Catfish: A New Medium for a Motif
Note: this review discusses major plot points but doesn’t reveal the surprising turn. Much of what is discussed below can be found in the promotional material. Catfish opens in Philadelphia[…]
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Note: this review discusses major plot points but doesn’t reveal the surprising turn. Much of what is discussed below can be found in the promotional material. Catfish opens in Philadelphia[…]
There was something so damned likeable about Claude Chabrol (June 24,1930 – September 12, 2010). He had a remarkable enthusiasm for films and the process of filmmaking which translated into[…]
Director Robert Siodmak was born on August 8, 1900, in Dresden, Germany. If alive today, he would be 110. In 1994, in an article entitled Beyond the Golden[…]
“Tashlin’s tenure at Warner Bros. did not provide him with a ‘cartoon aesthetic’ that could be applied, ready-made, to his features; rather, it allowed him to develop a feature filmmaking aesthetic through cartoons.”
“It is a protean film, and changes radically depending on how you approach it.”
Actors & Personalities · Comedy · Directors
“The man’s a genius!” —Jerry Lewis
Directors · Interviews · Music & Musicals
“Being middle-age rock and rollers, just trying to pay the bills, isn’t an easy lifestyle.”
[youtube=http://www.youtube.com/watch?v=ZhqOFWdtDdY] Remember when Jean-Luc Godard made films that were avant-garde but still, somehow, comprehensible? That was a long time ago, the 1960s to be precise. Yet, like The Big Lebowski’s[…]
Directors · Reviews · SF & Fantasy
Can a film’s designer be its effective auteur? He can, if his name is William Cameron Menzies. Menzies is best known for directing and designing two classics of the science[…]
Actors & Personalities · Comedy · Directors · War
“In the seventeenth chapter of St. Luke it is written, the kingdom of Godis within man, not one man or a group of men but in all men.”
“I have always contended that in addition to talent, success depends on a little bit of luck, and my luck seemed to have run out, professionally at least.” –Preston Sturges, on the making of The French, They Are a Funny Race1
“The films of the Coen brothers seem to take place in a postmodern Chelm, displaced chronologically and geographically.”
Actors & Personalities · Directors · Interviews · Visual Artists
“My interest in creating visual worlds is what led me to both painting and film.”
“Arriaga’s use of eroticism and semi-incest between respective children of the two illicit lovers is more than a pastiche; it’s an organic outgrowth from an idea.”
Counterculture · Directors · Documentaries · Interviews
On Art, Identity, Families, Fragmentation, Medication . . . and Fulfillment
Kubrick in embryo
And staying forever young
Can a filmmaker spend most of his or her artistic life recycling other people’s ideas and still be a true auteur? Sure. Why not? Any idea, theme, style, or attitude[…]
Every time a new film by the Coen brothers comes out, I dread having to hear from the same old so-and-so’s who can’t bear to slog through the Coens’ peculiar[…]
A tour of Edwards’ curious 1988 film, with side trips to variations by James Ivory, John Schlesinger, and others
