Directors · Experimental & Underground · Reviews
Free-associating with a master of free cinema “Free cinema” has the dull ring of an oxymoron. The extreme level of control required and the mass of pressures that collide in[…]
This brilliant Brit’s sleight-of-hand breathes life into wood and wire At a symposium on puppet animation in Seattle a few years ago, Barry Purves, an alumnus of the Aardman Studios[…]
Asian · Directors · Historical & Epic · Reviews
Resurrection and renewal in postwar Japanese cinema, as seen through Tomu’s 1955 masterpiece Following Japan’s surrender in World War II, the colonial tables were turned. The Chinese took control of[…]
Actors & Personalities · Music & Musicals · Reviews
“Shall we take it straight through?” Swing Time is the last Fred & Ginger musical to have it all – lots of great songs from Jerome Kern and Dorothy Fields,[…]
Directors · Experimental & Underground
Abigail Child’s compulsive visual collages are visual and aural legerdemain Since the 1970s, experimental filmmaker and poet Abigail Child has been engaged in a kind of cultural archaeology. Unearthing found[…]
Actors & Personalities · Writers & Critics
“The more he writes about Julia, the madder Tony gets.” One thing the American people do not need in their lives is more stress. They do not need some tea-sipping,[…]
Actors & Personalities · Music & Musicals · Reviews
There may be trouble ahead.” Follow the Fleet is perhaps the most problematic film in the Astaire/Rogers series. It has an excruciatingly bad plot; it has a singularly lame performance[…]
Actors & Personalities · Music & Musicals · Reviews
What’s black and white and simply reeks with class? Top Hat is the apotheosis of Fred Astaire and Ginger Rogers. It has five dances, a total they matched in only[…]
Actors & Personalities · Asian · Interviews
This article appeared originally in the all-Hong Kong issue of Bright Lights #13 (1994). * * * Jackie spills his guts – verbally, this time I first met Jackie Chan in 1980,[…]
Asian · Directors · Interviews
This article appeared originally in the all-Hong Kong issue of Bright Lights #13 (1994). * * * Hong Kong’s master of balletic blood ‘n bulletplay speaks John Woo, one of[…]
A pristine transfer of one of the Bard’s most gothic – and gayest, in Olivier’s hands – works Criterion is continuing its mining of the wonderfully rich Janus film catalog[…]
Wendy Hiller triumphs in the fine 1938 film of Shaw’s masterpiece The plays of George Bernard Shaw have long been a cinema staple. Works like Caesar and Cleopatra, Saint Joan, Major[…]
Directors · Experimental & Underground · Reviews
The arthouse staple gets a gorgeous makeover in this DVD set brimming with extras Jean Cocteau (1889-1963) has been called the most versatile artist of the twentieth century, and in[…]
Tubercular yakuza, scandalous artists, and postwar paranoids duke it out with the world For a variety of reasons, Western audiences have enshrined Kurosawa as the preferred director of Japan’s golden[…]
Directors · Experimental & Underground
Jordan’s collage films are “moving” in two senses “Animation” connotes many things to us jaded moderns – Bugs Bunny and variants, the dreaded Disney and its hellspawn, Spike and Mike[…]
Directors · Experimental & Underground
The work of an avant-garde master restored I had the privilege of sitting with Warren Sonbert (1947-1995) at some of San Francisco’s press screenings in the several years that preceded[…]
A bar in a provincial town. A strange dance is underway, with three drunken patrons enacting an eclipse, sun, moon, and earth circling and interposing. The dance is choreographed by[…]
Historical & Epic · Reviews · SF & Fantasy · Writers & Critics
Who knew that Crusoe and Friday would be resurrected daily for service to western culture’s nefarious needs? While we are waiting for Dreamworks’ The Legend of Bagger Vance (starring Matt[…]
Actors & Personalities · Music & Musicals · Reviews
“Heaven rest us, I’m not asbestos” Roberta is one of the least known,1 and one of the very best, of the films that Fred Astaire and Ginger Rogers did together. It features some of[…]
Directors · Exploitation & Erotica · Interviews
SuperRuss speaks! I interviewed Russ Meyer in 1974 at his office in Los Angeles. He answered the door himself, dressed in red jockey shorts with a strip of film dangling over his[…]
