Unintentional Camp and the Image of Will Smith: Camp — and coded queerness — finds a surprisingly happy home in the films of Will Smith
Camp and coded queerness finds a surprisingly happy home in the films of Will Smith
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Camp and coded queerness finds a surprisingly happy home in the films of Will Smith
Hogan’s Hero becomes Rerun Victim in a few delirious years.
As Bergman goes, so go attitudes toward European art cinema.
The title is a little too accurate
Activist & Political · Directors · Documentaries
Michael Moore hits the screen with both barrels blasting.
“I can’t believe that you let those people put pictures on your skin.” C. W.’s father to C. W. Moss in Bonnie and Clyde
Directors · DVD & Blu-ray · Reviews
Powell/Pressburger’s fairy tale comes to life on Criterion’s DVD
Directors · DVD & Blu-ray · Reviews
Do you like his face?
In which “Fellini takes us beyond our frailties and chaos”
Directors · Experimental & Underground
Those crazy “cut-ups” Burroughs, Gysin, and Balch restored to their rightful place in avant-garde film history Preface This is the first serious critical study to contextualize the films of Burroughs,[…]
Composers · Music & Musicals · Reviews
Show us the way to the next pretty boy Don’t know much about history? Well, don’t sweat it, because Kurt Weill and Bertold Brecht didn’t either when they decided to[…]
Actors & Personalities · Reviews
Payne capsized an actor and a novel in this misfire About Schmidt drives another nail in the coffin of irony. About Schmidt is as lacking in irony as its blatant[…]
Actors & Personalities · Reviews
Robin Williams morphs again, and still nobody’s laughing We all have met a man like Seymour Parrish at some point in our lives. Whether he was refilling our slurpies at[…]
Actors & Personalities · Essays · Reviews
I had an opportunity to see a double feature a couple of years ago on a British Airways flight to Madrid. The size of the screen certainly reduced any desire[…]
Actors & Personalities · Music & Musicals · Reviews
New DVD also includes Ezio Pinza, Lena Horne, and Duke Ellington “The worst picture I ever worked on.” That was Fred Astaire’s overly sour take on Second Chorus. It’s easy[…]
Directors · Experimental & Underground · Interviews · Visual Artists
“I have been making art for 50 years and have never allowed myself to be corrupted. Quite the opposite, I was locked up.” – Otto Mühl As I tremulously reflect[…]
Criterion serves up two more deep-dish DVDs from yesteryear Sullivan’s Travels (1941) Hollywood’s self-exams are usually dipped in acid: What Price Hollywood?, A Star is Born, Sunset Boulevard, The Bad[…]
Actors & Personalities · Music & Musicals · Reviews
The semi-sweet smell of excess Have you got a yen for understated elegance and class? Then keep on truckin’, dude, because this 1940 M-G-M black-and-white monster/masterpiece ain’t for you. M-G-M[…]
Actors & Personalities · Music & Musicals
Fred dies, Ginger cries The Story of Vernon and Irene Castle is the not very graceful swan song of the Fred Astaire and Ginger Rogers musicals of the thirties.1 Carefree,[…]
