Two of the most elusive auteurs tell all, or at least some. ROBERT BRESSON: WITHOUT A TRACE A documentary about Robert Bresson (1901?-1999), with the director cooperating – indeed, appearing[…]
Actors & Personalities · Interviews
The “All American Girl” on her new movie, her influences, and the joy of high colonics As the quote implies, Margaret Cho is no stranger to redefinition, mostly because she’s[…]
Ida Lupino: Mother of Us All! “Any rocks up there to give you a problem, darlin’? Now, Walter baby, while we’re here we might as well take the posse through.[…]
Actors & Personalities · Directors · Silents
“Why are they all ugly little men?” asked Cindy, after I’d dragged her to three solid weeks of Charlie Chaplin, Buster Keaton, Harry Langdon, and Harold Lloyd at a silent[…]
“A brain full of razor blades and a heart full of chutzpah” In his screenplay for The Fortune Cookie (1966), Billy Wilder, who has died at age 95, described ‘Whiplash[…]
“While the first Superman film, directed by Richard Donner (on which Lester served as an uncredited producer), is essentially reverential and respectful towards the subject, Lester’s attitude in his second[…]
Has Tarantino gone underground or is he revving up to zap the box office with another mega hit? Another whole year has gone by and still no new film from[…]
African American · Directors · Producers & Studios
For many black auteurs seeking distribution, working around the system has proven as rewarding – and necessary – as working within it Since the popularity and commercial success of films[…]
This movie master is still busy after all these years Few artists in the history of the medium have mastered their craft so well as has filmmaker Robert Wise. The[…]
Actors & Personalities · Reviews
“See that girl? Her ass is a song.” How horny were we back in the fifties? Horny enough to put on a raincoat, leave our happy suburban homes, drive downtown[…]
Actors & Personalities · Music & Musicals · Reviews
Nice work if you can get it When Fred & Ginger went splitsville after Shall We Dance, Astaire decided that he didn’t really need a dame, an idea that tends[…]
Directors · Essays · Producers & Studios · Reviews
Opening the Eyes Wide Shut censorship battles for a close look A recent viewing of Eyes Wide Shut (1999) on HBO reminded me when, three summers ago, I had counted[…]
Three features, a documentary, and a rare short showcase the peculiar pleasures of the late Russian director “Surrealism,” “incitement to suicide,” and my favorite, “traffic in art objects leading to[…]
Actors & Personalities · Music & Musicals · Reviews
“Let’s call the whole thing off?” Shall We Dance (1937) is the last and least of the great Fred & Ginger musicals, saved from ignominy by a superb score courtesy[…]
Directors · Horror · Interviews
Wit and wisdom from the man who created one of cinema’s most enduring genres JOHN WISNIEWSKI: Your background in academics was quite different from that of your partner David Friedman.[…]
Cinematographers · Documentaries
Bergman’s cinematographer found more solace on the set than in real life Cinematographer Sven Nykvist’s work with Ingmar Bergman is considered one of the key collaborations in modern cinema, and[…]
Actors & Personalities · Reviews
Julia Roberts has pits! Brad Pitt and Julia Roberts are two of the biggest stars in Hollywood. Each has an annual income that oscillates comfortably from $20 million to $70[…]
Directors · Experimental & Underground · Reviews
Free-associating with a master of free cinema “Free cinema” has the dull ring of an oxymoron. The extreme level of control required and the mass of pressures that collide in[…]
This brilliant Brit’s sleight-of-hand breathes life into wood and wire At a symposium on puppet animation in Seattle a few years ago, Barry Purves, an alumnus of the Aardman Studios[…]
Asian · Directors · Historical & Epic · Reviews
Resurrection and renewal in postwar Japanese cinema, as seen through Tomu’s 1955 masterpiece Following Japan’s surrender in World War II, the colonial tables were turned. The Chinese took control of[…]
