FacebookFacebook
  • InstagramInstagram
  • Google+Google+
  • RSSRSS
  • About
    • Staff
    • History
    • Contact
    • Advertise with BLFJ
    • Submission Guidelines
    • Banned Words
    • BLFJ News
    • Issue Archive
  • Artists
    • Actors & Personalities
    • Cinematographers
    • Composers
    • Directors
    • Editors
    • Interviews
    • Visual Artists
    • Writers & Critics
  • Movies
    • DVD & Blu-ray
    • Festivals & Awards
    • Lists
    • Reviews
    • Photo Essays
  • Genres
    • Activist & Political
    • Animation
    • Asian
    • Avant Garde & Underground
    • Crime
    • Documentaries
    • Erotica & Exploitation
    • Historical & Epic
    • Horror
    • LGBT & Queer
    • Music & Musicals
    • Noir
    • Pre-Code
    • SF & Fantasy
    • Silents
    • Westerns
  • TV & Streaming
  • Books
  • Contributors
  • Subscribe
  • Ads
    • Most Popular

      All time

    • Black Lives Matter: Whitewashing the Amanda Knox Story in the Netflix Documentary

      49 Comments

    • The Last Airbender: The Most (Incomplete) Fantastic Journey

      30 Comments

    • Latest Stories

      What is new?

    • The Unseen Line: Cinema as Geometry

      June 4, 2026

    • Family Matters: Shared Space in the Films of Cédric Klapisch

      May 30, 2026

    • Comments

      Most Recent

    • Blogging Pound’s The Cantos: Canto LXII – gordsellar.com on:

      A Film Divided Against Itself: D. W. Griffith’s The Birth of a Nation (1915)

    • The Esteemed Black Actresses Who Finally Have the Spotlight – The New York Times – Celebrity News on:

      Books: Best Actress: The History of Oscar-Winning Women by Stephen Tapert

Directors · Genres · Horror · Reviews

0

“What It Takes to Make a Softie”: Breaking Noir Tradition in The Leopard Man

  • November 1, 2005

“Lewton’s deep faith in humanity quietly waits for the smoke to settle so it can step in and start patching up the wounds.” With the October 05 release of the[…]

Horror · Reviews

3

Night of the Living Dead: Reappraising an Undead Classic

  • November 1, 2005

Romero’s canonical work remains timely decades later Introduction There has been a veritable outbreak of zombie films in the last few years, from Hollywood blockbusters Resident Evil (Anderson, 2002) and[…]

Music & Musicals · Reviews

0

The Barkleys of Broadway: Fred & Ginger’s Last Dance: Ten Pounds Shy of a Gem?

  • November 1, 2005

“You’d be hard to replace”? Damn near impossible! How hard is it to lose those last ten pounds, eh? Well, pretty damn hard, but if Ginger Rogers had been able[…]

TV & Streaming

0

Mr. Monk’s Moods: Tony Shalhoub Returns as the Prince of the Obsessive-Compulsives in Season Three of Monk on DVD

  • November 1, 2005

Funny, yes, but where are all the queers?  “Mr. Punctuality, that’s what they used to call me.” “Did they call you that at college?” “No, kindergarten.” And so it goes[…]

Activist & Political · Reviews

0

The Nixon of Our Dreams? On Robert Altman’s Secret Honor

  • November 1, 2005

We loved him, we loved him not Of all the Presidents the United States has had to endure over the last couple of centuries, this country’s relationship with Richard Nixon[…]

Directors · Documentaries

0

Riefenstahl’s Heights and Wiseman’s Follies: Allegories of Flesh in Olympia and Titicut Follies

  • November 1, 2005

The body beautiful meets the body besieged Leni Riefenstahl and Fred Wiseman, though rarely grouped together, are in a category apart from most documentary filmmakers in that they both used[…]

Festivals & Awards · Reviews

0

Everyday Freaks and Fantasy Wars: The 2005 San Francisco International Film Festival

  • August 1, 2005

It was the best of times . . . Running parallel to the 48th San Francisco International Film Festival were a surprisingly large number of other celebrations of film, including[…]

Activist & Political · Festivals & Awards · Reviews

0

Capturing Chaos: On the 2005 Human Rights Watch Film Festival

  • August 1, 2005

These docs and features show a world of upheaval – and, occasionally, hope The films portray images and tell stories that most of us would rather not see or hear.[…]

Directors · Reviews

0

Quickies: Random Short Reviews from Bobby Abate to The Whale Rider

  • August 1, 2005

“It’s a spring break party 24/7 365 days a year!” Bobby Abate In his online bio, queer avant-garde filmmaker Bobby Abate compares himself to Britney Spears. Like her, he says,[…]

Activist & Political · Essays · Reviews

3

Distribute This! Privilege (Peter Watkins, 1967, Great Britain)

  • August 1, 2005

Watkins’ savaging of commodified culture remains disturbingly relevant After retailing Scotland’s Jacobite rebellion of 1746 to almost universal acclaim in Culloden (1964) and, in less than a year, establishing an[…]

Activist & Political · Directors · Documentaries · Reviews

0

Rebel Girls: Six Documentaries by Kim Longinotto

  • August 1, 2005

On Dream Girls, The Day I Will Never Forget, Divorce Iranian Style, Shinjuku Boys, Gaea Girls, and Runaway The combination of reality TV and George W. Bush’s ascendancy (one wants[…]

Directors · Exploitation & Erotica · LGBT & Queer

0

Private Rituals Made Public: The Lost Erotica of Fred Halsted

  • August 1, 2005

“The whole world wears a jockstrap!” One of the late George Sanders’ greatest contributions to culture was found in an interview with Rex Reed (in the book Conversations in the[…]

Reviews

0

Two by Jacques Becker: Casque d’or and Touchez pas au grisbi on DVD

  • August 1, 2005

Criterion resurrects a French master “Beckeresque” is not a word but maybe it should be. Embedded in its definition would be French director Jacques Becker (1906-1960) at his best: subtle,[…]

Directors · Interviews

0

At War with Myself: A Word with Lars von Trier at Cannes 2005

  • August 1, 2005

On Manderley and more Most directors at Cannes you can meet at their hotels lining the boardwalk, for a Perrier and an interview. Not Lars von Trier, the director of[…]

Directors · Interviews · LGBT & Queer

0

The Kid Behind the Camera: Chatting Up Darren Stein

  • August 1, 2005

Put the Camera on Me‘s queer wunderkind speaks I first saw Put the Camera on Me at the 2003 San Francisco International Lesbian & Gay Film Festival, and wrote about[…]

Directors · Interviews

0

The Human (Tragi)Comedy: Talking to Arnaud Desplechin

  • August 1, 2005

Of Kings and Queen and other subjects I met with Arnaud Desplechin in New York last April before a sneak preview of Kings and Queen at the BAMcinématek in Brooklyn.[…]

Documentaries · LGBT & Queer · Reviews

0

The Rage from Nowhere? Arthur Dong’s Licensed to Kill Interviews Murderers of Gay Men

  • August 1, 2005

“I’m bad, but I’m locked up.” When we think about how society reinforces its laws, we usually think of law enforcement agencies doing what they’re contracted to do in protecting[…]

Reviews

0

After Kieślowski: Six Recent Polish Films on DVD

  • August 1, 2005

Of Pornography and beyond The recurring release of Krzysztof Kieslowski’s films in various collections attests to more than English speakers’ enduring love of the work of the late master: it[…]

Activist & Political · Documentaries · Experimental & Underground

0

Crossing the Bridge: Jenni Olson’s The Joy of Life (2005)

  • August 1, 2005

Navigating a haunted, and haunting, world In 1994, film historian and programmer Jenni Olson’s friend Mark Finch, a critic who was co-director with Olson of the San Francisco International Lesbian[…]

Directors · Reviews

0

The Disturbance of the Real: Arnaud Desplechin’s Kings and Queen

  • August 1, 2005

How real is the director’s much-vaunted “multilayered depiction of reality”? The question is, does it frighten you more that your congenial neighbor – the one whose house has the hummingbird[…]

  • « Previous Page
  • Next Page »
  • Links + BSA

    ProjectorScreen.com
    Shop ProjectorScreen.com for the best projectors and projector screens.
    YouTube to MP3
    Wholesale Home Audio Video
    • Weird Band Names
    • How to write a script for a TV show PDF
    • Marketing Enablement
      • TwitterTwitter
      • FacebookFacebook
      • InstagramInstagram
      • Google+Google+
      • RSSRSS

      © 2020 Bright Lights Film Journal | brightlightsfilm.com
      Online since 1996 | ISSN: 0147-4049
      a Studio Hyperset expression · Design by Irina Beffa · Theme Art by Jim McDermott
      Privacy