In fact, until the appearance of this relatively unsung Russian actress, all of the above might easily have remained permanently stuck at the level of “stodgy melodrama.” Instead, we suddenly[…]
Drama · Theory · Writers & Critics
Bazin would always harbor reservations about The Third Man, but, due to that film, Greene’s presence would continue to loom large in discussions of Orson Welles, who was, of course,[…]
I’m Thinking of Ending Things is, like so many stories, a story about a man masquerading as a story about a woman. Which ultimately makes me wonder why we need[…]
About suffering they were never wrong, The Old Masters: how well they understood Its human position. – W. H. Auden, “Musée des Beaux-Arts” (1940) “It’s also a film I cherish[…]
Drama · Eastern European · Festivals & Awards · Russia
There would be nothing wrong with taking sides in such a heated ideological debate if any of the five films screened this year in the prestigious Romanian Days section of[…]
Activist & Political · African American · Drama
Like Dassin’s 1950 noir classic Night and the City, Uptight is shot predominantly at night, with oddly titled camera angles and bright, glaring colours, ironically organised around the shades of[…]
Drama · Horror · Women in Film
The movie is, literally, a projection of our mental landscape. We passively sit back (like Jeffries in Rear Window) and the world appears as we live and make it. We[…]
From these socio-erotic negotiations sprung cinema’s first expressly lesbian-themed feature, Mädchen in Uniform (1931), not simply a tale of forbidden love but a historically particular challenge to Weimar Germany’s separation[…]
Drama · Essays · Urban Conflict
This conditional access to space is also there in Tangerine, but it is never tested to the breaking point. The conflicts that occur between the characters and the managers of[…]
#MeToo · Activist & Political · Drama · Women in Film · Workplace
#MeToo has been an unequivocal success in terms of calling out the rampant sexual abuse that exists in the veins of Hollywood, but has been less successful in allowing room[…]
Directors · Drama · Interviews
“I try very hard to give the characters in my films a sense of humanity. I want this feeling for the audience that these characters exist outside of the frame.[…]
Drama · Interior Monologue · Letters
(interpolating material by Paul Simon, John Sebastian, Johnny Jewel, Johnny Mercer, Emily Jane Meluch, Conor Oberst, Jaret Ray Reddick, and Eddie Argos) * * * The weight of the world[…]
Drama · Historical & Epic · SF & Fantasy · TV & Streaming
It is a fascinating exercise to consume this show according to the twenty-first-century rules of binge-watching. As the hours pass and the on-screen death count rises, the sustained passivity of[…]
Absurdism · Comedy · Drama · Eastern European · Horror
The Cremator, only Juraj Herz’s second film, was adapted from a novel by Ladislav Fuks. It was well received, won a few awards, and was promptly banned for two decades[…]
Drama · Fashion · Noir · Women in Film
The fact that even if that zipper did come down it would simply reveal more dress, a never-ending vortex of clasps and corsets leading to nowhere, seems precisely what the[…]
Drama · Historical & Epic · Women in Film
Where Siegel goes sleazy and conflictual, Coppola goes subtle and sympathetic. Her direction (which won her the Best Director award at the Cannes Film Festival, making her only the second[…]
Cityscapes · Counterculture · Directors · Drama · Sex & Relationships
“I reckon LA as the noisiest, the smelliest, the most uncomfortable and most uncivilized major city in the United States. In short, a stinking sewer. . . .”1 – Adam[…]
Activist & Political · Asian · Drama · Societal Trends
Hu Bo leaves us suspended over this bleak interregnum – where the old has gone but the new is not yet born. His death too, leaves a similar blank spot.[…]
We can further associate the filmmaker, the man with whom we’ve placed our narrative trust, with the “psycho” of both the title and our typical image of one, the latter[…]
Drama · Melodrama · Pre-Code · Romance · War
James Whale’s Waterloo Bridge (1931) and Frank Borzage’s Little Man, What Now? (1934) depict human possibility in terms of what can transpire between two ordinary people, while holding out little[…]
