The new Ghostbusters seems quite pleased with itself, but it leaves the overwhelming impression that nobody involved really believed in it. Despite the original film’s numerous flaws and Bill Murray’s[…]
The happy ending that sees the clown coupled with the girl never satisfies precisely because we know the clown’s appropriate place is one of “in-between-ness,” a position that stands in[…]
Comedy · Directors · Historical & Epic · LGBT & Queer
Hail, Caesar! is not one of the Coens’ better films, but, because of its grab-bag of Hollywood silliness, it is perhaps the best at illuminating one of the main reasons[…]
Actors & Personalities · Comedy · Drama
You would never guess either from looking at him or from the “aw shucks” way in which he’s remembered that Stewart is responsible for some of the most erotic romantic[…]
Years from now, there will be little question as to his place in film history – a prominent seat at the grownups’ table, with a place card highlighting his run[…]
Actors & Personalities · Comedy · Pre-Code
“With his impish grin, twinkling eyes, and boyish blond hair, he looks like Tom Sawyer crossed with a Tammany Hall fixer.”
Sometimes, the personal angle offers the clearest view. Now and then, the authorial “we” must be abandoned in favour of a more open-handed, first-person approach. Therefore, I’ll begin by saying[…]
Comedy · Crime · Sound & Language
American Hustle is, foremost, a film about appearances, about what is real and the constant dialogue between the diegetic and the extra-diegetic, which is especially compelling at the level of[…]
“What befalls Veta can perhaps be justified as part of the film’s critique of psychiatry; after all, her unfortunate experience mocks the short-sightedness and arbitrary operation of the mental health[…]
Comedy · Directors · Essays · Writers & Critics
“Nowadays, schlubs play schlubs and audiences are expected to accept that geeky males can win over classically beautiful women. What does it tell us about the state of gender relations, sexual fantasy, and desire that a physically average geek like Seth Rogen can trump an iconically attractive and glamorous star like Cary Grant?”
“Rupert Pupkin is uniquely a product of late capitalism near the close of the twentieth century; his fantasies reflect mass media’s ability to twist the real world into an insubstantial collection of images that mimic reality — the representation of self becomes more than the actual self, and it becomes impossible to tell the difference.”
Actors & Personalities · Comedy · Directors · Silents
“I have ideas!” If only that were true!
“In Fargo, a milieu of livid pettiness and stunted lives, capitalist migraines, and psychotic rampages prevails beneath the veneer of cheesy, Norman Rockwellian Middle America.”
Actors & Personalities · Comedy · Directors
“‘You can’t control life,’ he tells us in that film. ‘”It doesn’t wind up perfectly. Only art you can control. Art and masturbation.'”
You can go home again; it’s just not a lot of fun when you get there
Actors & Personalities · Comedy
“Ernie’s contract is reported to contain a clause forbidding him ever to consult a psychiatrist. The network is afraid if he ever became normal he’d be ruined.” — Dorothy Kilgallen
“You can laugh while Rome is burning, but believe you me, Poppy, it is burning, and if you don’t wake up, then you will be burnt to a cinder . . . I mean, look around you. What do you see? Do you see a policy of bringing happiness to people?” — Scott in Happy-Go-Lucky
