Comedy · Directors · Eastern European · Romance · Writers & Critics
Lubitsch biographers and critics have accepted the lore that the Hungarian plays he used for his films were inferior. That widely held perception has come about because Lubitsch’s admirers want[…]
Comedy · DVD & Blu-ray · Music & Musicals · Production History
ALLAN ARKUSH: Get Crazy never actually got a real release, you know. It was in theaters for a month. . . . A month? I’m sorry, a week, in some[…]
Comedy · Crime · Drugs · LGBT & Queer · New Media
The Scary of Sixty-First expands the umbrella of “buzzword cinema” — it’s a Jeffrey Epstein conspiracy with a lesbian sex scene by a popular podcaster and it-girl of the edgy[…]
Comedy · Documentaries · Music & Musicals
This Is Spinal Tap is coated with the stylized veneer of a rockumentary turned inside out or, rather, back on itself as self-conscious dress-up, playful disguise. The cultivated image of[…]
Actors & Personalities · Comedy · Drama
You would never guess either from looking at him or from the “aw shucks” way in which he’s remembered that Stewart is responsible for some of the most erotic romantic[…]
Each Abel-Gordon-Romy scenario is like a test, or challenge – in heroic terms, a trial – the filmmakers put to themselves, culminating in the couple going it alone for Lost[…]
Actors & Personalities · Comedy · Directors · Historical & Epic · Politics
Charlie Chaplin was born on April 16, 1889. To honor the old boy, we herewith present Alan Vanneman’s witty discussion of one of Charlie’s masterpieces, originally published in Bright Lights[…]
Comedy · Literature and Film · Theory · Writers & Critics
The oblique reference to Poe by means of the double POE acronyms, then, can be seen as linking the fundamental prophecy of Dr. Strangelove with the much earlier secular prophecies[…]
Absurdism · Comedy · Drama · Eastern European · Horror
The Cremator, only Juraj Herz’s second film, was adapted from a novel by Ladislav Fuks. It was well received, won a few awards, and was promptly banned for two decades[…]
We can further associate the filmmaker, the man with whom we’ve placed our narrative trust, with the “psycho” of both the title and our typical image of one, the latter[…]
Comedy · Film Technology & History · Franchises & Series · Theory
Stereoscopic experience, therefore, drastically alters the positioning of the viewer in relation to diegetic content, creating the illusion that the body of the spectator is immersed within the screen planes[…]
In Joker, we see a reversal of Tarantino’s aesthetic, where a patently comic character, a joker with a clown face, is, by degrees, rendered tragic, or as near tragic as[…]
Comedy · Counterculture · Crime · Historical & Epic · Hollywood · Movies · Westerns
Who are these people? Watching Cliff try to figure it out is painful, because we know the future, but such knowledge is not power. Within its imagined boundaries, Once Upon[…]
Comedy · Costume Drama · Historical & Epic
This gets at the heart of The Favourite, which is one of the most evident trends in anti-sexist filmmaking lately: to be willing to portray women as unadulteratedly evil, as[…]
Comedy · Counterculture · Drama · Sex & Relationships
Concepts of sex and marriage have changed monumentally in the last few decades and still today prove endlessly malleable and undefinable. We spend our whole lives attempting to shape our[…]
Actors & Personalities · Comedy · Drama · Essays · Romance
QT’s films are commonly hurtling toward darkness, yet Once Upon feels like a repudiation, as much as a culmination, of his oeuvre. There’s a point in the experience where the[…]
“Lucky Grandma,” says Claire Baiz in her fifth Tribeca dispatch, “features richly layered characters in director Sasie Sealy’s homage to Chinatown that make this universal tale both reassuring and groundbreaking.”[…]
Actors & Personalities · Comedy · Pre-Code
“With his impish grin, twinkling eyes, and boyish blond hair, he looks like Tom Sawyer crossed with a Tammany Hall fixer.”
Planes, Trains and Automobiles teaches the other comedies of errors that an error in character is much more significant than an error in judgment. And much more redeemable. * *[…]
Downsizing is a dystopic satire on American values that has an unsurprising and credible core involving a sick and impoverished underclass. It is credible because the USA is alone among[…]
