Introduction to Bright Lights’ Douglas Sirk Issue
This is our first issue dedicated to a single director. Douglas Sirk was the logical choice. While not exactly a household word himself, some of his films were among the[…]
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This is our first issue dedicated to a single director. Douglas Sirk was the logical choice. While not exactly a household word himself, some of his films were among the[…]
This first-time director from Iran inspires cheers and controversy
Directors · Drama · DVD & Blu-ray · Experimental & Underground · Reviews
The master of improv gets his due courtesy of Criterion’s extras-laden box set
Actors & Personalities · Directors · Interviews
On Million Dollar Baby and a million-dollar career
Film Technology & History · Producers & Studios
A salute to the playboy entrepreneur of Tinseltown
Asian · Directors · Interviews
“I simply want to look at people as they are.”
Out of the pastoral
Animation · Animators · Interviews
“The football game where the chicken mascot runs around crazy with an erection was inspired by a story that someone told me…”
To construct musicality through expressionism, or to express musicality through constructivism?
He composed “Lili Marleen” and, oh yeah, hundreds of other songs and scores
George Bailey’s wartime America looks eerily familiar
Actors & Personalities · Music & Musicals
Fred ‘n’ Bing ‘n’ Irv, Part II
Actors & Personalities · Directors · Silents
The first in an occasional series of articles on the life and work of Charlie Chaplin
Kane as Welles, also America
Books · LGBT & Queer · Writers & Critics
“The butler did it … to everyone!”
Overthrowing the patriarchy, one flush at a time
Actors & Personalities · Music & Musicals
Fred almost suffocates in Minnelli’s Yolanda and the Thief
Actors & Personalities · Music & Musicals
There’s not much room at the Holiday Inn.
On unfinished projects and friendship
Lubitsch wasn’t the only one with a “touch”
