Actors & Personalities · Reviews · Silents
The last of the great silent clowns now on DVD “Step Right Up and Call Me Speedy!” Harold Lloyd has often — too often, really — been called the Anthony[…]
Reviews · TV & Streaming · Writers & Critics
“Where be your gibes now? Your gambols? Your songs? Your flashes of merriment that were wont to set the table on a roar?” Hamlet, it must be said, is not[…]
“Nothing is so transient as sanity and safety . . .” Free from his past and sufficiently angry to wage war, Germain enlists Vorzet’s talents as psychiatrist — he believes[…]
“All of us have these hidden moments in our lives . . .” “I wish you a disturbing evening!” This is how Michael Haneke, who won Best Director award at[…]
Asian · Directors · Interviews
And other tasty subjects Fruit Chan’s Dumplings provoked unprecedented attention at the 2005 Melbourne International Film Festival, first and foremost because of its controversial and idiosyncratic narrative, but also because[…]
Actors & Personalities · Westerns
“Easy to overlook but endlessly rewarding to look over” Joel McCrea, an amiable, modest actor who turned down parts because he felt he wasn’t good enough for them, began his[…]
The body beautiful meets the body besieged Leni Riefenstahl and Fred Wiseman, though rarely grouped together, are in a category apart from most documentary filmmakers in that they both used[…]
“It’s a spring break party 24/7 365 days a year!” Bobby Abate In his online bio, queer avant-garde filmmaker Bobby Abate compares himself to Britney Spears. Like her, he says,[…]
Activist & Political · Directors · Documentaries · Reviews
On Dream Girls, The Day I Will Never Forget, Divorce Iranian Style, Shinjuku Boys, Gaea Girls, and Runaway The combination of reality TV and George W. Bush’s ascendancy (one wants[…]
Directors · Exploitation & Erotica · LGBT & Queer
“The whole world wears a jockstrap!” One of the late George Sanders’ greatest contributions to culture was found in an interview with Rex Reed (in the book Conversations in the[…]
On Manderley and more Most directors at Cannes you can meet at their hotels lining the boardwalk, for a Perrier and an interview. Not Lars von Trier, the director of[…]
Directors · Interviews · LGBT & Queer
Put the Camera on Me‘s queer wunderkind speaks I first saw Put the Camera on Me at the 2003 San Francisco International Lesbian & Gay Film Festival, and wrote about[…]
Of Kings and Queen and other subjects I met with Arnaud Desplechin in New York last April before a sneak preview of Kings and Queen at the BAMcinématek in Brooklyn.[…]
How real is the director’s much-vaunted “multilayered depiction of reality”? The question is, does it frighten you more that your congenial neighbor – the one whose house has the hummingbird[…]
“Is there anything more dazzling than the possible?” Sophisticated, high-spirited, and unpredictable, Arnaud Desplechin might be likened to a raffish, Gallic Woody Allen – the comedic aspects and neurotic energy[…]
“My sound is the absence of me.” – Elmore Leonard The curious thing about Elmore Leonard is that while his books move fast, the films that capture his tone seem[…]
This noir-drenched comic adaptation is retro in more ways than one In the sordid, febrile netherworld of Sin City, the eponymous film re-creation of the comic by Frank Miller, the[…]
Actors & Personalities · Comedy · Directors · Silents
“Love backed by force, forgiveness sweet, brings hope and peace to Easy Street” “Fulfilling my contract with Mutual was, I suppose, the happiest period of my life.” Charlie Chaplin had[…]
(above) The happy-go-lucky “Sirk ensemble” from All That Heaven Allows: Russell Metty, Agnes Moorehead, Sirk, Jane Wyman, Rock Hudson, Ross Hunter, and dialogue director Jack Davis.
