Notes on Naruse: An Auteur Ascends
Pitch-black pessimism, unsparing emotional truths, and women on the verge In the eighties, an impressive full-scale retrospective of Mikio Naruse’s films traveled the world and his reputation in the West[…]
Category: Artists
Directors · Exploitation & Erotica · Interviews · LGBT & Queer · Visual Artists
Camping out with James Bidgood: The Auteur of Pink Narcissus Tells All
“I don’t live in a harem either, but well, God, I did for awhile …” Introduction My first viewing of Pink Narcissus (1971) took place in a Gay and Lesbian[…]
Four Films in Search of an Author: Egoyan Since Exotica
Scattered pleasures and frequent irritations As someone who has followed Atom Egoyan’s career closely since his pre-Exotica days, viewing his most recent feature films has been an intensely ambivalent experience.[…]
Actors & Personalities · Books
Kay Francis: Secrets of an Actress: New Books Reveal the “Wavishing” Star
“I’m not a star, I’m a woman, and I want to get fucked!” A combination clotheshorse/workhorse, Kay Francis made 67 films from 1929 to 1946. Her life and career are a splurging[…]
Epic Sweep: On Kurosawa’s Sprawling Red Beard
This one’s got it all, including the kitchen sink Kurosawa’s cinema is large in every sense of the word. He often spent a year or more on preparation, sometimes had[…]
Directors · Music & Musicals · Producers & Studios · Reviews
The Hip Hooray and Bally Hoo: Busby Berkeley Explodes on DVD
Come and meet those dancing feet, and pianos, and buildings, and . . . Give the nearest Warner Home Video executive a big hug. The company has at last remastered[…]
Great Scott! Herzog Profiles God’s Angry Man
On the madness of Dr. Gene When I was a child and life was simple, one of my favorite forms of entertainment on the dawn of a dreary Sunday morning[…]
The Misery and Splendors of Cinema: Godard’s Moments Choisis des Histoire(s) du Cinéma
“Godard 24 times per second” “I need a day to tell the history of a second, a year to tell the history of a minute, a lifetime to tell the[…]
Lonesome Road: Bruckheimer’s Folly
Glory Road? Make that Dead End. The first time I knew race was more of an influence than a seven-foot center was when I went to support the Villanova basketball team[…]
Actors & Personalities · Reviews
When Fred Met Red: Fred Astaire, Red Skelton, and Vera-Ellen Commingle in Three Little Words
It’s Bert and Harry, together again! Why are you not excited? Bert Kalmar and Harry Ruby are not names to conjure with, unless you’re excessively fond of conjuring, but back[…]
Mystique Without Camp: The Allure of the Leading Man
Turning “the male gaze” on men It’s true that seeing Rock Hudson surrounded by able-bodied women is fun. In Man’s Favorite Sport? (1964) he’s blocked — trapped in a “stoic”[…]
Actors & Personalities · Genres
Un-Movies: When is a movie not a movie?
All movies have the potential to become a non-movie, particularly when the movie showcases a cause, a disease, a celebrity, an actor’s virtuosity, a play or musical. The movie becomes[…]
Documentaries · Visual Artists
Surreal Women: Leonor Fini and Kay Sage Documentaries
“All there is to do now is scream.” One view of “outsider art” is that it’s often the product of a hyper-productive, typically male naif who’s closer to his own[…]
Aural Drag: This Is What It Sounds Like, When Men Cry
Bwaaaaah! There’s a whole new wave of sensitive guy films emerging in the last few years, a wave that finally begins to recede (hopefully) with the stunning failure of Cameron[…]
Proust Regained: On Raul Ruiz’s Time Regained and Filming the Unfilmable
“In a single bold stroke, Ruiz films the novel according to the play of images, feelings, scents, and tastes that Marcel experiences.” 1. An attempt to film Proust’s Remembrance of[…]
Auteur in Distress: On Wallace Beery, von Sternberg, and Sergeant Madden
Cinema’s supreme pictorialist surrenders to “the cop on the beat” Wallace Beery was always a strange case. An outstanding character actor throughout the silent era and the early sound period,[…]
What the Sound Is Saying: How Music Moves in Bertolucci
“Who doesn’t want to be rescued by their narrator?” Sometimes a film’s camera takes you on one track, while its music sends you on another, wider one: it offers you[…]
Actors & Personalities · Directors · Silents
Blossom in the Dust: Lillian Gish, The Wind, and Mr. Griffith
“I was never young, and if you were never young, how can you ever feel old?” Towards the end of Follow Me, Boys! (1966), a particularly obnoxious piece of Walt[…]
Spirit in the Dark: Barbara Kopple on Filming the Group That Wouldn’t Shut Up & Sing
“Just put your sneakers on and go. Go on the journey.” New York native Barbara Kopple has been a vital and socially progressive voice in documentary filmmaking for the past[…]
SF & Fantasy · Visual Artists · Writers & Critics
Expanding the Possibilities: Peter Chung Talks About Aeon Flux, Matriculated, Dark Fury, and More
“The more you’re able to project your own world upon the work, the more power it has.” Peter Chung is not your average sci-fi figure. First, he cuts a studied[…]
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